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Malta is an archipelago consisting of three islands (Gozo, Comino and Malta itself) located in the central Mediterranean. The strategic location of the islands has meant that they have long enjoyed an importance out of all proportion to their small size. Malta has a history of control by colonial powers and this is reflected in the ethnic background of its population, which comprises Arabs, Normans, Sicilians, English, Spanish and Italians. Occupied at various periods by the Thoenicians, the Greeks, the Carthaginians, the Romans, the Knights of St. John and the French, Malta became a crown colony of Britain in 1814. During the Second World War, the islands played a crucial role for the Allies, and the bravery shown by the people prompted King George VI to award the entire colony the George Cross, Britain's highest honour for valour. The nation achieved full independence in 1964 and became a republic in 1974. This revised bibliography fully updates the first edition, published in 1985, and pays particular attention to Malta's chequered history and strategic position.
A collection of twenty essays by the author previously published between 1964 and 2007.
Making extensive use of archaeology as well as the written sources this study provides a new perspective on the history of Christianity in Malta up to the island's takeover by the Hospitallers in 1530.
Treasures of Faith closely at the period between 1600, with the early documented translation of relics, and 1798, when the Knights left Malta.
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Presents us with a comprehensive point of departure for the study of artistic developments in the Late Middle Ages, from the Norman Conquest at the turn of the twelfth century to the coming of the Knights in 1530. This book shows us that Late Medieval Malta was not an artistic desert, that patronage in Mdina was surprisingly well-informed, and that the Renaissance reached Malta before the coming of the Knights. Architecture, however, lagged behind, and the stylistic and technical innovations reflected the conservatism of an insular society. Through the art and architecture of that period, Professor Buhagiar outlines the Christianization and Latinization process that moved the islands away from a Muslim and North African bias, to a South European sphere of influence. The author's many years of meticulous research and academic activity have resulted in an excellently presented book that can be enjoyed by both the academic and the general reader. Mario Buhagiar is Professor of History of Art and Head of the History of Art Programme at the University of Malta, which he was responsible for establishing in 1988. The author is also responsible for the Late Roman and Byzantine Catacombs and Related Burial Places in the Maltese Islands, and The Iconography of the Maltese Islands 1400-1900: Painting, as well as numerous articles in various journals, both local and foreign.
"In Staging Holiness. The Case of Hospitaller Rhodes (ca. 1309-1522) Sofia Zoitou offers a study of the history of relic collections, devotional rituals and sites invested with special meaning in Rhodes, during a time when the island became one of the most frequented ports of call for ships carrying pilgrims from Venice to the Holy Land. Scrutinizing late medieval travel reports by pilgrims from all over Europe along with extant historical, archaeological, visual and material evidence, Sofia Zoitou traces the various forms of the Rhodian cultic sites' evolution and perception, ultimately considered as an overall artistic strategy for the staging of the sacred"--