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Following on from the hugely successful Big Book of Fashion Illustration, the Big Book of Contemporary Illustration covers the broadest range of illustration today from digital drawing, pixelated pictures, Photoshop fantasies to the traditional techniques of sketching and painting from over 160 international artists. With close to 1000 illustrations, the categories covered range from the technical, architectural through nature, people to fantasy, fashion and pop culture. This is an essential sourcebook for any creative professional or student and all those who appreciate the world's best illustration.
Following the success of the bestselling New Fashion Illustration comes this exciting visual bible for illustrators and graphic designers. Featuring nearly 1,000 new and innovative images, it provides an unprecedented variety of approaches to the field. An international array of artists offer inspirational examples of every technique, from traditional watercolors, acrylics, and pencil drawings to cutting-edge designs using the latest technology from Adobe Photoshop, Macromedia FreeHand, and digital photography. The fabulous fashions include womenswear (including couture and bridal); menswear (from t-shirts to bespoke); children's clothing (tots to teens); and the hottest youth styles. Plus, there's stuff for sport and leisure, cool accessories, and beauty and glamour illustrations. This eye-catching resource is a must-have for any designer--and for anyone who loves fashion.
Surveying fresh illustration work from across the globe, this book presents a spectrum of styles, techniques and subject matter representative of trends and innovations. Each artist's work is accompanied by a self-portrait and a profile exploring their inspirations and their approach both to illustration and to their career.
Children are natural poets. They speak poetry all day long. They say wonderful poetic gems that surprise and delight us and help us look at the world in a new way. In Climb Inside a Poem: Reading and Writing Poetry Across the Year, Georgia Heard and Lester Laminack tap into this natural inclination and demonstrate how reading and writing poetry can also support and extend young children's language and literacy development. Through an anthology of original children's poems and related lessons, Georgia and Lester describe how to weave poetry into the fabric of a school day by reading a variety of poems for a variety of purposes. Building on these experiences, children then engage in a formal unit of study on writing poetry. Climb Inside a Poem has three components. The poetry anthology, Climb Inside a Poem: Original Poems for Children, uses the writings of contemporary children's poets, whimsical illustrations, and an expansive big book format (14"x18") to create a 36-page poetry playground. Lessons for Climb Inside a Poem provides a five-day sequence of lessons for each poem in the anthology. Through repeated readings and by accessing the poems from multiple perspectives, these lessons model how poetry can be used to support basic concepts in print, develop word awareness, expand reading and writing fluency, and help children write with feeling and voice. Reading and Writing Poetry Across the Year takes a broad view of poetry and considers how poems can be used to reinforce and extend a literacy curriculum. Organized into three separate sections, the minilessons in this guide offer tips for outfitting and organizing classrooms where poetry can flourish; highlight a variety of reading strategies that immerse children in the words and music of poetry; and present a complete unit of study for writing poetry.
The Purple Book is a luxurious compendium of contemporary illustration that explores fantasy, sensuality, and the erotic imagination. It highlights visual art and the written word as media for representing human desire's relationship with the dream-state, make-believe, and symbolism. The title of the book is inspired by The Yellow Book, the periodical published in the 1890s and initially art directed by Aubrey Beardsley. While the color yellow represented the daringly salacious in the 1890s, today the color purple is synonymous with opulence and sensuality.
An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
All of Chris Hart’s how-to-draw titles are best-sellers. And the best-sellers among all of his best-sellers are the ones about animals. How to Draw Cartoon Animals, just one example, appears regularly on the BookScan Top 50 Art Books list, with more than 190,000 copies sold. Now The Cartoonist’s Big Book of Drawing Animals is ready to roar onto the market! All the most popular animals are here, including dogs, cats, horses, penguins, lions, tigers, bears, and elephants, as well as the favorite sidekick animals—pigs, kangaroos, giraffes, turtles. Simple step-by-step drawings show how to capture every cartoon emotion, from cutesy-sweet to begging to scheming, and how to create every box-office type, from baby animals to villain animals to clueless animals and much more. Faces, bodies, paws, feet, wings, tails—every part of dozens of animals is explained in this bumper book by the world’s leading author of instructional art books. It’s a mega-menagerie for cartoonists!
Roger Walton, editor of the Typographic series, here provides an accessible collection of illustrators and ideas. Each entry is arranged by theme for easy reference.