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"This book examines birds in Roman life and myth, focusing primarily on the transitional period of 100 BCE to 100 CE within the Italian peninsula. A diverse range of topics are considered to build a broad view of the role of birds in Roman life. It begins by examining birds in omens, augury, and auspices, with particular emphasis on the so-called sacred chickens consulted by magistrates and generals before important decisions. From there, it looks at how Romans hunted birds, farmed them, and kept them as pets. Taking an interdisciplinary approach, it draws on many evidence streams, including literary evidence alongside art, material culture, zooarchaeology, and modern ornithological knowledge to reconstruct fully how Romans lived with, thought about, and exploited birds. The incorporation of zooarchaeological knowledge adds another dimension to the evidence and highlights how animals and animal remains can be used to interpret the past and reconstruct cultural, religious, and social beliefs. Using a blend of evidence to examine birds as divine messengers, heralds, hunted quarry, domestic flocks, companion animals and more, this book is an important reference for researchers interested in human-animal relations and animals in the ancient world"--
This book explores the place of birds in Roman myth and everyday life, focusing primarily on the transitional period of 100 BCE to 100 CE within the Italian peninsula. A diverse range of topics is considered in order to build a broad overview of the subject. Beginning with an appraisal of omens, augury, and auspices – including the ‘sacred chickens’ consulted by generals before battle – it goes on to examine how Romans farmed birds, hunted them, and kept them as pets. It demonstrates how the ownership and consumption of birds were used to communicate status and prestige, and how bird consumption mirrored wider economic and social trends. Each topic adopts an interdisciplinary approach, considering literary evidence alongside art, material culture, zooarchaeology, and modern ornithological knowledge. The inclusion of zooarchaeology adds another dimension to the work and highlights the value of using animals and faunal remains to interpret the past. Studying the Roman view of birds offers great insight into how they conceived of their relationship with the gods and how they stratified and organised their society. This book is a valuable resource for bird lovers and researchers alike, particularly those studying animals in the ancient world.
Birds played an important role in the ancient world: as indicators of time, weather, and seasons; as a resource for hunting, medicine, and farming; as pets and entertainment; as omens and messengers of the gods. Jeremy Mynott explores the similarities and surprising differences between ancient perceptions of the natural world and our own.
Discover the wild and fascinating true stories of the Roman Empire that are rarely taught in history class with this ultimate collection of notorious emperors, scandalous love affairs, rebellion, and more! Whether you think about the Roman Empire every day or not, the legendary stories and fun facts in this book of ancient Roman history are sure to shock you. Discover the lengths Romans would go to please the gods, the most torrid love affairs, the fun that emperors had to create to keep themselves entertained, and the never-ending scandals that caused serious outrage in ancient Roman society. This collection of trivia and history includes: The fall of Crassus, one of the most powerful Romans in his day The tale of the goddess Vesta, who saved Tuccia, a priestess wrongly accused of losing her chastity The story behind the Romans developing a cult for the goddess Cybele, also known as the "Mother of the Gods" And much more! Whether you’re a Roman Empire enthusiast or someone whose knowledge only comes from the movie Gladiator, this book has facts and trivia that will be sure to both educate and entertain you!
Birds pervaded the ancient world. They impressed their physical presence on the daily experience and imaginations of ordinary people in town and country alike, and figured prominently in literature and art. They also provided a fertile source of symbols and stories in their myths and folklore, and were central to the ancient rituals of augury and divination. Jeremy Mynott's Birds in the Ancient World: Winged Words brings together all this rich and fascinating material for the modern reader. Using quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, and nearly a hundred illustrations from ancient wall-paintings, pottery, and mosaics, Birds in the Ancient World illustrates the many different roles birds played in popular culture: as indicators of time, weather, and the seasons; as a resource for hunting, eating, medicine, and farming; as domestic pets and entertainments; and as omens and intermediaries between the gods and humankind. There are also selections from early scientific writings about birds, as well as many anecdotes and descriptions from works of history, geography, and travel. Jeremy Mynott acts as a stimulating guide to this varied material, using birds as a prism through which to explore both the similarities and the often surprising differences between ancient conceptions of the natural world and our own. His book is an original contribution to the flourishing interest in the cultural history of birds and to our understanding of the ancient cultures in which birds played such a prominent part.
Early Christian apocryphal and conical documents present us with grotesque images of the human body, often combining the playful and humorous with the repulsive, and fearful. First to third century Christian literature was shaped by the discourse around and imagery of the human body. This study analyses how the iconography of bodily cruelty and visceral morality was produced and refined from the very start of Christian history. The sources range across Greek comedy, Roman and Jewish demonology, and metamorphosis traditions. The study reveals how these images originated, were adopted, and were shaped to the service of a doctrinally and psychologically persuasive Christian message.
In Animal Life in Nature, Myth and Dreams, Elizabeth Caspari connects the world of real, living animals with the symbolic world of animal images in human thought, both conscious and unconscious. She gives the reader an opportunity to make this connection on his or her own personal journey of discovery. This book is a study of animals-their natural history, mythology, folklore, and religious significance around the world as well as their role in our lives, dreams, and everyday language. It examines the symbolic impact animals have on our collective culture, particularly on our own personal and interior lives. From Albatross to Zebra, each animal is pictured in color and factual context is given about its behavior in the natural world. Information is included about habitat, distribution, weight, size, longevity, and classification. By drawing on a process of amplification developed by C.G. Jung, in which an image is related to a previous historical, mythological, religious, or ethnological context, Animal Life in Nature, Myth and Dreams discusses the meaning of the animal in a dream, amplifying the reader's understanding of that animal. Intended for anyone interested in the actual behavior and nature of animals and the world we live in, Animal Life presents a good deal of ethological and mythological material. By contemplating the significance of our fellow creatures, and how everything in our universe is connected, Animal Life offers a more whole, and more healing, view of the world. Fully illustrated in color.
This book invites readers to enter a two-floor virtual "gallery” where 60-plus images of birds reflecting the accomplishments of human pictorial history are on display. These are works in a genre the authors term Science Art--that is, art that says something about the natural world and how it works. Darryl Wheye and Donald Kennedy show how these works of art can advance our understanding of the ways nature has been perceived over time, its current vulnerability, and our responsibility to preserve its wealth. Each room in the gallery is dedicated to a single topic. The rooms on the first floor show birds as icons, birds as resources, birds as teaching tools, and more. On the second floor, the images and their captions clarify what Science Art is and how the intertwining of art and science can change the way we look at each. The authors also provide a timeline linking scientific innovations with the production of images of birds, and they offer a checklist of steps to promote the creation and accessibility of Science Art. Readers who tour this unique and fascinating gallery will never look at art depicting nature in the same way again. Published with assistance from the Alfred P. Sloan Foundation's Public Understanding of Science and Technology Program.