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Provides a list of Renaissance manuscripts (1350-1600), mostly in Latin or Italian, of philosophical, scientific, philological or literary content. The list is arranged by countries, cities, libraries, collections and shelf-marks, and is an indispensable work tool for Renaissance scholars.
In The Byzantine Turks, 1204–1461 Rustam Shukurov offers an account of the Turkic minority in Late Byzantium including the Nicaean, Palaiologan, and Grand Komnenian empires. The demography of the Byzantine Turks and the legal and cultural aspects of their entrance into Greek society are discussed in detail. Greek and Turkish bilingualism of Byzantine Turks and Tourkophonia among Greeks were distinctive features of Byzantine society of the time. Basing his arguments upon linguistic, social, and cultural evidence found in a wide range of Greek, Latin, and Oriental sources, Rustam Shukurov convincingly demonstrates how Oriental influences on Byzantine life led to crucial transformations in Byzantine mentality, culture, and political life. The study is supplemented with an etymological lexicon of Oriental names and words in Byzantine Greek.
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
The field of Hiberno-Latin literature, a term coined to describe the Latin literature written in Ireland, or by Irishmen abroad, between 400 and 1500, was first defined by the late Mario Esposito. His work, too, revealed its vast extent and range, so enabling a significantly better understanding of the importance of Irish scholarship in the cultural history of the Western Middle Ages. This volume concentrates on Hiberno-Latin authors, and on texts composed in Ireland; a second collection of Esposito’s articles contains studies on Irish learning and texts written on the Continent. The great strength of his research is that it is founded on unparalleled knowledge of the manuscripts - many of which, indeed, no longer survive. The articles, now provided with extensive indexes to facilitate their consultation, therefore form the essential basis and guide for any further enquiry into the authors dealt with or their works.