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A collection of rich artifacts from one thousand years of artistic production in what is now Missouri. Art Along the Rivers marks the two-hundredth anniversary of Missouri's statehood. This exhibition catalogue presents extraordinary objects produced or collected within a 150-mile region around St. Louis, including paintings, sculptures, drawings, furniture, ceramics, metals, and textiles. As a celebration of the cultural and artistic traditions of this region, the catalog looks within--and beyond--the years of statehood to reveal how the region's geography, raw materials, and pressing social issues shaped over one thousand years of rich artistic production. Though these objects have rarely been considered in connection with one another, the catalog brings them into dialogue to establish and celebrate their shared artistic history. Art Along the Rivers serves as the first significant publication to introduce this primary artistic material to a global audience.
In March 1807, within a few weeks of each other, both the United States and the United Kingdom passed laws banning the international slave trade. Two hundred years later, Great Britain, an instigator of the slave trade and the chief source of slaves sold into continental North America, was awash nationwide in commemorations of the ban. By contrast the bicentennial of the ban received almost no attention in the United States. Ambiguous Anniversary aims to remedy that omission and to explain the discrepancy between the two commemorative responses. Edited by David T. Gleeson and Simon Lewis, this volume examines the impact that closing the international slave trade in 1808 had on Southern American economics, politics, and society. Recasting the history of slavery in the early Republic and the memory of slavery and abolition in American culture, the foreword, introduction, and ten essays in this volume present a complex picture of an important but partial step in America's long struggle toward the ambitious but ambiguous goal of liberty and justice for all.