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The first half of the book is a detailed study of how the salons influenced the development of literature. Beasley argues that many women were not only writers, they also served as critics for the literary sphere as a whole. In the second half of the book Beasley examines how historians and literary critics subsequently portrayed the seventeenth century literary realm, which became identified with the great reign of Louis XIV and designated the official canon of French literature. Beasley argues that in a rewriting of this past, the salons were reconfigured in order to advance an alternative view of this premier moment of French culture and of the literary masterpieces that developed out of it. Through her analysis of how the seventeenth century salon has been defined and transmitted to posterity, Beasley illuminates facets of France's collective memory, and the powers that constituted it in the past and that are still working to define it today.
Par son caractère exhaustif, cette bibliographie offre au praticien, au simple amateur, aussi bien qu'au chercheur spécialisé, la possibilité d'embrasser d'un coup d'oeil la quasi-totalité des ouvrages en français, concernant les spectacles, parus entre 1985 et 1995. This comprehensive bibliography of the performing arts lists almost 8000 French-language books, published between 1985 and 1995, and is a welcome work of reference for anyone interested in the subject.