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The sly wit and silky eroticism of the verse genre known as romantic syair were staple dishes on the Southeast Asian cultural menu, especially in the Malay, Islamic regional centres. Yet very few examples are available in translation for the many readers interested in the genre, and attempts by academics to account for their powers of attraction are even rarer. This book is the author s effort to convey the seductive qualities of the sexiest of the romantic syair, the Poem of Bidasari . Few Malay works have been loved and disseminated to the extent the Syair Bidasari has. It was translated in other languages of the region like Makassarese and Maranao and adapted for the Malay theatre and cinema. Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poem s virtues. The intertexts drawn upon in the analysis reveal the author s conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.
Ten legendary princesses of Malaysia - some are mythical fairy princesses whose stories are as wonderful and romantic as any of the princess stories from around the world. One, Hang Li Po came from a far off land and her retinue of young beauties are believed to be the far distant mothers of the Nonya. Others were real historical figures although their stories have been embellished over the years as they were passed down from generation to generation. But all have fired our imagination with tales of their beauty, bravery, wisdom and spirit. Author Raman has done some serious research and Emila Yusof’s detailed illustrations are simply delightful.
This is a detailed, narrative–based history of Classical Malay Literature. It covers a wide range of Malay texts, including folk literature; the influence of the Indian epics and shadow theatre; Panji tales; the transition from Hindu to Muslim literary models; Muslim literature; framed tales; theological literature; historical literature; legal codes; and the dominant forms of poetry, the pantun and syair. The author describes the background to each of these particular literary periods. He engages in depth with specific texts, their various manuscripts, and their contents. In so doing, he draws attention to the historical complexity of tradisional Malay society, its worldviews, and its place within the wider framework of human experience. Dr. Liaw’s History of Classical Malay Literature will be of benefit to beginning students of Malay Literature and to established scholars alike. It can also be read with benefit by those with a wider interest in Comparative Literature and in Southeast Asian culture in general.
As one can surmise from the title, this book is a collection of some of the most well-known Malay literature in the late 19th and early 20th century. Four titles in total are featured, translated to English: 'Bidasari', 'The Malay Annals (Sejarah Melayu)', 'The Princess Djouher-Manikam', 'Makota Radja-Radja'.
Rudolf Steiner’s watercolour painting ‘The Archetypal Human-Animal’ presents us with the enigmatic image of a strange creature apparently swimming in water. It has a human profile, showing a clearly outlined nose and slightly-opened mouth, with a mysterious eye, almost concealed in its greenish hair. It has appendages similar to hands and feet, and dark-blue plant-like forms float about in the water beneath the creature’s bright red and yellow body. Only the title provides us with a clue to its meaning: it is an ‘archetypal human-animal’ form. But even this is enigmatic. What is this strange, unusual creature – this archetypal human-animal? We are presented with a perplexing image and a puzzling description. In this original work, illustrated throughout with full-colour paintings and images – many by the author herself – Angela Lord takes us on a journey of discovery to realizing the meaning of Rudolf Steiner’s painting. From Goethe’s theory of metamorphosis in nature, we are introduced to Steiner’s ideas of human evolution, from the primal beginnings of the archetypal human-animal on ‘Ancient Moon’. Lord recounts myths and legends from many cultures that tell of human-animal forms, and reflects on the meaning of the fish in Christianity. She takes us through a series of ‘colour sequences’ for repainting Steiner’s human-animal motif, and includes appendices that summarize evolutionary phases of the earth and humanity from a spiritual-scientific perspective. The Archetypal Human-Animal is both a valuable workbook for painters and a fascinating insight into hidden aspects of human evolution.