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This delightful book contains a collection of beautiful poetry written by John Burroughs. A wonderful text sure to appeal to lovers of nature poetry, this anthology makes for a great addition to any personal library and is a veritable must-read for fans and collectors of Burroughs' work. Poems contained within this collection include: 'The Partridge', 'A March Glee', 'The Bluebird', 'The Song of the Toad', 'The Coming Phoebe', 'Spring Gladness', 'Early April', 'Hepatica', 'Trailing Arbutus', 'Arbutus Days', 'The Bush-Sparrow', 'The Swallow', 'Early May', 'In May', 'In Blooming Orchards', 'The Cuckoo', 'The Vesper Sparrow', 'June's Coming', 'The Hermit Thrush', 'Bobolink', and many others. This antique book was originally published in 1906, and is proudly republished now with a new introduction.
Richard Gaskin presents a work in the philosophy of language. He analyses what is distinctive about sentences and the propositions they express—what marks them off from mere lists of words and mere aggregates of word-meanings respectively. Since he identifies the world with all the true and false propositions, his account of the unity of the proposition has significant implications for our understanding of the nature of reality. He argues that the unity of the proposition is constituted by a certain infinitistic structure known in the tradition as 'Bradley's regress'. Usually, Bradley's regress has been regarded as vicious, but Gaskin argues that it is the metaphysical ground of the propositional unity, and gives us an important insight into the fundamental make-up of the world.
In this short, lucid, rich book Michael Dummett sets out his views about some of the deepest questions in philosophy. The fundamental question of metaphysics is: what does reality consist of? To answer this, Dummett holds, it is necessary to say what kinds of fact obtain, and what constitutes their holding good. Facts correspond with true propositions, or true thoughts: when we know which propositions, or thoughts, in general, are true, we shall know what facts there are in general. Dummett considers the relation between metaphysics, our conception of the constitution of reality, and semantics, the theory that explains how statements are determined as true or as false in terms of their composition out of their constituent expressions. He investigates the two concepts on which the bridge that connects semantics to metaphysics rests, meaning and truth, and the role of justification in a theory of meaning. He then examines the special semantic and metaphysical issues that arise with relation to time and tense. On this basis Dummett puts forward his controversial view of reality as indeterminate: there may be no fact of the matter about whether an object does or does not have a given property. We have to relinquish our deep-held realist understanding of language, the illusion that we know what it is for any proposition that we can frame to be true independently of our having any means of recognizing its truth, and accept that truth depends on our capacity to apprehend it. Dummett concludes with a chapter about God.