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This retrospective monograph is the first to be dedicated to the radical sculptural œuvre by the almost forgotten American artist Bill Bollinger.In the late 1960s, Bill Bollinger ranked among the most important sculptors of his day, on a par with Bruce Nauman, Robert Smithson, Eva Hesse, and Richard Serra.After graduating from Rhode Island's renowned Brown University with a degree in aeronautics, Bollinger moved to New York in 1961 to study painting.He participated in legendary exhibitions and produced a compact, wide-ranging body of work that is purist, ephemeral, and full of energy; these works still deliver an astonishing impact. In the mid-1970s, he disappeared from the radar screen of the art world.Published on the occasion of the exhibition Bill Bollinger: The Retrospective touring from venues in Germany to The Fruitmarket Gallery, Edinburgh, UK, October 2011 - January 2012.
In his short life, Bollinger created an oeuvre that is complex, radical and intense, and well worth rediscovering. At the same time, the show aims to contribute to the current reappraisal of hitherto neglected art positions. At the height of the space race, he was creating sculptures that explore the gravity, balance and specific properties of a wide variety of materials. The cosmos and water are key elements in the work of Bollinger, who was fascinated by curved space, the vertical and the horizontal, resulting in evanescent, purist, energy-laden works with a radical edge that still have the power to astound us, even today.
Berlin gallerist Rolf Ricke has been unleashing influential American artists like Richard Artschwager, Jo Baer, Donald Judd, Lee Lozano, Steven Parrino, Richard Serra, Jessica Stockholder and Barry Le Va on Europe since the 1960s. A 1965 trip to New York opened his eyes to the creative ferment happening there, and inspired him to import the artists themselves, to create new work for his Berlin-based gallery, rather than simply borrowing existing pieces. It was a savvy move. Through the decades, he formed relationships with these artists and acquired a stellar collection of works. The Rolf Ricke Collection, which is being exhibited at three major European museums in 2008, represents four decades of work by predominantly American artists. This accompanying publication is a trove, showcasing Ricke's 150-piece collection and putting it in context with an illustrated timeline of 40 of the richest years of art history.
On the one-man and group exhibitions shown by Gian Enzo Sperone at his private galleries in Turin, Rome and New York, 1964-1999.
“Massive, beautiful . . . unquestionably some of the best writing on Spain [and] the best that Mr. Michener has ever done on any subject.”—The Wall Street Journal Spain is an immemorial land like no other, one that James A. Michener, the Pulitzer Prize–winning author and celebrated citizen of the world, came to love as his own. Iberia is Michener’s enduring nonfiction tribute to his cherished second home. In the fresh and vivid prose that is his trademark, he not only reveals the celebrated history of bullfighters and warrior kings, painters and processions, cathedrals and olive orchards, he also shares the intimate, often hidden country he came to know, where the congeniality of living souls is thrust against the dark weight of history. Wild, contradictory, passionately beautiful, this is Spain as experienced by a master writer.
What does it mean to carry out "good work"? What strategies allow people to maintain moral and ethical standards at a time when market forces have unprecedented power and work life is being radically altered by technological innovation? These questions lie at the heart of this eagerly awaited new book. Focusing on genetics and journalism-two fields that generate and manipulate information and thus affect our lives in myriad ways-the authors show how in their quest to build meaningful careers successful professionals exhibit "humane creativity," high-level performance coupled with social responsibility. Over the last five years the authors have interviewed over 100 people in each field who are engaged in cutting-edge work, probing their goals and visions, their obstacles and fears, and how they pass on their most cherished practices and values. They found sharp contrasts between the two fields. Until now, geneticists' values have not been seriously challenged by the demands of their work world, while journalists are deeply disillusioned by the conflict between commerce and ethics. The dilemmas these professionals face and the strategies they choose in their search for a moral compass offer valuable guidance on how all persons can transform their professions and their lives. Enlivened with stories of real people facing hard decisions, Good Work offers powerful insight into one of the most important issues of our time and, indeed, into the future course of science, technology, and communication.
Spanning eight decades and chronicling the wild ride of a Greek-American family through the vicissitudes of the twentieth century, Jeffrey Eugenides’ witty, exuberant novel on one level tells a traditional story about three generations of a fantastic, absurd, lovable immigrant family -- blessed and cursed with generous doses of tragedy and high comedy. But there’s a provocative twist. Cal, the narrator -- also Callie -- is a hermaphrodite. And the explanation for this takes us spooling back in time, through a breathtaking review of the twentieth century, to 1922, when the Turks sacked Smyrna and Callie’s grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set our narrator’s life in motion. Middlesex is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It’s a brilliant exploration of divided people, divided families, divided cities and nations -- the connected halves that make up ourselves and our world.
Dedicated to the Sailors and Marines who lost their lives on the final voyage of USS Indianapolis and to those who survived the torment at sea following its sinking. plus the crews that risked their lives in rescue ships. The USS Indianapolis (CA-35) was a decorated World War II warship that is primarily remembered for her worst 15 minutes. . This ship earned ten (10) battle stars for her service in World War II and was credited for shooting down nine (9) enemy planes. However, this fame was overshadowed by the first 15 minutes July 30, 1945, when she was struck by two (2) torpedoes from Japanese submarine I-58 and sent to the bottom of the Philippine Sea. The sinking of Indianapolis and the loss of 880 crew out of 1,196 --most deaths occurring in the 4-5 day wait for a rescue delayed --is a tragedy in U.S. naval history. This historical reference showcases primary source documents to tell the story of Indianapolis, the history of this tragedy from the U.S. Navy perspective. It recounts the sinking, rescue efforts, follow-up investigations, aftermath and continuing communications efforts. Included are deck logs to better understand the ship location when she sunk and testimony of survivors and participants. For additional historical publications produced by the U.S. Naval History and Heritage Command, please check out these resources here: https://bookstore.gpo.gov/agency/naval-history-heritage-command Year 2016 marked the 71st anniversary of the sinking and another spike in public attention on the loss -- including a big screen adaptation of the story, talk of future films, documentaries, and planned expeditions to locate the wreckage of the warship.