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When Mary Quin ripped an AK-47 from the hands of a wounded kidnapper and made her escape in the Yemeni desert, she knew her life could never be the same. An exotic vacation had turned into a nightmare as she and 15 fellow tourists were used as human shields in a terrifying gun battle between the Aden-Abyan Islamic Army and Yemeni troops that left four hostages and three kidnappers dead. Lucky to be among those who survived, Quin returned to the United States but found herself preoccupied with trying to understand why the kidnapping occurred. Her absorbing journey through murky militant Islam and shadowy terrorist groups led her back to Yemen to try to piece together the puzzle - talking to the Yemeni Prime Minister, British embassy staff, the FBI and prisoners accused of terrorism. Her enquiries also took her to London to meet Abu Hamza al-Masri, the notorious disfigured cleric with ties to the Aden-Abyan Islamic Army. Kidnapped in Yemen is the unforgettable first-hand account of this remarkable woman's unusual story of curiosity, survival and healing.
Compelling memoir of an American woman and her family moving to Yemen, learning to live in the Islamic culture, and offering hope to Muslim women.
In Yemen, where current poverty is combined with a rich cultural heritage, the distinctions between the traditional and the modern are particularly difficult. First published in 1979, this is a study of social change as experienced and perceived by the women of San’a, the capital city of North Yemen. It presents a synthesised view of the process of change rather than focusing on the issues of exploitation and emancipation, and draws upon observations of women’s daily routine and ritual activities as well as the media and the provocative insights of Yemeni poets. The veil is the focus of the study because it can be seen as a symbol of the contradictions inherent in Yemeni society, not just about the female but also about all social relations. It can be interpreted as both an instrument of oppression and the incitement of liberation and is thus illustrative of deep cultural ambiguities. This book will be of interest to those studying women, gender, Islam, the Middle East and anthropology.
"I had no idea how to find my way around this medieval city. It was getting dark. I was tired. I didn’t speak Arabic. I was a little frightened. But hadn’t I battled scorpions in the wilds of Costa Rica and prevailed? Hadn’t I survived fainting in a San José brothel? Hadn’t I once arrived in Ireland with only $10 in my pocket and made it last two weeks? Surely I could handle a walk through an unfamiliar town. So I took a breath, tightened the black scarf around my hair, and headed out to take my first solitary steps through Sana’a."—from The Woman Who Fell From The Sky In a world fraught with suspicion between the Middle East and the West, it's hard to believe that one of the most influential newspapers in Yemen—the desperately poor, ancestral homeland of Osama bin Laden, which has made has made international headlines for being a terrorist breeding ground—would be handed over to an agnostic, Campari-drinking, single woman from Manhattan who had never set foot in the Middle East. Yet this is exactly what happened to journalist, Jennifer Steil. Restless in her career and her life, Jennifer, a gregarious, liberal New Yorker, initially accepts a short-term opportunity in 2006 to teach a journalism class to the staff of The Yemen Observer in Sana'a, the beautiful, ancient, and very conservative capital of Yemen. Seduced by the eager reporters and the challenging prospect of teaching a free speech model of journalism there, she extends her stay to a year as the paper's editor-in-chief. But she is quickly confronted with the realities of Yemen—and their surprising advantages. In teaching the basics of fair and balanced journalism to a staff that included plagiarists and polemicists, she falls in love with her career again. In confronting the blatant mistreatment and strict governance of women by their male counterparts, she learns to appreciate the strength of Arab women in the workplace. And in forging surprisingly deep friendships with women and men whose traditions and beliefs are in total opposition to her own, she learns a cultural appreciation she never could have predicted. What’s more, she just so happens to meet the love of her life. With exuberance and bravery, The Woman Who Fell from the Sky offers a rare, intimate, and often surprising look at the role of the media in Muslim culture and a fascinating cultural tour of Yemen, one of the most enigmatic countries in the world.
Marina de Regt provides an invaluable analysis of gender, health care training, and globalization, demonstrating women’s positive impact on the complex workings of Yemeni health institutions. Using the Hodeida Urban Primary Health Care Project as a case study, the author looks at how development policies of the state interconnect with agendas of global donor organizations and the employment of women in the face of social disapproval and barriers to advancement. Her highly accessible writing blends keen observations steeped in personal experience, with a thorough grounding in theoretical literature. Through interviews and the experience of working directly with the women she writes about, De Regt gives voice to her subjects and offers an extraordinary portrait of the lives, emotions, and work of women dedicated to healing in a time of great political change. This vitally important work challenges not only preconceived notions of the way in which health care is distributed in the Middle East, but also questions the way women participate, facilitate, and resist the political change around them.
"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.
Silver Treasures from the Land of Sheba documents a disappearing artistic and cultural tradition with over three hundred photographs showing individual pieces, rare images of women wearing their jewelry with traditional dress, and the various regions in Yemen where the author did her field research. Amulet cases, hair ornaments, bridal headdresses, earrings, necklaces, ankle and wrist bracelets are all beautifully photographed in intricate detail. A chapter on the history of silversmithing in Yemen tells the surprising story of the famed Jewish Yemeni silversmiths, many of whom left Yemen in the late 1940s.
Expert analysis of Yemen's social and political crisis, with profound implications for the fate of the Arab World The democratic promise of the 2011 Arab Spring has unraveled in Yemen, triggering a disastrous crisis of civil war, famine, militarization, and governmental collapse with serious implications for the future of the region. Yet as expert political researcher Helen Lackner argues, the catastrophe does not have to continue, and we can hope for and help build a different future in Yemen. Fueled by Arab and Western intervention, the civil war has quickly escalated, resulting in thousands killed and millions close to starvation. Suffering from a collapsed economy, the people of Yemen face a desperate choice between the Huthi rebels on the one side and the internationally recognized government propped up by the Saudi-led coalition and Western arms on the other. In this invaluable analysis, Helen Lackner uncovers the roots of the social and political conflicts that threaten the very survival of the state and its people. Importantly, she argues that we must understand the roots of the current crisis so that we can hope for a different future for Yemen and the Middle East. With a preface exploring the US’s central role in the crisis.