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The River is the Mississippi, enigmatic and treacherous. The Man is the American who conquered the West--the prototype of the restless, innocent and greedy nineteenth century dreamers who built the railroads and steamboats, who opened the Santa Fe Trail and despoiled the forests, who fought the Indians and each other. Here is the American Myth brought to life though men and women who matched the robust, ruthless age in which they lived. Caleb McSwasey dreamed of creating an empire in the wilderness. He ruled men but could not rule the woman of his choice. By guile and ruthlessness, Jim Buckmaster, the river hog carved a vast fortune out of virgin timber. He owned the river but not his conscience. Rolfe Torkelsen, heir to the river's treasure, finally balked at the price he would have to pay. A new era had begun. But the dark magic of one woman (there are many in this book) proved more powerful than any river hog or lumber baron. Esperanza von Zumwalt, in whom the blood of three races was fused in crucible, dominated two strong men, one who loved her and one who hated her. These are a few of the tall Americans in Thomas W. Duncan's prodigious novel of adventure and commerce, of love, war, peace and the making of a nation. Sweeping from Penobscot to Santa Fe, from the Wisconsin woods to Shiloh, Big River, Big Man is a novel with its roots in historical destiny. To read it is to capture the spirit and substance of an age -- Book jacket.
Dramatizes the experiences of Huck Finn and Jim, a runaway slave, as they travel down the Mississippi River.
Martin Strel looks like your typical middle-aged bloke. He likes a laugh, a drink and the sight of a pretty woman. But put him in water and he turns into a swimming machine. In April 2007, after 66 days, he became the first person to swim the Amazon, 3,272 miles from the Peruvian Andes to the Atlantic shores of Brazil. This book tells his story. 2008.
“This is a fresh take on the American road story, filled with people and ideas we rarely get to see onstage…It offers two seriously rich roles for women, each with important things worth singing about…Miss You Like Hell is a powerful example of what musicals do best: explore the unprotected border where individual needs and social issues intermix.” —Jesse Green, New York Times A troubled teenager and her estranged mother—an undocumented Mexican immigrant on the verge of deportation—embark on a road trip and strive to mend their frayed relationship along the way. Combined with the musical talent of Erin McKeown, Hudes artfully crafts a story of the barriers and the bonds of family, while also addressing the complexities of immigration in today’s America.
The mighty Columbia River cuts a deep gash through the Miocene basalts of the Columbia Plateau, coursing as well through the lives of the Indians who live along its banks. Known to these people as Nch’i-Wana (the Big River), it forms the spine of their land, the core of their habitat. At the turn of the century, the Sahaptin speakers of the mid-Columbia lived in an area between Celilo Falls and Priest Rapids in eastern Oregon and Washington. They were hunters and gatherers who survived by virtue of a detailed, encyclopedic knowledge of their environment. Eugene Hunn’s authoritative study focuses on Sahaptin ethnobiology and the role of the natural environment in the lives and beliefs of their descendants who live on or near the Yakima, Umatilla, and Warm Springs reservations.
The Zaire/Congo River, the second biggest and sixth longest river on earth; its course a vast 4,640kms of sluggish, meandering, island-studded mystery, broken in places by fearful rapids and falls, fringed by dense rain-forest, and inhabited by primitive tribes and wild animals. Few places can evoke the same images of dark brooding menace and danger, and few places can have justified such impressions, from the horrors of the Congo Free State, through the Stanleyville massacres, to the chaos and blood-letting of the post-Mobutu years.In 1984, Mobutu was at the height of his power and ruled Zaire with an iron fist. It was at this time that the author set off to follow the course of the river from its source to the mouth, alone, by dug-out canoe and on foot. His matter-of-fact narrative as he describes the perils and tribulations of the journey - which culminated in a spell in a Kinshasa prison - offers a fascinating insight into the life of the ordinary people under the regime of President Mobutu.
The compelling and cinematic second novel from Belinda Jeffrey, author of Brown Skin Blue. Big River, Little Fish is the highly anticipated second novel from Belinda Jeffrey. Set in South Australia during the 1956 Murray River flood, it tells the story of Tom Downs, a boy trapped between his way of reading the world and the world's way of seeing him. He lives in the town but likes it best down by Old Mother Murray, talking to his best friend, Hannah, and helping the outcasts who live in the shacks on her banks. But there's a big river coming and Tom feels like everything he loves and understands might be swept away and lost. From the moment Tom Downs was born backwards the moment of his mother's death time has held him the wrong way round, like he's caught inside a fractured story. But the thing about the Murray River rising, the thing about Tom's town flooding, and the thing that takes him by surprise is not what Old Mother Murray takes away, but who she brings back. Big River, Little Fish is a compelling tale of a boy growing up into manhood set against the dramatic and beautiful scenery of the Murray River in South Australia.
No woman will have Ben without a proper bachelor's suit . . . and the tailor refuses to make him one. Back from war with a nameless enemy, Ben finds that his mother is dead and his family home has been reassigned by the state. As if that isn't enough, he must now find a wife, or he'll be made a civil servant and given a permanent spot in one of the city's oppressive factories. Meanwhile, Meeks, a foreigner who lives in the park and imagines he's a member of the police, is hunted by the overzealous Brothers of Mercy. Meeks' survival depends on his peculiar friendship with a police captain--but will that be enough to prevent his execution at the annual Independence Day celebration? A dark satire rendered with the slapstick humor of a Buster Keaton film, Julia Holmes' debut marries the existentialism of Fyodor Dostoevsky's """"Notes from Underground"""" to the strange charm of a Haruki Murakami novel. """"Meeks"""" portrays a world at once hilarious and disquieting, in which frustrated revolutionaries and hopeful youths suffer alongside the lost and the condemned, just for a chance at the permanent bliss of marriage and a slice of sugar-frosted Independence Day cake. Julia Holmes was born in Dhahran, Saudi Arabia, and grew up in the Middle East, Texas, and New York, where she is currently an assistant editor at """"Rolling Stone."""" She is a graduate of Columbia University's MFA program in fiction.