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Bhutanese Tales of the Yeti is a collection of twenty-two stories set in four different regions of Bhutan. The presence of the yeti is ubiquitous to the kingdoms of the Himalayas, where beliefs and attitudes related to it go beyond scientific judgment and analysis. The Bhutanese consider the yeti, or the migoi, to be an essential part of the backdrop of their existence. Believed to possess supernatural powers enabling it to become invisible at will, the yeti often manifests itself in a tangible form and then suddenly vanishes, leaving behind nothing but an unexpected void. Folklore about the abominable snowman has existed for centuries; however, with the far-reaching impact of the media, the perpetuation of this oral tradition is threatened. This collection of stories is an attempt to document a vital tradition before it is wiped out entirely. The book is well illustrated and includes maps of the four regions.
From the author of Bhutanese Tales of the Yeti another dip into the library of the storytellers from the Himalayan Kingdom of Bhutan.Folktales of Bhutan is a collection of thirty-eight folktales and legends and is a first attempt by a Bhutanese to record in English the oral tradition of this kingdom in the eastern Himalayas. All of the stories recounted here were heard by the author when she was a child living in Bumthang in the central part of Bhutan and are the ones that she passes on to her children today, in the spirit of the oral tradition.In Bhutan's centuries of self-imposed isolation brought about by both its geographically remote position and political considerations, the Bhutanese oral tradition evolved and thrived. The rugged and awesome terrain and the people's closeness to nature, together with their philosophy of karmic life cycles, an unquestioning belief in unseen co-inhabitants of the earth like spirits, ghosts and demons and the creative genius of the storytellers culminated in a remarkable repository of tales and legends which were passed on from one generation to the next.Each story has been aptly illustrated by a Bhutanese artist who combines the traditional Bhutanese/Buddhist iconographic stylized forms together with his own artistic perceptions.
In a remote kingdom hidden in the Himalayas, there is a trail said to be the toughest trek in the world—twenty-four days, 216 miles, eleven mountain passes, and enough ghost stories to scare an exorcist. In 2007 Kevin Grange decided to acquaint himself with the country of Bhutan by taking on this infamous trail, the Snowman Trek. He was thirty-three, at a turning point in life, and figured the best way to go at a crossroad was up. Against a backdrop of Buddhist monasteries and soaring mountains, Grange ventured beyond the mapped world to visit time-lost villages and sacred valleys. In the process, recounted here with a blend of laugh-out-loud humor, heartfelt insight, and acute observation, he tested the limits of physical endurance, met a fascinating assortment of characters, and discovered truths about faith, hope, and the shrouded secret of blossom rain. Beneath Blossom Rain, Grange's account of his journey, packs an adventure story, a romantic twist, and a celebration of group travel into a single entertaining book. The result is the ultimate journey for any traveler, armchair or otherwise. Along with high adventure, it delivers an engaging look at Bhutan—a country that governs by a policy of Gross National Happiness and that many regard as the last Shangri-La.
Caught in the everyday reality of household life, fifteen-year-old Tsomo is suddenly called upon to travel when her mother dies. She makes her first journey to a faraway village to light the ritual butter lamps in her mother's memory. Beginning here, her travels take her to distant places, across Bhutan and into India. As she faces the world, a woman alone, Tsomo embarks on what becomes a life journey, in which she begins to find herself, and to grow as a person and a woman. The first novel by a woman to come out of the Himalayan kingdom of Bhutan, The Circle of Karma, written in English, is rich in detailed descriptions of ritual life in Bhutan. The measured pace of its prose, the many nuances of the story, the different levels at which the narrative works, weave a complex tapestry of life in which the style and content are closely interwoven, each informing and enriching the other.
Twelve-year-old Sarojini’s best friend, Amir, might not be her best friend any more. Ever since Amir moved out of the basti and started going to a posh private school, it seems like he and Sarojini have nothing in common. Then Sarojini finds out about the Right to Education, a law that might help her get a free seat at Amir’s school – or, better yet, convince him to come back to a new and improved version of the government school they went to together. As she struggles to keep her best friend, Sarojini gets help from some unexpected characters, including Deepti, a feisty classmate who lives at a construction site; Vimala Madam, a human rights lawyer who might also be an evil genius; and Mrs. Sarojini Naidu, a long-dead freedom fighter who becomes Sarojini’s secret pen pal. Told through letters to Mrs. Naidu, this is the story of how Sarojini learns to fight – for her friendship, her family, and her future. Published by Zubaan.
A posthumous novel by Dr Tsewang Yishey Pemba, the founding father of Tibetan-English literature, White Crane, Lend me your Wings is a historical fiction set in the breathtakingly beautiful Nyarong Valley of the Kham province of Eastern Tibet in the first half of the twentieth century. Dr Pemba skillfully weaves a dazzling tapestry of individual lives and sweeping events creating an epic vision of a country and people during a time of tremendous upheaval. The novel begins with a never-told-before story of a failed Christian mission in Tibet and takes one into the heartland of Eastern Tibet by capturing the zeitgeist of the fierce warrior tribe of Khampas ruled by chieftains. This coming-of-age narrative is a riveting tale of vengeance, warfare and love unfolded through the life story of two young boys and their family and friends. The personal drama gets embroiled in a national catastrophe as China invades Tibet forcing it out of its isolation. Ultimately, the novel delves into themes such as tradition versus modernity, individual choice and freedom, the nature of governance, the role of religion in people’s lives, the inevitability of change and the importance of human values such as loyalty and compassion.
Author's personal memoirs, travelogue, history and folklore of Bhutan.
These deceptively simple stories uncover both the complexity and irony of women’s lives in Bhutan today. They show how ordinary lives, choices and experiences are both remarkable and poignant. In ‘I am a Small Person’, a despised woman uses her femininity as a means to control a man; the young girl in ‘I Won’t ask Mother’ suddenly feels empowered and confident when she makes a decision without consulting her mother. All the stories take place in rural settings, to which creeping urbanisation brings gradual change, and tensions surface between the new and the old, or the traditional and the modern. For many rural women, being able to connect to the city and all its perceived power and glamour is a very real aspiration. This yearning is exemplified in ‘Look at her Belly Button,’ where a young woman effortlessly slips out of the role of a farmer to become a ‘real Bhutanese’ urbanite. Published by Zubaan.