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In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
This important book, now available in a revised edition, contains the most complete range of art deco figures ever published. It is based partly on the original importers catalogues and partly on the wide range of pieces handled by the author Bryan Catley - the leading specialist in the subject. Between the wars an entirely modern style of decorative sculpture emerged which was a complete break with the heavy romantic late nineteenth century schools, and was totally in sympathy with the vibrant young society of the 1920s. The use of bronze and ivory for a great number of these sensual figures in no way obscures the fact that many are of exceptionally high quality; add to this their sense of movement and rhythm and one realises that the large sums they now command is a reflection of a discriminative international collectors market.