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I am amazed at the unexpected dynamic that took hold once I decided that I would deploy a methodology that would allow events to be seen in the perspective of the Scriptures’ first listeners. I wanted to get another perspective, but never dreamed I would see things that I would never have seen had I been locked-in to my limited perspective, one that I had learned while growing up in a Christian home...one that I had continued to develop in eight straight years of seminary culminating in three advanced degrees. I will be forever thankful that the Lord led me to experiment with a new method for studying Scripture. I am truly blessed. I hope that you will be too. Cover photo credit: Don Claybrook, Jr. Painting by Don Claybrook, Sr.
Ever have those tough days that you would like to forget, or even a good day that could be made better? Would a good laugh help? Meet Bro. Billy Bob 'The Baptist' Bohannon: preacher, songwriter, poet. No Really My Name Is Brother Billy Bob Bohannon is Billy Bob's comical collection of tales about his colorful family, friends, and church families. You'll love his lighter-side stories like 'Uncle Buddy Lee Lightfoot and Cre-amation.' You'll snicker at his unusual Bible knowledge through stories such as 'The Story of Lot and Lottie' and 'Noah, Termites, Methuselah, and Joan of Ark.' Bro. Billy Bob is sure to enrich your life with his infectious blend of scripture, spirituality, and silliness.
In the summer of 1996, Yusha Evans went on a passage through the Bible and its four Gospel. He scrutinized more than five different religions in search of God and His message. In 1998, he reverted to Islam. He yearned for the truth in life which is to “Worship God alone as one, obey Him and His Messenger to go to Heaven,” of which he found through Islam.
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
In a small seaside town, something fishy's going on . . . Tidal Shores, a small seaside town in South Carolina, has seen its fortunes nose-dive. But not for much longer! The 'Big Ten' on the town council have come up with a range of ingenious ideas to get tourists flocking back, from buried pirate treasure to beauty pageants, but it's handsome taxidermist Gunner Jones' plan to dupe the public into believing that his creation 'Miss Lucy' - combining the top half of an albino ape with a large goliath tigerfish - is a real mermaid that wins the day. As Gunner's bizarre creature takes center stage, inquisitive reporter Zoe Porter isn't fooled by its supposed credibility, but with mermaid mania sweeping the country, will anyone believe her exposé? And when events take a sinister turn, Zoe is suddenly drawn into a much darker story . . .
... Contemporary scholarship to address the question, What does critical thinking about the Bible mean as the Bible itself is 'transmediated' from print to electronic formats?
Solidly grounded in contemporary biblical scholarship, this fascinating volume analyzes each of the major New Testament writers -- Matthew, Mark, Luke, John, Paul -- and places their accounts of Jesus' resurrection in the broader context of their entire output. Shepherd carefully studies the literary, historical, theological, anthropological, and sociological dimensions that color each writer's unique view of the resurrection, and examines how these passages may be read in various interpretive communities. Each section also includes sample sermons that illustrate how a preacher might treat these texts for an actual congregation. This is an excellent resource for pastors, and an informative, easy-to-read manual for anyone who wants a deeper understanding of the New Testament.
In Backfield Boys, renowned sports journalist and New York Times–bestselling author John Feinstein tells a thrilling story of friendship, football, and a fight for justice. Freshman footballers Jason Roddin and Tom Jefferson are a perfect pair: Jason is a blazing-fast wide-receiver, while his best friend Tom has all the skills a standout quarterback needs. After summer football camp at an elite sports-focused boarding school, the boys are thrilled to be invited back with full-ride scholarships. But on day one of practice, they’re shocked when the team's coaching staff makes Tom, a black kid, a receiver and Jason, a white kid, a quarterback. Confronted with mounting evidence of deep-seated racial bias, the boys speak out, risking their scholarships and chances to play. As tensions ratchet up with coaches and other players, Tom and Jason must decide how much they're willing to lose in a conflict with powerful forces that has nothing—and everything—to do with the game they love.
Inupiat police officer Ray Attla joins two of his police buddies for a three-day caribou hunt in the Alaskan Bush country. But when gear and supplies are lost, the trio fishes for food and pulls in the remains of a human head. Ray assumes the deceased fell victim to a tragic accident -- until he and the party are dodging bullets. Fleeing on foot to an archaeological dig, Ray suspects that unearthed artifacts are not the only remains to be uncovered. Coincidentally, or at the hands of the Inupiat gods, Ray encounters a young Athabascan girl who is gifted with a "special sight". The girl's visions arm Ray with fragments of information and he follows her lead into the wilderness to hunt a cagey killer who has declared open season on the police officer.
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