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This volume is a collection of more than 7000 full titles of books and papers related to chaotic behaviour in nonlinear dynamics. Emphasis has been made on recent publications, but many publications which appeared before 1980 are also included. Many titles have been checked with the authors. The scope of the Bibliography is not restricted to physics and mathematics of chaos only. Applications of chaotic dynamics to other branches of natural and social sciences are also considered. Works related to chaotic dynamics, e.g., papers on turbulence dynamical systems theory and fractal geometry, are listed at the discretion of the author or the compiler. This Bibliography is expected to be an important reference book for libraries and individual researchers.
Describes the chaos apparent in simple mechanical systems with the goal of elucidating the connections between classical and quantum mechanics. It develops the relevant ideas of the last two decades via geometric intuition rather than algebraic manipulation. The historical and cultural background against which these scientific developments have occurred is depicted, and realistic examples are discussed in detail. This book enables entry-level graduate students to tackle fresh problems in this rich field.
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
If a butterfly flaps its wings in Brazil, does it cause a tornado in Texas? Chaos theory attempts to answer such baffling questions. The discovery of randomness in apparently predictable physical systems has evolved into a science that declares the universe to be far more unpredictable than we have ever imagined. Introducing Chaos explains how chaos makes its presence felt in events from the fluctuation of animal populations to the ups and downs of the stock market. It also examines the roots of chaos in modern maths and physics, and explores the relationship between chaos and complexity, the unifying theory which suggests that all complex systems evolve from a few simple rules. This is an accessible introduction to an astonishing and controversial theory.
The study of chaotic systems has become a major scientific pursuit in recent years, shedding light on the apparently random behaviour observed in fields as diverse as climatology and mechanics. InThe Essence of Chaos Edward Lorenz, one of the founding fathers of Chaos and the originator of its seminal concept of the Butterfly Effect, presents his own landscape of our current understanding of the field. Lorenz presents everyday examples of chaotic behaviour, such as the toss of a coin, the pinball's path, the fall of a leaf, and explains in elementary mathematical strms how their essentially chaotic nature can be understood. His principal example involved the construction of a model of a board sliding down a ski slope. Through this model Lorenz illustrates chaotic phenomena and the related concepts of bifurcation and strange attractors. He also provides the context in which chaos can be related to the similarly emergent fields of nonlinearity, complexity and fractals. As an early pioneer of chaos, Lorenz also provides his own story of the human endeavour in developing this new field. He describes his initial encounters with chaos through his study of climate and introduces many of the personalities who contributed early breakthroughs. His seminal paper, "Does the Flap of a Butterfly's Wing in Brazil Set Off a Tornado in Texas?" is published for the first time.
The essays in this volume collectively transform perspectives previously experienced as divergent, conflicting, and inconsistent into a common and complex orientation to problems central to the natural and social sciences involving transitions between order and disorder."--Jacket.
Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.
The first unified presentation of new developments in the analysis and exploitation of chaotic systems... Mathematicians have been aware of chaotic dynamics since Poincar?'s work at the turn of the century. But, as the turn of yet another century approaches, physical scientists and engineers have begun to use their understanding of chaos theory to analyze chaotic experimental time series data. Some researchers have even used the presence of chaos to achieve practical goals. To do this, they have had to work with dynamical processes for which the equations were either not known or were too complex to be useful. In other words, they have been coping with chaos. Coping with Chaos is the first book to bring together recent advances in the interpretive and practical applications of chaos, which hold great promise for broad applicability throughout the physical sciences and engineering. Together with an introduction to chaos theory, this book provides detailed reports on methods of analyzing experimental time series data from chaotic systems and studies in which the unique attributes of chaos are put to practical use. Topics discussed in this book include: * Theory of chaotic dynamics * Embedding techniques for the analysis of experimental data * Calculation of dimension and Lyapunov exponents * Determination of periodic orbits and symbolic dynamics * Prediction of chaotic time series * Noise filtering of chaotic data * Control of chaotic systems * The use of chaotic signals for communication * And more
This is the first book-length study of William James' style, arguing that the manner in which James writes The Principles of Psychology and The Varieties of Religious Experience serves to construct a chaotic world for his readers. The book examines the uses of chaos in western literature and philosophy and reaches two conclusions: that chaos may be "utter confusion and disorder," but, paradoxically, that disorder is communicated through some particular order -- in Joyce's term, all chaos is "chaosmos." Secondly, what is essential about chaos is what it does: nothing is inherently chaotic, rather chaos is used to contrast with or challenge something that is more structured or formed. Finally, the author presents an examination of the religious function of James' chaotic worldview as a disorientation which orients.