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A glimpse at the political situation in the Deccan which was marked by political conclusion and disintegration during the last two decades, it is necessary to follow the trend of events which was contributed to the evolution of the Adil Shahi Kingdom of Bijapur. The murder of Khwajah Imaduddin Mahmud Gawan, the savior of Bahmani dynasty and the architect of a grand empire on the 5th April 1481 A.D. struck a fatal blow to the Kingdom. Mahmud Gawan’s dying words “the death of an old man is of little moment, but to your Majesty Sultan Muhammad Shah-III it will mean the loss of your character and the ruin of your Empire”, proved to be prophetic. Within a decade, the vast empire of the splendid edifice of the Bahmani dynasty presented a chequered scene. His death removed a dominating personality and let loose the forces of disintegration. It signaled the beginning of the decline and fall of the mighty empire
Illuminates the centrality of courtliness in the political and cultural life of the Deccan in the fifteenth and sixteenth centuries.
"Naẓar, literally 'vision', is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual culture and aesthetic sensibility have been shaped by common conceptual tools and moral parameters. It intertwines the act of 'seeing' with the act of 'reflecting', thereby bringing the visual and cognitive functions into a complex relationship. Within the folds of this multifaceted relationship lies an entangled web of religious ideas, moral values, aesthetic preferences, scientific precepts, and socio-cultural understandings that underlie the intricacy of one's personal belief. Peering through the lens of naẓar, the studies presented in this volume unravel aspects of these entanglements to provide new understandings of how vision, belief, and perception shape the rich Islamic visual culture. Contributors: Samer Akkach, James Bennett, Sushma Griffin, Stephen Hirtenstein, Virginia Hooker, Sakina Nomanbhoy, Shaha Parpia, Ellen Philpott-Teo, Wendy M.K. Shaw"--
The Sufis were heirs to a tradition of Islamic mysticism, and they have generally been viewed as standing more or less apart from the social order. Professor Eaton contends to the contrary that the Sufis were an integral part of their society, and that an understanding of their interaction with it is essential to an understanding of the Sufis themselves. In investigating the Sufis of Bijapur in South India, (he author identifies three fundamental questions. What was the relationship, he asks, between the Sufis and Bijapur's 'ulama, the upholders of Islamic orthodoxy? Second, how did the Sufis relate to the Bijapur court? Finally, how did they interact with the non-Muslim population surrounding them, and how did they translate highly developed mystical traditions into terms meaningful to that population? In answering these questions, the author advances our knowledge of an important but little-studied city-state in medieval India. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Turkish History and Culture in India examines the political, cultural and social role of Turks in medieval and early modern India, and their connections with Central Asia and Anatolia.
Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.