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This volume covers the second great period of developments in iron construction from 1850, following its establishment as a structural material described in volume 9 of this series. Using the Crystal Palace of 1851 as a starting-point, the papers trace the history of iron-frame construction in Britain, France and America, and show its importance in fireproof construction, and in lattice truss and arch bridge design. A final group of papers illustrates the emergence of steel in framed buildings in both Britain and America. The selection brings out the important and daring contribution of individual engineers in their use of this material.
A volume created to accompany an exhibition considers the popular and influential style of art nouveau showcasing all mediums from Tiffany lampshades to Lalique jewelry.
"Architectural concepts and styles seem to flourish from the most local of contexts to the global." "This book investigates the regional, often conceived today as a late nineteenth-century phenomenon, primarily on account of the preservation and restoration movements that arose. An interdisciplinary approach to regionalism, as manifested not only in architecture but also in art and literature, necessitates a more thorough examination of the complexity and multilayered quality of the phenomenon." "The research is limited in lime to the nineteenth century plus the years leading up to the First World War, and in place to Western Europe, with an emphasis on Belgium, France and England, and to a lesser extent on the Netherlands, Germany and Spain."--BOOK JACKET.
The Art Nouveau movement is distinguished as the decorative and architectural style that began, in response to the Industrial Revolution. The primary objective of this movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. Designs from this movement are often characterized by plant or floral inspired patterns, and highly-stylized, detailed depictions countering the broad swooping curvatures of a piece in the Art Nouveau style. In order to achieve this, such artists as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms. Art Nouveau attempts to integrate art into all facets of life including materials from furniture, to decorative items in a home, to architecture; building on the movement's philosophy of incorporating art into everyday life. After its triumph at the Paris Universal Exposition in 1900, the trend continued and has inspired many artists since, as well as the Art Déco movement, the successor of Art Nouveau which appeared after World War I. It is fair to say Art Nouveau was at the heart of a "renaissance" in decorative arts.
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