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Dieser Band der Fichte-Studien Bild, Selbstbewusstsein, Einbildung stellt Fichtes Bildlehre im systematischen Zusammenhang seiner Wissenschaftslehre vor. Im Vordergrund steht der Bezug des Bildes zur Einbildungskraft und zum Selbstbewusstsein sowohl in einer transzendentalphilosophischen Perspektive als auch das Verhältnis zu Gott, dem Absoluten und der Welt betreffend. Zugleich werden hierbei auch praktische und ästhetische Aspekte der Bildproblematik mitberücksichtigt. Die verschiedenen Beiträge machen deutlich, inwiefern diese Problematik den Bezug zum frühen Fichte herzustellen und auch einen Ausblick auf die späten Arbeiten des Begründers der Wissenschaftslehre zu geben vermag. Dank der Vielfalt der Ansätze bietet dieser Band einen wertvollen Einblick in die jüngste internationale Fichte-Forschung bezüglich eines grundlegenden Aspekts im Denken eines der Hauptvertreter der Klassischen Deutschen Philosophie.
A study of how the novels by Christoph Martin Wieland explore the notion of fictionality, both as a feature of the stories themselves and as a distinguishing characteristic of the fanciful notions, moral laws, political utopias, religious beliefs and artistic concepts that they describe.
Accompanying CD-ROM includes catalog of Freud's library including descriptions of titles, ownership signatures, dedications, and marginalia, with illustrations in JPEG format.
This study investigates German and English revolutionary literary discourse between 1819 and 1848/49. Marked by dramatic socioeconomic transformations, this period witnessed a pronounced transnational shift from the concept of political revolution to one of social revolution. Writing the Revolution engages with literary authors, radical journalists, early proletarian pamphleteers, and political theorists, tracing their demands for social liberation, as well as their struggles with the specter of proletarian revolution. The book argues that these ideological battles translated into competing "poetics of revolution." (Series: Kulturgeschichtliche Perspektiven - Vol. 10)
Andrei Bely was one of the most prolific poets, novelists, and theoreticians among the Russian Symbolists. Engaged throughout his life with the essence of language, his thoughts and findings emerge repeatedly in his essays and novels. None of his writings on the subject, however, are as remarkable and multi-faceted as this Poem about Sound. Glossolalia is a complex examination of philology, philosophy, esoterica, and poetry, all in search of the relationship between sound and sense. It reverberates with sound associations and transcends all boundaries of language, discipline, and tradition. It is simultaneously a treatise on the origins of language and the world's creation through the movements of sounds. Bely reenacts, through the mouth, the cosmology of Rudolf Steiner. Bely's work, in its bold attempt to invoke the "living word," remains one of the most far-reaching poetic experiments of the twentieth Century, and this edition offers his fascinating text for the first time in both an English and a German translation, along with the original Russian version and an in-depth commentary by Thomas R. Beyer. Illustrated.
The book provides a critical and historical inquiry into Kant's schematism chapter. It focuses on the meanings of the notion of schema before Kant, the precritical meaning of this notion, an analysis of the schematism chapter and its criticisms, and an overview of the legacy of Kant's schematism in philosophy and psychology.
This book is intended to contribute towards a justification of the human sciences. Its basic phenomenological assuption is that man is an interpreting being, in the domains of experience, desire and freedom of will. An elaboration is offered from the perspectives of psychopathology, psychoanlysis and law.
Writing autobiography is a complicated, often fraught activity for both writer and reader. We can find many recent examples of the way such writing calls into question the author's truthfulness or their authority to present as definitive their 'version' of a particular event or portion of their lives. Drawing upon a wide range of late twentieth and early twenty-first-century autobiographical writing, The Fiction of Autobiography examines key aspects of autobiography from the interrelated perspectives of author, reader, critic and scholar, to reconsider how we view this form of writing, and its relationship to the way we understand and construct identity. Maftei considers recent cases and texts such as Didion's The Year of Magical Thinking and Frey's A Million Little Pieces alongside older texts such as Proust's In Search of Lost Time ̧ Nabokov's Speak, Memory and Stein's The Autobiography of Alice B. Toklas. In part, this is to emphasise that key issues reappear and arise over decades and centuries, and that texts distanced by time can speak to each other thoughtfully and poignantly.