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"An exquisitely beautiful book ...These stories about birds are ultimately reflections on the curious nature of humanity itself" — Helen Macdonald, author of H Is for Hawk There is no denying that many people are crazy for birds. Packed with intriguing facts and exquisite and rare artwork, Birdmania showcases an eclectic and fascinating selection of bird devotees who would do anything for their feathered friends. In addition to well-known enthusiasts such as Aristotle, Charles Darwin, and Helen Macdonald, Brunner introduces readers to Karl Russ, the pioneer of "bird rooms", who had difficulty renting lodgings when landlords realized who he was; George Lupton, a wealthy Yorkshire lawyer, who commissioned the theft of uniquely patterned eggs every year for twenty years from the same unfortunate female guillemot who never had a chance to raise a chick; George Archibald, who performed mating dances for an endangered whooping crane called Tex to encourage her to lay; and Mervyn Shorthouse, who posed as a wheelchair-bound invalid to steal an estimated ten thousand eggs from the Natural History Museum in Tring. As this book illustrates, people who love birds, whether they are amateurs or professionals, are as captivating and varied as the birds that give flight to their dreams.
Introduces a variety of birds such as macaws, peacocks, flamingos, owls, swans, and pelicans.
Dan Epstein scored a cult hit with Big Hair and Plastic Grass: A Funky Ride Through Baseball and America in the Swinging '70s. Now he returns with Stars and Strikes, a riotous look at the most pivotal season of the decade. America, 1976: colorful, complex, and combustible. It was a year of Bicentennial celebrations and presidential primaries, of Olympic glory and busing riots, of "killer bees" hysteria and Pong fever. For both the nation and the national pastime, the year was revolutionary, indeed. On the diamond, Thurman Munson led the New York Yankees to their first World Series in a dozen years, but it was Joe Morgan and Cincinnati's "Big Red Machine" who cemented a dynasty with their second consecutive World Championship. Sluggers Mike Schmidt and Dave Kingman dominated the headlines, while rookie sensation Mark "The Bird" Fidrych started the All-Star Game opposite Randy "Junkman" Jones. The season was defined by the outrageous antics of team owners Bill Veeck, Ted Turner, George Steinbrenner, and Charlie Finley, as well as by several memorable bench-clearing brawls, and a batting title race that became just as contentious as the presidential race. From Dorothy Hamill's "wedge" haircut to Kojak's chrome dome, American pop culture was never more giddily effervescent than in this year of Jimmy Carter, CB radios, AMC Pacers, The Bad News Bears, Rocky, Taxi Driver, the Ramones, KISS, Happy Days, Hotel California, and Frampton Comes Alive!--it all came alive in '76! Meanwhile, as the nation erupted in a red-white-and-blue explosion saluting its two- hundredth year of independence, Major League Baseball players waged a war for their own liberties by demanding free agency. From the road to the White House to the shorts-wearing White Sox, Stars and Strikes tracks the tumultuous year after which the sport--and the nation--would never be the same.
The first biography of the eccentric pitcher, rookie All-Star starter, 70s pop icon, and first athlete on the cover of Rolling Stone Mark Fidrych exploded onto the scene in the summer of 1976 with the Detroit Tigers, capturing the hearts of Americans from coast to coast. Lanky with a curly mop, a nickname born of his resemblance to Sesame Street's Big Bird would only hint at the large personality that was about to take baseball in a new direction. Known for wildly endearing antics such as throwing back balls that "had hits in them," manicuring the mound of any cleat marks, talking to himself (and the ball for that matter), and shaking hands with just about everyone from groundskeepers to cops after games, The Bird infused each game with the fun, All-American spirit of 1970s baseball. A two-time All-Star player, Fidrych won nineteen games, along with the Rookie of the Year Award, becoming one of the biggest individual drawing cards baseball has ever seen. Recreating the magic of an unforgettable era of baseball, The Bird shows how Fidrych was the player that brought a smile to your face, becoming a crossover pop culture icon and household name. Through meticulous research and interviews, Doug Wilson vividly recounts Fidrych's struggles and final shining moments in the Minors, the tragic injury that signaled the beginning of the end of his career, through to his sudden death in 2009. The Bird gives readers a long overdue look into the life of the refreshing rookie the likes of which baseball had never seen before, and has never seen since.
Escaping Kakania is about fascinating characters—soldiers, doctors, scientists, writers, painters—who traveled from their eastern European homelands to colonial Southeast Asia. Their stories are told by experts on different countries in the two regions, who bring diverse approaches into a conversation that crosses disciplinary and national borders. The 14 chapters deal with the diverse encounters of eastern Europeans with the many faces of colonial southeast Asia. Some essays directly engage with post-colonial studies, contributing to an ongoing critical re-evaluation of eastern European “semi-peripheral” (non-)involvement in colonialism. Other chapters disclose a range of perspectives and narratives that illuminate the plurality of the travelers’ positions while reflecting on the specificity of the eastern European experience. The travellers moved—as do the chapter authors—between two regions that are off-centre, in-between, shiftingly “Eastern,” and disorientingly heterogeneous, thus complicating colonial and postcolonial notions of “Europe,” “East,” and East-West distinctions. Both at home and overseas, they navigated among a multiplicity of peoples, “races,” and empires, Occidents and Orients, fantasies of the Self and the Other, adopting/adapting/mimicking/rejecting colonialist identities and ideologies. They saw both eastern Europe and southeast Asia in a distinctive light, as if through each other—and so will the readers of Escaping Kakania.
Using werewolves and Wernher von Braun, Stonehenge and the sex lives of sea corals, aboriginal myths, and an Anglican bishop in this new book, the author weaves variegated information into a glimpse of Earth's closest celestial neighbor, whose mere presence inspires us to wonder what might be out there. Going beyond the discoveries of contemporary science, he presents a cultural assessment of our complex relationship with Earth's lifeless, rocky satellite. As well as offering an engaging perspective on such age old questions as "What would Earth be like without the moon?" he surveys the moon's mythical and religious significance and provokes existential soul searching through a lunar lens, inquiring, "Forty years ago, the first man put his footprint on the moon. Will we continue to use it as the screen onto which we cast our hopes and fears?" Drawing on materials from different cultures and epochs, he walks readers down a moonlit path illuminated by more than seventy-five vintage photographs and illustrations. From scientific discussions of the moon's origins and its chronobiological effects on the mating and feeding habits of animals to an illuminating interpretation of Bishop Francis Godwin's 1638 novel The Man in the Moone, his interdisciplinary explorations recast a familiar object in an original light.
The mysterious world beneath the ocean's surface has captivated man for centuriesthe Egyptians, Greeks, Romans, and ancient Chinese all kept fish in their homes for purposes other than the culinary. But it was not until the nineteenth-century invention of the aquarium that the deep was trulydomesticated, offering the curiously inclined a chance to invent their very own exotic sea world within their own walls. In this fascinating history of the aquarium, Bernd Brunner traces the development of this most wonderful invention, giving insight into the cultural and social circumstances that accompanied its swift rise in popularity. Brunner tells a compelling story of obsession, beauty, discovery, and delight, from the aquarium's humble origins as a tool for scientific observation to the Victorian era's elaborately decorated containers of oceanic curiosity, to the great public aquaria of the twentieth century.
A delightfully illustrated history of the complex relations between people and bears around the world
An intimate, revealing biography of a talented artist who lived life on her own terms. Pablo Picasso called Françoise Gilot “The Woman Who Says No.” Talented, and feisty, and an accomplished artist in her own right, Gilot left Picasso after a ten-year relationship, the only woman to escape his intense attentions unscathed. From 2012 to 2014, German journalist and author Malte Herwig dropped by her ateliers in Paris and New York to chat with her about life, love, and art. She shared trenchant observations, her sharp sense of humor, and over ninety years of experience, much of it in the company of men who changed the world: Picasso, Matisse, and her second husband, the famous virologist Jonas Salk, developer of the polio vaccine. Never one to stand in the shadows, Gilot engaged with ground-breaking artists and scientists on her own terms, creating from these vital interactions an artistic style all her own, translated into an enormous collection of paintings and drawings held by private collectors and public museums around the world. In her early nineties, she generously shared her hospitality and wisdom with Herwig, who started out as an interviewer but found himself drawn into the role of pupil as Gilot, whom he called “a philosopher of joy,” shared with him different ways of seeing the world.
"Beautiful ... Brunner is an astute guide to the fascinating relationships between orchards and human culture."--David George Haskell, author of Pulitzer finalist, The Forest Unseen. For readers of Michael Pollan's The Botany of Desire and Mark Kurlansky's Salt. The story of orchards is a human story. It is also a story of how humans have bent and shaped nature to our tastes and desires for millennia. In Taming Fruit, award-winning writer Bernd Brunner interweaves science, literature, art, history, and geography to tell the complete and fascinating story of orchards and humans. The first orchards may have been oases dotted with date trees, where desert nomads stopped to rest. In the Amazon, Indigenous tribes maintained beautiful mosaic gardens centuries before colonization. Modern fruit cultivation developed over thousands of years in the West and the East. As populations expanded, fruit trees sprang from the lush gardens of the wealthy and monasteries to fields and roadsides, changing landscapes as they fed the hungry. When settlers colonized North America, they brought apple orchards and orange groves. Today, rewilding efforts break down fences, encouraging nature to play an active role. But orchards are not only for growing fruit; they are also places of worship and creativity, inspiring poems, music, and art. This sweeping account of orchards explores an overlooked focal point of our relationship to nature. It also offers gorgeous illustrations of orchards past and present, each one more beautiful than the last.