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This monumental work covers 20,000 plus photographers working in twenty-seven western U.S. states and Canadian provinces, plus itinerants who traveled throughout these areas. Carl Mautz has been compiling and collecting information and photographs since 1972 and is widely recognized in the field. His research has been augmented by the work of experts in many of the regions covered by this book. There is an alphabetical index by state, province or category of all photographs listed; a comprehensive bibliography; an essay from the 1997 edition of this book on collecting imprints, plus identifying and categorizing information on photographs including manuscript notes, stamps logos and ethnicity; plus a dating guide and glossary by photo historian Jeremy Rowe.
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
This work is an explanation of the role of the nineteenth-century photographer as a conscious historian of the West - a recorder of events, people, and places as surely as they were the diary-keepers, journalists, and writers. Like them, he exercised choice in what he recorded; unlike them, he documented aspects of reality that we can know in no other way. Photographers as documenters are too often casually, even carelessly, regarded. Photography And The Old West is intended to convey as clearly as possible how people learned to use a camera and became camera-wise in an individual way; how tools and materials affected photographic seeing; and what a few of the many photographers hoped to express. This work is not a comprehensive survey but rather a selective look at some of the imagery of the West that a few conscious photographers produced.
In the first comprehensive biography of Smith, Byron Price has drawn on Smith's archives and the history of southwestern ranch life in the early twentieth century. Imagining the Open Range is extensively illustrated with Smith's compelling photographs.--Publisher description
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
This introduction to the greatest women photographers from the 19th century to today features the most important works of 60 artists, along with in-depth biographical and critical assessments.
Ancient ecstasies -- Visualizing Lewis and Clark and the meaning of the West -- The eye and the heart in George Catlin's West -- Karl Bodmer's gift -- Alfred Jacob Miller's new Western American -- Jesus and animus beneath the Bitterroots -- An entire Heaven and an entire Earth : audubon on the Missouri -- Albert Bierstadt and the mountains of Mars -- Thomas Moran's Rocky Mountain romance -- Coming to terms with the Little Bighorn -- Altitude equals beatitude : William Henry Jackson and the Northern Rockies -- L.A. Huffman and the frontier disconnect -- Catching shadows in the northern West -- Through Indian eyes : the Crows and Richard Throssel -- Evelyn Cameron's time machine -- Carl Rungius and the son of wild folk -- Loving the West, hating the West, painting the West : the troubled times of Fra Dana -- Frederic Remington's Kiss of death -- Maynard and Montana -- Winold Reiss's beautiful Blackfeet -- Motion and poetry -- The bear in the mirror -- Emily Carr and the Great Mother -- The ripples beyond Ansel Adams -- In the end, what was Charlie Russell trying to tell us?
Spaulding provides a full biography and a critical analysis of the work of the man who introduced the general public to photography as art.
"Luke Swank was one of the artists championed by the highly influential Julien Levy Gallery in New York. Although Swank's images share stylistic similarities with many of the modernists, they also reveal his unique visual poetry. His compositional exploration, use of intense highlight and shadow, geometric forms and lines, and technical virtuosity affirm his contributions to the modernist movement and the emerging art of photography."--BOOK JACKET.