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Described as a writer of savage indignation and uncomfortable humour, Leonard's concerns are with language, power, class and politics. This collection of his poetry and prose is taken from the past dozen years and includes a series of pieces he wrote on the Gulf War.
Culture in Camouflage aims to remap the history of British war culture by insisting on the centrality and importance of the literature of the Second World War. The book offers the first comprehensive account of the emergence of modern war culture, arguing that its exceptional forms and temporalities force us to reappraise British cultural modernity. The book explores how writers like Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, T.E. Lawrence, Winston Churchill, Elizabeth Bowen, Virginia Woolf, James Hanley, Rex Warner, Alexander Baron, Keith Douglas, Henry Green, and Graham Greene contested the dominant narratives of war projected by an enormously powerful and persuasive mass media and culture industry. Patrick Deer reads war literature as one element in an expanded cultural field, which also includes popular culture and mass communications, the productions of war planners and military historians, projections of new technologies of violence, the fantasies and theories of strategists, and the material culture of total war. Modern war cultures, Deer contends, are defined by their drive to normalize conflict and war-making, by their struggle to colonize the entire wartime cultural field, and by their claim to monopolize representations and interpretation of the conflict. But the mobilization of cultural formations during wartime reveals, at times glaringly, the constitutive contradictions at the heart of modern ideas of culture. The Great War failed to produce a popular war culture on the home front, producing instead an extraordinary literature of protest, yet the strategists struggled to regain their oversight over both the enemy across no man's land, and the minds and bodies of their own mass conscript armies. The interwar years saw a massive effort to make strategic fantasies a reality; if the technology of imperial air power or mobile armoured warfare did not yet exist, culture could be mobilized to shore up the ramshackle war machine. During World War Two a fully fledged British war culture emerged triumphant in time of national crisis, offering the vision of a fully mobilized island fortress, a loyal empire, and a modernized war machine ready to wage a futuristic war of space and movement. This was the struggle that British World War Two writers confronted with extraordinary courage and creativity.
Few people have read as widely in the field of Canadiana as has John Robert Colombo. The curiosity of this Toronto writer, editor, and anthologist knows few if any bounds when it comes to the lore, literature, history, culture, and character of Canada. He has an inquiring mind and he seems able to find national and even international twists to subjects of interest or importance. Fascinating Canada, his latest book, is the product of over half a century of research, reading, writing, and thinking. Some years ago the author produced a trilogy of question-and-answer books 1,000 Questions about Canada, 999 Questions about Canada, 1,000 Questions about Canada. The first two were published by Doubleday Canada, the third one in 2001 by Dundurn Press. The same format is adapted to the material in the present book, but this time the majority of the questions are short whereas a good many of the answers are quite long discussions of the subjects at hand: concise questions followed by considered answers. Here is a book about the Canadian past, present, and future. The information in Fascinating Canada is organized under four headings (People, Places, Things, Ideas) and there is a detailed Index for ready reference. This book may serve as a work of popular reference, but it has been written to stimulate inquiry and spark the sense of surprise in the minds of readers who know something about this amazing country but perhaps not as much as the author. Open this book and begin to read ... and match wits with author and researcher John Robert Colombo.
In 1966, the tide of the air war above North Vietnam is turning against the United States. F-105 Thunderchiefs, and the elite fighter pilots who fly them, are being slaughtered. To destroy the greatest array of sophisticated anti-aircraft weapons ever assembled, the Pentagon creates the Wild Weasel. The mission of Lt. Colonel Mack MacLendon's 357th Tactical Fighter Squadron is to fly these technological demons straight into the teeth of North Vietnam's deadly air defenses and destroy the SAMs and Soviet MiGs that have killed their friends, and now seek their death.