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In a comic case of mistaken identity; wildlife photographers Krupakar and Senani were kidnapped one night from their home at the edge of the Bandipur National Park by Veerappan; India’s ‘most dreaded bandit’. He thought they were important government officials; and his plan was to hold them hostage in return for clemency and a substantial ransom. The bandit and his gang kept the hostages on the move in the forest; and their only contact with the outside world was via an old transistor radio. While Veerappan;who had already killed some 250 people; formulated strategies to force the government to agree to his demands; his hostages not only got a close look at the plant and animal diversity in the forests of Karnataka and Tamil Nadu; but the intimacy of their life on the run gave them an insight into Veerappan’s strange mix of cruelty and humanity. Though Krupakar and Senani came from a world that was completely different from that of Veerappan’s gang; the kidnapped and the kidnappers became closely involved in each other’s concerns. Birds; Beasts and Bandits is a witty and poignant account of an extraordinary adventure with the notorious poacher and his companions.
The follow-up to My Family and Other Animals and the inspiration for The Durrells in Corfu: A naturalist’s memoir of his family’s time on a Greek island. In the years before World War II, Gerald Durrell’s family left the gloomy shores of England for the sun-drenched island of Corfu. Against this picturesque backdrop, Durrell fondly recalls his family’s disorderly household and outrageous antics, including their interactions with locals of both human and animal varieties. After a boyhood spent studying zoology and acquiring the island’s exotic insects, reptiles, birds, mammals, and sea creatures as pets, Durrell’s budding naturalism would later bloom into a passion for conservation that would last a lifetime. Filled with clever observations, amusing anecdotes, and childlike wonder, Birds, Beasts and Relatives is half nature guide, half coming-of-age tale, and all charmingly funny memoir. This ebook features an illustrated biography of Gerald Durrell including rare photos from the author’s estate.
In the hypermediated world of Tamil Nadu, Francis Cody studies how “news events” are made. Not merely the act of representing events with words or images, a “news event” is the reciprocal relationship between the events being reported in the news and the event of the news coverage itself. In The News Event, Francis Cody focuses on how imaginaries of popular sovereignty have been remade through the production and experience of such events. Political sovereignty is thoroughly mediated by the production of news, and subjects invested in the idea of democracy are remarkably reflexive about the role of publicly circulating images and texts in the very constitution of their subjectivity. The law comes to stand as both a limit and positive condition in this process of event making, where acts of legal and extralegal repression of publication can also become the stuff of news about news makers. When the subjects of news inhabit multiple participant roles in the unfolding of public events, when the very technologies of recording and circulating events themselves become news, the act of representing a political event becomes difficult to disentangle from that of participating in it. This, Cody argues, is the crisis of contemporary news making: the news can no longer claim exteriority to the world on which it reports.
About the Book THE RUNAWAY BESTSELLER FROM ONE OF KANNADA LITERATURE’S TALLEST FIGURES What is the Rashtriya Swayamsevak Sangh? Where is it steering India now that a party aligned to it has been in power for an extended period? And importantly, what does it believe in, what does it reject? These are only some of the questions that Devanura Mahadeva explores in this remarkable exposition that marries mythology with modernity and folklores with keen political insight. With characteristic humour, he urges readers: ‘When the Koogu Maaris of the RSS arrive at our doors, we should refuse to heed them. Like our people in the villages, we must write “Naale baa” (Come tomorrow) on our doors.’ A tract unlike any other, RSS is both a political call to action and a work of outstanding virtuosity.
In his first novel since Corelli’s Mandolin, Louis de Bernières creates a world, populates it with characters as real as our best friends, and launches it into the maelstrom of twentieth-century history. The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.
A detailed and lucid account of the history of zoological studies, from Aristotle to Jane Goodall and from Pliny to Watson and Crick. -- from an Amazon review.
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
No other bandit in recent times has captured the public's imagination as much as Koose Muniswamy Veerappan. Be it his trademark moustache, stories of his daring escapades or his ruthless massacre of officers, Veerappan continues to fascinate, even thirteen years after his death. Veerappan: Chasing the Brigand is a lucid and incisive account of the rise and fall of India's most dreaded forest brigand. Chronicled by K. Vijay Kumar, IPS, the man who spearheaded the Tamil Nadu Special Task Force (STF) that planned and executed the dreaded bandit's killing, the book relives the various incidents that shaped Veerappan's life - from his birth in Gopinatham in 1952 to his death in 2004 in a shootout in Padi. It traces his dramatic rise from a small-time poacher and sandalwood smuggler to a brutal fugitive who held three states to ransom for two decades. The ruthless killings and high-profile kidnappings masterminded by Veerappan, including the 108-day ordeal involving Kannada cinema superstar, Dr Rajkumar, are described in fascinating detail. Veerappan: Chasing the Brigand is the most authentic account of the life and times of the dreaded outlaw.
In modern Chinese Buddhism, Dizang is especially popular as the sovereign of the underworld. Often represented as a monk wearing a royal crown, Dizang helps the deceased faithful navigate the complex underworld bureaucracy, avert the punitive terrors of hell, and arrive at the happy realm of rebirth. The author is concerned with the formative period of this important Buddhist deity, before his underworldly aspect eclipses his connections to other religious expressions and at a time when the art, mythology, practices, and texts of his cult were still replete with possibilities. She begins by problematizing the reigning model of Dizang, one that proposes an evolution of gradual sinicization and increasing vulgarization of a relatively unknown Indian bodhisattva, Ksitigarbha, into a Chinese deity of the underworld. Such a model, the author argues, obscures the many-faceted personality and iconography of Dizang. Rejecting it, she deploys a broad array of materials (art, epigraphy, ritual texts, scripture, and narrative literature) to recomplexify Dizang and restore (as much as possible from the fragmented historical sources) what this figure meant to Chinese Buddhists from the sixth to tenth centuries. Rather than privilege any one genre of evidence, the author treats both material artifacts and literary works, canonical and noncanonical sources. Adopting an archaeological approach, she excavates motifs from and finds resonances across disparate genres to paint a vibrant, detailed picture of the medieval Dizang cult. Through her analysis, the cult, far from being an isolated phenomenon, is revealed as integrally woven into the entire fabric of Chinese Buddhism, functioning as a kaleidoscopic lens encompassing a multivalent religio-cultural assimilation that resists the usual bifurcation of doctrine and practice or "elite" and "popular" religion. The Making of a Savior Bodhisattva presents a fascinating wealth of material on the personality, iconography, and lore associated with the medieval Dizang. It elucidates the complex cultural, religious, and social forces shaping the florescence of this savior cult in Tang China while simultaneously addressing several broader theoretical issues that have preoccupied the field. Zhiru not only questions the use of sinicization as a lens through which to view Chinese Buddhist history, she also brings both canonical and noncanonical literature into dialogue with a body of archaeological remains that has been ignored in the study of East Asian Buddhism.