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On the life and works of BibhutibhushanĐa Bandyopadhyaya, 1896?-1950, Bengali author.
The mountain of the moon is a story about taking a chance dare which, with its wings of imagination, leads you to the silver lining after a storm. Shankar, an ordinary young boy from rural India, crosses many skies and seas to explore an altogether different world—africa. There, he joins a seasoned Portuguese Explorer, Diego alvarez on a daring mission. But is the destination worth the toil of the journey? Moreover, will Shankar get to the peak of his mountain of dreams? The Storyline, with a series of adventures, is a testimony to the eternal virtues of courage, curiosity and compassion. It gradually becomes a tantalizing tale of an unusual friendship that evolved in the spectacular but dangerous African forests and grasslands teeming with mysterious wildlife, people and their folklores. Experience this classic adventurous narrative in English that will lead you again to an era of picaro, when one dared to dream. This book has also been adapted into a popular Bengali movie.
Creativity is one of mankind’s principal resources. Can this resource be harnessed to accelerate India’s transition from traditionalism to modernity and widespread poverty to decent living standards for all? Can India’s creative efflorescence be directed towards designing a society that facilitates well-being, boosts cultural evolution and raises the bar for exhilaration through creative achievement? Is it possible to socially engineer a society that throbs with questions, novel perspectives and relevant innovations? Can it lead to a society where millions question the status quo and join hands to work out innovative solutions – in short, a creative society? This book is an affirmative response to these questions. Creative Society is an intellectually stimulating analysis of factors that trigger the emergence of a truly creative and innovative society; it explores the nature of human creativity – how it can be augmented and the social contexts that shape it; discusses ways of making institutions such as the government, educational bodies and other civil society organizations more creativity-friendly; offers an assessment of India’s prospective emergence as a highly vibrant, dynamic and creative society; and finally, offers several practical suggestions for India’s creative efflorescence.
Our civilization is at crossroads. It is brightened by unprecedented technological advances and blighted by murderous strife and unsustainable development. The book argues that the way forward is through management excellence of the key institutions of society: enterprises, not-for-profits, communities, other civil society institutions, organs of the state and so forth. The book explains, with the help of numerous live examples and research findings, what management excellence means for each of these institutional forms, and how it can be harnessed to lift the quality of civilization – towards widespread humaneness, creativity and performance excellence.
This book presents a comprehensive account of the theory and practice of translation in India in combining both its functional and literary aspects. It explores how the cultural politics of globalization is played out most powerfully in the realm of popular culture, and especially the role of translation in its practical facets, ranging from the fields of literature and publishing to media and sports.
A delectable collection of writing on food and its place in our lives that brings together some of the most significant Indian voices over the last century. From lavish meals, modern diets and cooking lessons that serve as a rite of passage to fake fasts and real ones, fish, feni, and fiery meals that smack of revenge, this book has something to satisfy every palate. Gandhi's guilt-ridden account of his failed flirtation with eating meat starkly complements Ruchir Joshi's toast to the senses as he describes his characters discovering a truly alternative use for some perfectly innocent shrikhand. In unique gastronomic takes on history, Salman Rushdie, Amitav Ghosh and Saadat Hasan Manto ensure that we will never look at chutney, a Tibetan momo or jelly in quite the same way again.
In 1971, the day after the Pakistan army surrendered to Indian army in Dhaka, four of us classmates at IIM Calcutta crossed over into Bangladesh. We travelled to Dhaka and returned after a week, traveling by train, bus, military jeep, fishing boat, bullock cart, but mainly our feet. In our interaction with people of the newly liberated Bangladesh, we experienced the full spectrum from being felicitated to being threatened. We were garlanded and served with fresh coconuts; we were also prodded in the back with bayonets in the middle of the night. Those experiences took us through a wide range of emotions – elation, grief, fear, happiness and relief. This book captures the emotional roller coaster ride that we, as youngsters, experienced at the birth of a nation. We relate our experiences as vividly as we had lived through them fifty years ago. The picture on the front cover has been taken by Mr. Manabendranath Mandal. It is being used with his permission.
Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema history' (Serge Daney). A striking blend of modernist aesthetics and melodramatic force, it is arguably the best-known film by Ghatak, widely considered to be one of the most original, politically committed, and formally innovative film-makers from India. The film's focus on a family uprooted by the Partition of India and its powerful exploration of displacement and historical trauma gives it a renewed relevance in the midst of a global refugee crisis. Manishita Dass situates the film in its historical and cultural contexts and within Ghatak's film-making career, and connects it to his theatrical work and his writings on film and theatre. Her close reading of the film locates its emotional and intellectual power in what she describes as its 'cinematic theatricality,' and brings into focus Ghatak's modernist experiments with melodramatic devices, his deliberate departures from cinematic realism, and distinctive use of sound and music. The book draws on extensive archival research, excavates new layers of meaning, and offers fresh insights into the cosmopolitan cinematic sensibility of a director described as 'one of the most neglected major film-makers in the world' (Jonathan Rosenbaum).
Bangladesh was once East Pakistan, the Muslim nation carved out of the Indian Subcontinent when it gained independence from Britain in 1947. As religion alone could not keep East Pakistan and West Pakistan together, Bengali-speaking East Pakistan fought for and achieved liberation in 1971. Coups and assassinations followed, and two decades later it completed its long, tumultuous transition to parliamentary government. Its history is complex and tragic—one of war, natural disaster, starvation, corruption, and political instability. First published in India by the Aleph Book Company, Salil Tripathi’s lyrical, beautifully wrought tale of the difficult birth and conflict-ridden politics of this haunted land has received international critical acclaim, and his reporting has been honored with a Mumbai Press Club Red Ink Award for Excellence in Journalism. The Colonel Who Would Not Repent is an insightful study of a nation struggling to survive and define itself.