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This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius’ contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.
This book traces the emergence and development of the deification theme in Greek patristic theology and its subsequent transformation into the theology of theosis in Pseudo-Dionysius the Areopagite. This volume dwells on the deification theme as it is situated in the complex context of its historical development and thus avoids the common tendency to treat this notion of Christian theology in an anachronistic manner. Significant attention is given to the influence of Neoplatonism on Pseudo-Dionysius. His theology is justified neither as essentially orthodox Christian nor as essentially orthodox Neoplatonic. Dionysius's sophisticated synthesis of Christian and Neoplatonic elements, especially in his exposition of theosis, does justice to this anonymous author's originality and demonstrates the importance of his influence both on the further development of Christian theology, and on the advancement of the Neoplatonic tradition. The intricate cultural background of the Pseudo-Dionysian world helps clarify the formation process of Christian imperial identity, and throws additional light on why these works were attributed to Dionysius the Areopagite, not as a conscious forgery, but as a literary device. Such attribution was a common practice of the time. Comprehensive analysis of the development of the deification theme opens possibilities for further study of Trinitarian and christological formations, of philosophical and individual moral theology, of Christian and Neoplatonic mysticism, and of cultural studies. By surveying the historical development of deification and by opening further areas of research, this book serves a valuable introductory source for both professionals and students. While primarily focusing on academic interests, the book is written keeping the general reading audience in mind as well. All quotations of the original texts are provided with existing or new English translations, while important Greek terminology is acknowledged. Readers interested in Christian spirituality, late antiquity, early Christian theology, and Neoplatonism will find this book useful.
Thought and Poetic Structure in San Juan de la Cruz's Symbol of Night is a comprehensive appraisal of the traditional critical perspectives of mysticism: philosophical, theological, literary, and psychological. Examining the a priori limitations of these approaches, the book presents an original definition of the symbol as an integral whole of experience and expression, and concludes that night is the form - the organizing principle - of spiritual life.
Hilduin (c. 785-c. 860), abbot of Saint-Denis in Paris and archchaplain to Louis the Pious, was one of the leading scholars and administrators of the Carolingian empire. He was the first to translate the mystical Greek writings of the pseudo-Dionysius into Latin; he then identified this Dionysius with the first bishop of Paris of that name, and assigned his episcopacy and martyrdom to 96 A.D. Hilduin composed a life of St Dionysius in prose and verse: the prose work has not been edited since 1580, and the verse work - a major new Carolingian Latin poem - has never before been printed. Both texts are accompanied by facing-page English translation and detailed commentary; eleven appendices contain editions of the various texts on which Hilduin drew in compiling his fictitious account of St Dionysius.
Dionysius the Areopagite, the early sixth-century Christian writer, bridged Christianity and neo-Platonist philosophy. Bringing together a team of international scholars, this volume surveys how Dionysius’s thought and work has been interpreted, in both East and West, up to the present day. One of the first volumes in English to survey the reception history of Dionysian thought, both East and West Provides a clear account of both modern and post-modern debates about Dionysius’s standing as philosopher and Christian theologian Examines the contrasts between Dionysius’s own pre-modern concerns and those of the post-modern philosophical tradition Highlights the great variety of historic readings of Dionysius, and also considers new theories and interpretations Analyzes the main points of hermeneutical contrast between East and West
This exceptional collection of writings offers for the first time a discussion among leading thinkers about the points at which rhetoric and religion illuminate and challenge each other. The contributors to the volume are eminent theorists and critics in rhetoric, theology, and religion, and they address a variety of problems and periods. Together these writings shed light on religion as a human quest and rhetoric as the origin and sustainer of that quest. They show that when pursued with intelligence and sensitivity, rhetorical approaches to religion are capable of revitalizing both language and experience. Rhetorical figures, for example, constitute forms of language that say what cannot be said in any other way, and that move individuals toward religious truths that cannot be known in any other way. When firmly placed within religious, social, and literary history, the convergence of rhetoric and religion brings into focus crucial issues in several fields--including philosophy, psychology, history, and art--and interprets relations among self, language, and world that are central to both past and present cultures.
'Dionysius the Areopagite' is arguably one of the most mysterious and intriguing figures to emerge from the late antique world. Writing probably around 500 CE, and possibly connected with the circle of Severus of Antioch, Dionysius manipulates a Platonic metaphysics to describe a hierarchical universe: as with the Hellenic Platonists, he arranges the celestial and material cosmos into a series of triadic strata. These strata emanate from one unified being and contain beings that range from superior to inferior, depending on their proximity to God. Not only do all things in the hierarchy participate in God, but also all things are inter-connected, so that the lower hierarchies fully participate in the higher ones. This metaphysics lends itself to a sacramental system similar to that of the Hellenic ritual, theurgy. Theurgy allows humans to reach the divine by examining the divine as it exists in creation. Although Dionysius' metaphysics and religion are similar to that of Iamblichus and Proclus in many ways, Pseudo-Dionysius differs fundamentally in his use of an ecclesiastical cosmos, rather than that of the Platonic Timaean cosmos of the Hellenes. This book discusses the Christian Platonist's adaptation of Hellenic metaphysics, language, and religious ritual. While Dionysius clearly works within the Hellenic tradition, he innovates to integrate Hellenic and Christian thought.
The Mystery of Union with God offers the most extensive, systematic analysis to date of how Albert and Thomas interpreted and transformed the Dionysian Moses "who knows God by unknowing." It shows Albert's and Thomas's philosophical and theological motives to place limits on Dionysian apophatism and to reintegrate mediated knowledge into mystical knowing. The author surfaces many similarities in the two Dominicans' mystical doctrines and exegesis of Dionysius. This work prepares the way for a new consideration of Albert the Great as the father of Rhineland Mysticism. The original presentation of Aquinas's theology of the Spirit's seven gifts breaks new ground in theological scholarship. Finally, the entire book lays out a model for the study of mystical theology from a historical, philosophical and doctrinal perspective.
This is a study of the social construction and the impression management of the public forms of worship of Catholicism and Anglicanism. Interest centres on the dilemmas of the liturgical actors in handling a transaction riddled with ambiguities and potential misunderstandings. The study is an innovative effort to link sociology to theology in a way that serves to focus on an issue of social praxis.