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Shu Chao Hu examines the social, cultural, and political forces that led to the development and growth of the Chinese collection, the acquisitions policies followed, and the sources of personal and financial support found within and outside the Library of Congress.
Includes both books and articles.
Jade Snow Wong’s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong’s life as an artist and an ambassador of Chinese American culture.
This work is a biography of Victorio Acosta Velasco, a Filipino-born journalist and labor leader who immigrated to the United States in 1924. At this time, thousands of young Filipinos were coming to America to further their education, find opportunity, and realize the idealism the U.S. was rumored to offer. Upon arriving in Seattle, however, Velasco learned that the 'American Dream' hardly applied to dark-skinned immigrants. Devalued by the workforce and spurned by white women, the disillusioned Velasco became involved in Filipino activities, but never conceded his place in American society. Amongst other achievements, he published poetry in nearly a dozen mainstream anthologies on American literature. Ultimately, by the end of the Second World War, Velasco had learned to approach his Caucasian relationships with more circumspection, and also began to experience intra-ethnic conflicts with other Filipinos. This book seeks to counter the negative, one-dimensional portraits of Asian men in popular media, and informs its readers of an authentic and challenging Filipino-American experience.