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Raised by her pirate father on a Mississippi keeler, River is a half-feral river rat and proud of it. When her powerful father disappears in the great earthquake of 1811, she is on the run from buccaneers, including Jean Lafitte, who hope to claim her father's territory and his buried treasure. But the ruthless rivals do not count on getting a run for their money from a plucky slip of a girl determined to find her place in the new order. Filled with down-home humor, raucous hijinks, and one-of-a-kind characters, this historical novel captures the Mississippi River at a time when its denizens were as untamed as its waters.
The compelling and cinematic second novel from Belinda Jeffrey, author of Brown Skin Blue. Big River, Little Fish is the highly anticipated second novel from Belinda Jeffrey. Set in South Australia during the 1956 Murray River flood, it tells the story of Tom Downs, a boy trapped between his way of reading the world and the world's way of seeing him. He lives in the town but likes it best down by Old Mother Murray, talking to his best friend, Hannah, and helping the outcasts who live in the shacks on her banks. But there's a big river coming and Tom feels like everything he loves and understands might be swept away and lost. From the moment Tom Downs was born backwards the moment of his mother's death time has held him the wrong way round, like he's caught inside a fractured story. But the thing about the Murray River rising, the thing about Tom's town flooding, and the thing that takes him by surprise is not what Old Mother Murray takes away, but who she brings back. Big River, Little Fish is a compelling tale of a boy growing up into manhood set against the dramatic and beautiful scenery of the Murray River in South Australia.
The mighty Columbia River cuts a deep gash through the Miocene basalts of the Columbia Plateau, coursing as well through the lives of the Indians who live along its banks. Known to these people as Nch’i-Wana (the Big River), it forms the spine of their land, the core of their habitat. At the turn of the century, the Sahaptin speakers of the mid-Columbia lived in an area between Celilo Falls and Priest Rapids in eastern Oregon and Washington. They were hunters and gatherers who survived by virtue of a detailed, encyclopedic knowledge of their environment. Eugene Hunn’s authoritative study focuses on Sahaptin ethnobiology and the role of the natural environment in the lives and beliefs of their descendants who live on or near the Yakima, Umatilla, and Warm Springs reservations.
Dramatizes the experiences of Huck Finn and Jim, a runaway slave, as they travel down the Mississippi River.
The Pulitzer Prize– and Bancroft Prize–winning epic history of the American Southwest from the acclaimed twentieth-century author of Lamy of Santa Fe. Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations—Native American, Spanish, Mexican, and Anglo-American—that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing. “Here is known and unknown history, emotion and color, sense and sensitivity, battles for land and the soul of man, cultures and moods, fused by a glowing pen and a scholarly mind into a cohesive and memorable whole.” —The Boston Sunday Herald “Transcends regional history and soars far above the river valley with which it deals . . . a survey, rich in color and fascinating in pictorial detail, of four civilizations: the aboriginal Indian, the Spanish, the Mexican, and the Anglo-American . . . It is, in the best sense of the word, literature. It has architectural plan, scholarly accuracy, stylistic distinction, and not infrequently real nobility of spirit.” —Allan Nevins, author of Ordeal of the Union “One of the major masterpieces of American historical writing.” —Carl Carmer, author of Stars Fell on Alabama
Long lauded as a model of international cooperation, the Columbia River Treaty governs the storage and management of the waters of the upper Columbia River basin, a region rich in water resources, with a natural geography well suited to hydroelectric megaprojects. The Treaty also caused the displacement of over 2,000 residents of over a dozen communities, flooded and destroyed archaeological sites and up-ended once-healthy fisheries. The book begins with a review of key historical events that preceded the Treaty, including the Depression-era construction of Grand Coulee Dam in central Washington, a project that resulted in the extirpation of prolific runs of chinook, coho and sockeye into B.C. Prompted by concerns over the 1948 flood, American and Canadian political leaders began to focus their policy energy on governing the flow of the snow-charged Columbia to suit agricultural and industrial interests. Referring to national and provincial politics, First Nations history, and ecology, the narrative weaves from the present day to the past and back again in an engaging and unflinching examination of how and why Canada decided to sell water storage rights to American interests. The resulting Treaty flooded three major river valleys with four dams, all constructed in a single decade. At the heart of this survey of the Treaty and its impacts is the lack of consultation with local people. Those outside the region in urban areas or government benefited most. Those living in the region suffered the most losses. Specific stories of affected individuals are laced with accounts of betrayal, broken promises and unfair treatment, all of which serve as a reminder of the significant impact that policy, international agreements and corporate resource extraction can have on the individual’s ability to live a grounded life, in a particular place. Another little-known aspect of the Treaty’s history is the 1956 "extinction” of the Arrow Lakes Indians, or Sinixt, whose transboundary traditional territory once stretched from Washington State to the mountains above Revelstoke, B.C. Several thousand Sinixt today living south of the border have no rights or status in Canada, despite their inherent aboriginal rights to land that was given over by the Treaty to hydroelectric production and agricultural flood control. With one of the Treaty’s provisions set to expire in 2024, and with any changes to the treaty requiring a 10-year notice period, the question of whether or not to renew, renegotiate or terminate this water agreement is now being actively discussed by governments and policy makers. A River Captured surveys important history that can influence debate on who owns water, how water should be valued and whether or not rivers can be managed for non-human values such as fisheries, as well as the familiar call for more affordable electricity.
I'm Jeremy Wade, biologist and fishing detective. For twenty-five years, I've explored our planet's remotest rivers and lakes, hunting for monster-sized fish. It's become something of an obsession for me. . . . Called "the greatest angling explorer of his generation" (Independent on Sunday), Jeremy Wade, host of Animal Planet's wildly popular TV series River Monsters, takes viewers where no wildlife program has gone before, revealing the creatures that lurk in the murky depths of our planet's inland waterways. Now, Wade goes truly beneath the surface, disclosing full details of how he tracks down and catches each species while also recounting the off-camera highlights of his extraordinary life. From his arrest as a suspected spy in Southeast Asia to a plane crash in the Amazon, every page of River Monsters is packed with adventure. Each chapter unfolds an enthralling detective story, where fishermen's tales of underwater man-eaters and aquatic killers are subjected to scientific scrutiny. Follow Wade step-by-step as, armed with just a fishing line, he closes in on his prey and separates fact from fiction. From the heart of the Congo, where he wrestles with supernatural goliath tigerfish, to the depths of the Amazon, where the most feared creature is one that could fit in your palm, the results are fish of staggering proportions and terrifying demeanor. Wade also reveals monsters from upcoming episodes, including deadly electric eels, a giant described as a cross between a shark and a chainsaw, and a snake-like beast that truly is the stuff of legend. In the tradition of the most gripping adventure writing, River Monsters shows that there's more to this world than what's visible on the surface. As Wade says, with a fishing line anything is possible--sometimes it can even reveal the future, or at least one possible version of it. In similar fashion, Wade's writings are much more than exhilarating stories: they reveal a vision of the world more awe-inspiring than any individual myth made flesh. Ultimately, River Monsters explores the real mysteries that still exist, capturing the story of one man's obsession -- and his relentless pursuit of the truth.
Beginning above Flaming Gorge Dam in southwestern Wyoming, the Green River traverses the complete variety of terrain on the Colorado Plateau before joining the Colorado River above Cataract Canyon in southeastern Utah. Like its more famous cousin, the Colorado, the Green has captivated, capsized, and cajoled all types of characters with challenges and beauty to match its geologic variety.
A gorgeous new centennial edition of Ernest Hemingway’s landmark short story of returning veteran Nick Adams’s solo fishing trip in Michigan’s rugged Upper Peninsula, illustrated with specially commissioned artwork by master engraver Chris Wormell and featuring a revelatory foreword by John N. Maclean. "The finest story of the outdoors in American literature." —Sports Illustrated A century since its publication in the collection In Our Time, “Big Two-Hearted River” has helped shape language and literature in America and across the globe, and its magnetic pull continues to draw readers, writers, and critics. The story is the best early example of Ernest Hemingway’s now-familiar writing style: short sentences, punchy nouns and verbs, few adjectives and adverbs, and a seductive cadence. Easy to imitate, difficult to match. The subject matter of the story has inspired generations of writers to believe that fly fishing can be literature. More than any of his stories, it depends on his ‘iceberg theory’ of literature, the notion that leaving essential parts of a story unsaid, the underwater portion of the iceberg, adds to its power. Taken in context with his other work, it marks Hemingway’s passage from boyish writer to accomplished author: nothing big came before it, novels and stories poured out after it. —from the foreword by John N. Maclean
A river is a thread, embroidering our world. This non-fiction picture book brings attention to the rivers that stitch and thread our world together.