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Binding Terms

Association of College and Research Libraries. Rare Books and Manuscripts Section. Standards Committee

Published: 1988

Total Pages: 37


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Conscience, as Binding Words convincingly argues, can only ever be understood, interpreted, and made effective through tropes and figures of language.
From the author of the highly praised The Pencil and The Evolution of Useful Things comes another captivating history of the seemingly mundane: the book and its storage. Most of us take for granted that our books are vertical on our shelves with the spines facing out, but Henry Petroski, inveterately curious engineer, didn't. As a result, readers are guided along the astonishing evolution from papyrus scrolls boxed at Alexandria to upright books shelved at the Library of Congress. Unimpeachably researched, enviably written, and charmed with anecdotes from Seneca to Samuel Pepys to a nineteenth-century bibliophile who had to climb over his books to get into bed, The Book on the Bookshelf is indispensable for anyone who loves books.
NATIONAL BESTSELLER A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE Proclaimed as “truly spellbinding,” a “great fable” that “functions as transporting romance” by the Guardian, the runaway #1 international bestseller "A rich, gothic entertainment that explores what books have trapped inside them and reminds us of the power of storytelling. Spellbinding.” — TRACY CHEVALIER Imagine you could erase grief. Imagine you could remove pain. Imagine you could hide the darkest, most horrifying secret. Forever. Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a Bookbinder—a vocation that arouses fear, superstition, and prejudice amongst their small community, but one neither he nor his parents can afford to refuse. For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born. Under the old woman’s watchful eye, Emmett learns to hand-craft the elegant leather-bound volumes. Within each one they will capture something unique and extraordinary: a memory. If there’s something you want to forget, a binder can help. If there’s something you need to erase, they can assist. Within the pages of the books they create, secrets are concealed and the past is locked away. In a vault under his mentor’s workshop rows upon rows of books are meticulously stored. But while Seredith is an artisan, there are others of their kind, avaricious and amoral tradesman who use their talents for dark ends—and just as Emmett begins to settle into his new circumstances, he makes an astonishing discovery: one of the books has his name on it. Soon, everything he thought he understood about his life will be dramatically rewritten. An unforgettable novel of enchantment, mystery, memory, and forbidden love, The Binding is a beautiful homage to the allure and life-changing power of books—and a reminder to us all that knowledge can be its own kind of magic.
References to weaving and binding are ubiquitous in Anglo-Saxon literature. Several hundred instances of such imagery occur in the poetic corpus, invoked in connection with objects, people, elemental forces, and complex abstract concepts. Weaving Words and Binding Bodies presents the first comprehensive study of weaving and binding imagery through intertextual analysis and close readings of Beowulf, riddles, the poetry of Cynewulf, and other key texts. Megan Cavell highlights the prominent use of weaving and binding in previously unrecognized formulas, collocations, and type-scenes, shedding light on important tropes such as the lord-retainer "bond" and the gendered role of "peace-weaving" in Anglo-Saxon society. Through the analysis of metrical, rhetorical, and linguistic features and canonical and neglected texts in a wide range of genres, Weaving Words and Binding Bodies makes an important contribution to the ongoing study of Anglo-Saxon poetics.
Sean was just waiting for his best friend to show up at the bar so they could play some pool. It came as a shock when the tall blonde man accosted Sean and demanded that he change seats. His refusal would change his life...When the fight ended, Sean found himself in the strangest meeting of his life. Odin, Archangel Michael, Lucifer, and Morrigan all vied for his soul, each offering different deals. Sean had to choose, so he chose to go with the goddess of Fate, Death, and Battle.Placed on a new world, gifted with a new body crafted by the gods, and more gifts from other deities of the Tuatha De Danann, Sean now has the chance to live out a new life on a new world. Not everything will be sunshine and roses, however, in this world ruled by the Summer and Winter Queens. He learns quickly that words have power in this world, and that Agreements are binding. Sean has his work cut out for finding his place in this new world. (This work contains adult situations, that some might find offensive, not least of which is graphic sex.)
A mind-expanding, cheerfully dystopian new novel by Yoko Tawada, winner of the 2022 National Book Award Welcome to the not-too-distant future: Japan, having vanished from the face of the earth, is now remembered as “the land of sushi.” Hiruko, its former citizen and a climate refugee herself, has a job teaching immigrant children in Denmark with her invented language Panska (Pan-Scandinavian): “homemade language. no country to stay in. three countries I experienced. insufficient space in brain. so made new language. homemade language.” As she searches for anyone who can still speak her mother tongue, Hiruko soon makes new friends. Her troupe travels to France, encountering an umami cooking competition; a dead whale; an ultra-nationalist named Breivik; unrequited love; Kakuzo robots; red herrings; uranium; an Andalusian matador. Episodic and mesmerizing scenes flash vividly along, and soon they’re all next off to Stockholm. With its intrepid band of companions, Scattered All Over the Earth (the first novel of a trilogy) may bring to mind Alice’s Adventures in Wonderland or a surreal Wind in the Willows, but really is just another sui generis Yoko Tawada masterwork.
The author has provided a unique glossary of terms, styles, structures, and names related to conservation and bookbinding through the ages illustrated with over 700 line drawings. She has provided names and drawings for almost every conceivable part of the book as well as a multitude of styles, bindings, and decorations. She literally takes apart the structure of the book and illustrates the many as well as varied facets and definitions that clearly outline the historical development of the book's structures and styles.
Sean and his Bonded settled in Hearthglen to learn, train, and grow. Taking on an apprentice, setting up his shop, and Bonding both Chastity and Andrea to him, Sean felt like he would finally be able to learn about this world and try his hand at new things.Sean stepped on some toes as he tried to find his place in the city, but by ignoring conventions, he friended smith and Shaper alike, forging friendships across the divide. The newly formed alliance discovered common ground when opposition rose up to hinder them.Sean never anticipated the assassins that came for him and his Bonded. With Ida paralyzed and Ryann killed in front of him, Sean lashed out. He killed the attackers, healed Ida, and pulled Ryann back to the world of the living.Guards rushing toward them, Sean had decisions to make- ones that could shake the very foundations of Hearthglen, and maybe the world.(This work contains adult situations that some might find offensive, the least of which is graphic sex. This book is about an Overpowered MC, and contains a harem. You've been warned.)