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This book explores the life and poetry of Chaim Nachman Bialik (1873–1934) in the context of European national literature between the French Revolution and World War I, showing how he helped create a modern Hebrew national culture, spurring the revival of Hebrew as a spoken language. The author begins with Bialik’s background in the Tsarist Empire, contextualizing Jewish powerlessness in Eastern Europe in the late nineteenth century. As European anti-Semitism grew, Bialik emerged at the vanguard of a modern Hebrew national movement, building on ancient biblical and rabbinic tradition and speaking to Jewish concerns in neo-prophetic poems, love poems, poems for children, and folk poems. This book makes accessible a broad but representative selection of Bialik’s poetry in translation. Alongside this, a variety of national poets are considered from across Europe, including Solomos in Greece, Mickiewicz in Poland, Shevchenko in Ukraine, Njegoš in Serbia, Petőfi in Hungary, and Yeats in Ireland. Aberbach argues that Bialik as Jewish national poet cannot be understood except in the dual context of ancient Jewish nationalism and modern European nationalism, both political and cultural. Written in clear and accessible prose, this book will interest those studying modern European nationalism, Hebrew literature, Jewish history, and anti-Semitism.
In the attempts to unify divided peoples on the basis of a shared past, both historical and mythical, this book illumines aspects of cultural nationalism common since the Middle Ages. As an edited work, the Bible includes texts mostly depicting long-gone historical eras extending over several centuries. Following on from Aberbach’s previous work National Poetry, Empires, and War, this book argues that works of this nature – notably the Mujo-Halil songs in Albania, the Irish stories of Cuchulain, the songs of the Nibelungen in Germany, or the Finnish legends collected in The Kalevala – have an ancient precedent in the Hebrew Bible (to which national literatures often allude and refer), a subject largely neglected in biblical studies. The self-critical element in the Hebrew Bible, common in later national literature, is examined as the basis of later anti-Semitism, as the Bible was not confined to Jews but was adopted in translation by many other national groups. With several dozen original translations from the Hebrew, this book highlights how the Bible influenced and was distorted by later national cultures. Written without jargon, this book is intended for the general reader, but is also an important contribution to the study of the Bible, nationalism, and Jewish history.
During his lifetime, Chaim Nachman Bialik was hailed and the poet larueate of Jewish nationalism and was regarded as one of the major Jewish cultural influences of his age. He was seen as the poet of hope and revival in an age which witnessed the Russian Pale of Settlement, pogroms, the Russian Revoltuion, the rise of Zionim and of Hebrew as a living language. David Aberbach explores the historical, social and literary background to Bialik's rise a a Romantic-nationalist poet, his ambivalence to this national role, his obsession with intensely private themes and the interplay between the public figure and the confessional lyric poet. Aberbach shows how Bialik's poetry reveals a profoundly tortured inner life and how strongly he felt the inseparble links between his art and his life.
Jewish Cultural Nationalism explores the development of Jewish nationalism from the Bible to modern times, focusing on particular movements and places as well as texts which signified, or themselves brought about, change: the Bible (Hebrew prayer book), and the modern Hebrew literature, particularly in Tsarist Russia. While the influence of the Hebrew Bible alone on nationalism in individual periods has been subject to much scholarly study, the present work is unusual in its emphasis on the continuity of Jewish cultural nationalism and its influences through Hebrew texts.
Nationalism, War and Jewish Education explores historical circumstances leading to the emergence of a Jewish religious school system lasting to modern times and the process by which this system was broken down and adapted in secular form as Jewish nationalism grew in the 19th and early 20th centuries. In the Roman period, education became an essential part of rabbinic pacifist accommodation following Jewish defeats, while in the modern period, secular education was associated with nationalism and increasing militancy of emerging states. In both periods there was a revival of Hebrew and the creation of an educational system based on Hebrew texts. Both revivals were responses to anti-Semitism, which pushed large numbers of Jews away from assimilation into the dominant culture to a renewed Jewish national identity. The book highlights the centrifugal and centripetal shifts in Jewish identity, from messianic militarism to pacifism and back. It shows how changes in Jewish education accompanied these shifts. While drawing on historical scholarship for background, this book is essentially a literary study, showing how literary changes at different times and places reflect historical, socio-psychological, economic and political change. Nationalism, War and Jewish Education is original in showing how ancient Jewish education affected modern Jewish society, therefore it is a valuable resource for students and researchers interested in Jewish history and literature, education, development studies and nationalism.
In this controversial book, the authors show how the Roman-Jewish wars were precipitated partly by Jewish demographic and religious expansion and by conflict with the Greeks and their culture. They argue that the trauma and humiliation of defeat, stimulated Jewish cultural growth, particularly in Hebrew, during and after the wars. This culture was an implicit rejection of Graeco-Roman civilization and values in favour of a more exclusivist religious-cultural nationalism. This form of nationalism, though unique in the ancient world, anticipates more recent cultural-national movements of defeated peoples.
This book analyzes major transformations in Jewish life and thought: from idolatry to exclusive monotheism in the biblical age, from state-based identity to cultural nationalism in the Roman empire; and, in the European Diaspora, from theology to secularism and revived political nationalism in the modern period. Fundamental questions are asked about Jewish survival in a variety of topics including prophecy, Jewish law, Midrash, the Roman-Jewish wars, Stoicism, secular poetry in Muslim Spain, Marx and Freud, and Hebrew literature through the ages.
1. Troglodytes, Hottentots, and Hebrews: the Bible and the genesis of German ethnography -- 2. The law and the people: Mosaic Law and the German Enlightenment -- 3. The eighteenth-century polemic on the extermination of the Canaanites -- 4. "Is Judah indeed the Teutonic fatherland?" the Hebrew model and the birth of German national culture -- 5. "Lovers of Hebrew poetry": the battle over the Bible's relevance at the turn of the nineteenth century
Until 1948, Hebrew literature was created mostly under the rule of empires, notably those of ancient Mesopotamia, Rome, medieval Islam, and Tsarist Russia. Aberbach argues in this controversial book that several of the most original periods in the history of Hebrew coincided with - and resulted partly from - imperial crisis, involving violence against the Jews and radical shifts in Jewish demography and in the global balance of power. Jewish assimilation in the cultures of the empires was arrested, causing a psychological turn inward and the creation of revolutionary Hebrew literature.
Nationalism has given the world a genre of poetry bright with ideals of justice, freedom and the brotherhood of man, but also, at times, burning with humiliation and grievance, hatred and lust for revenge, driving human kind, as the Austrian poet Grillparzer put it, ‘From humanity via nationality to bestiality’. National Poetry, Empires and War considers national poetry, and its glorification of war, from ancient to modern times, in a series of historical, social and political perspectives. Starting with the Hebrew Bible and Homer and moving through the Crusades and examples of subsequent empires, this book has much on pre-modern national poetry but focuses chiefly on post-1789 poetry which emerged from the weakening and collapse of empires, as the idealistic liberalism of nationalism in the age of Byron, Whitman, D’Annunzio, Yeats, Bialik, and Kipling was replaced by darker purposes culminating in World War I and the rise of fascism. Many national poets are the subject of countless critical and biographical studies, but this book aims to give a panoramic view of national poetry as a whole. It will be of great interest to any scholars of nationalism, Jewish Studies, history, comparative literature, and general cultural studies.