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The Bibliography Includes 4081 Entries, Covering Published Materials In English And French Languages Over The Last Two Centuries. The Book Gives A Representative Overview Of What Has Been Researched And Accomplished In The Field Of Indian Buddhist Art And Archaeology Since Wilkins S Article On Bodh-Gaya In 1788 Or Thomas Daniel'S First Illustration On The Kanheri Caves In 1798.
This book deals with the technical, artistic and architectural aspects of the Hindu and Buddhist monuments from the beginning until today in Southeast Asia.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
How do archaeologists explore the various dimensions of religion? Lars Fogelin uses archaeological work at Thotlakonda in Southern India as his lens in a broader examination of Buddhist monastic life. He discovers the tension between the desired isolation of the monastery and the mutual engagement with neighbors in the Early Historic Period. He also sketches how religious architectural design and use of landscape helped to shaped these relationships. Drawing on historical accounts, religious documents, and inscriptions, as well as results of his systematic archaeological survey, Fogelin is able to shed new light on the ritual and material workings of Early Buddhism in this region, and shows how archaeology can contribute to our understanding of religious practice.
""Examines Indian Buddhism from its origins in c. 500 BCE, through its ascendance in the first millennium CE and subsequent decline in mainland South Asia by c. 1400 CE"--Provided by publisher"--
The Book Highlights The Art Treasures Of Kosambi, A Famous Ancient Centre Of Buddhist Art, Through A Study Of Over 300 Stone Sculptures, Paying Special Attention To Their Iconographic Features, The Stone Types, Carving, Grinding And Polishing Techniques And Their Aesthetic Appeal. It Discusses The Uniqueness Of Kosambi Art As Compared To Mathura And Sarnath Schools.
This volume of the book entitled 'Encyclopaedia of Indian Architecture' is devoted to the study of Buddhist architecture.