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First published in 1982. The Art of Travel is the first collection of critical essays to be devoted to British travel writing. It attempts to give a sense of the wealth of such writing, to map some of its forms and conventions and, implicitly, to claim a place for travel writing in any revised definition of literature. For this collection, travel includes sea voyages, European tours, commissioned enquiries into social conditions, and urban writing; travel writing ranges from works such as Sea and Sardinia by D.H. Lawrence whose status as a novelist guarantees his travel books some attention, through the essays and books of Victorian middle-class travellers into working-class London, to the work of V.S. Naipaul, a contemporary writer, who has increasingly preferred the travel book to the novel.
"At the close of the Victorian era, two generations of intrepid women abandoned Grand Tour travel for the rigors of archaeological expeditions, shining the light of scientific exploration on Old World antiquity. Breaking Ground highlights the remarkable careers of twelve pioneers---a compelling narrative of personal, social, intellectual, and historical achievement." -Claire Lyons, The Getty Museum "Behind these pioneering women lie a wide range of fascinating and inspiring life stories. Though each of their tales is unique, they were all formidable scholars whose important contributions changed the field of archaeology. Kudos to the authors for making their stories and accomplishments known to us all!" -Jodi Magness, University of North Carolina, Chapel Hill This book presents twelve fascinating women whose contributions to the development and progress of Old World archaeology---in an area ranging from Italy to Mesopotamia---have been immeasurable. Each essay in this collection examines the life of a pioneer archaeologist in the early days of the discipline, tracing her path from education in the classics to travel and exploration and eventual international recognition in the field of archaeology. The lives of these women may serve as models both for those interested in gender studies and the history of archaeology because in fact, they broke ground both as women and as archaeologists. The interest inherent in these biographies will reach well beyond defined disciplines and subdisciplines, for the life of each of these exciting and accomplished individuals is an adventure story in itself
Winner of The 2018 Saidi-Sirjani Book Award In The Western Christian Presence in the Russias and Qājār Persia, c.1760–c.1870, Thomas O'Flynn vividly paints the life and times of missionary enterprises in early nineteenth-century Russia and Persia at a moment of immense change when Tsarist Russia embarked on an expansionist campaign reaching to the Caucasus. Simultaneously he charts the relationship between the new Persian dynasty of the Qājārs and missionary activity on the part of European and American missionaries. This book reconstructs that world from a predominantly religious perspective. It recounts the sustaining ideals as well as the everyday struggles of the western missionaries, Protestant (Scottish, Basel and American Congregationalist) and Catholic (Jesuit and Vincentian). It looks at the reactions of diverse tribal peoples, the Tatars of the North Caucasus, the Kabardians and Circassians. Persia was the ultimate goal of these missionaries, which they eventually reached in the 1820s. Altogether this study throws light on the troubled course of history in West Asia and provides the background to politico-religious conflicts in Chechnya and Persia that persist to the present day.
The term ‘multiculturalism’ has been widely quoted to explain and study transnational networks and cultural changes on a global scale. This book focuses on the application of multicultural theories and perspectives in the field of literature and particularly in contemporary narratives. Bringing together ten studies which blur the limits of conventional discourse, and employing an interdisciplinary approach to address research problems using methods and insights borrowed from multiple disciplines, it features theoretical and analytical writings on multiculturalism and its traces in literatures that subvert the essentialist binary frameworks of ethnicity, race, nation and identity in a variety of texts. These include Martin Amis’s The Pregnant Widow, Kazuo Ishiguro’s The Remains of the Day, Salman Rushdie’s Midnights Children and Shame, Hanif Kureishi’s Something to Tell You, J. G. Ballard’s High-Rise, Lady Annie Brassey’s Sunshine and Storm in the East; or, Cruises to Cyprus and Constantinople, and Sir Henry Blount’s A Voyage into the Levant. Approaching theoretical issues concerning multiculturalism from multiple perspectives and looking for its traces in different time periods and genres, this book will be of interest for scholars and researchers working in the fields of literature and cultural studies, as well as students studying in the same fields and the general reader.
Looking at encounters of European travelers with Egypt in the nineteenth and early twentieth centuries, this collection of essays focuses on the experience of the less well known travelers and institutions. Contributors include: Lisa Bernasek, Briony Llewellyn, A.J. Mills, Charles Newton, John David Regan, John Rodenbeck, John Ruffle, Sarah Searight, Nicholas Warner. Vol. 23 No. 2
In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of “sacred” architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era—the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture’s utility to politics. Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced—and normalized—the conflict’s inability to account for itself. This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
Alan R.H. Baker, of the Geography Department of the University of Cambridge, has played a leading role in the development of historical geography. This book, which features twelve specially commissioned essays, recognizes his highly influential and innovative contributions. The contributors address the following topics: methodology and ideology in historical geography; historical geographies of state regulation and political discourse; the social and cultural use of public and private space; and the interpretation of images of place in relation to cultural and national identity.