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COLLAGE OF DELIGHTFUL ESSAYS! The ‘Celebration of Ignorance’ comprises 30 essays, derived from many contrasting themes such as travel reminisces, the multifaceted profile of Yoga, hilarious childhood memories, the age and pedigree of water, the current status of a Spiritual pilgrimage, and more. A few of the essays discuss serious issues like Beliefs and Behaviour. Even so they are presented in a cheerful, pleasant style with a sprinkle of humour. A few such threads are: Knowledge-Island and the sea of human ignorance, Formal vs informal education, Global warming, Kerala School of Mathematics, The golden features of Sanskrit, the threatened cultural base and the festivals of Kerala, The Indian Culture, amongst others. A few of the representative essay-titles are: Snowball Comets Inc.; Breakfast, Penance & The Ecstasy; Fascinating Story of Our Calendars; Does A Butterfly Trigger Storms; Joy; Onam, e-Onam; A Day That Changed The World; ... This is a good read as well as a good gift to your dear ones!
DHARMA and RELIGION are altogether different conceptions. Even as per the Oxford dictionary, ‘DHARMA’ means “eternal law of Universe” whereas ‘RELIGION’ means “a particular way of worship and faith.”All of these rules, laws etc. [pertaining to Dharma] have been observed, understood and realised by the people known as Hindu and hence Dharma is known as Hindu Dharma. However, these rules-laws etc. are applicable to every human being (Manav) all over the world (Vishwa), not confined only to Hindus. Hence, Hindu Dharma is Manav Dharma or Vishwa Dharma – the global ethics applicable to the entire humankind.If we look at the things which are considered as very sacred/pious in Hindu Dharma, it can be seen that each one of them possesses special qualities which are quite unique and useful for humankind.The Hindu Sanskriti has a special feature of wishing the well-being of ALL human beings (not just Hindus).
A focal study of the methodological changes that confront historians of pre-colonial India.
This volume contains the most comprehensive collection of scholarly sources on Indian poetics and aesthetics (the Alaṃkāraśāstra ever published in ancient India. Entries are divided into three sections and a detailed index is provided. Reference to primary sources from several languages range from about the 5th to the 19th centuries. Secondary sources in two dozen languages are divided into two sections, viz., books and articles. These begin in the mid-19th century and continue to the present. Annotations are usually brief and descriptive.
In this volume, leading American, European, and Indian scholars including John E. Cort, Friedhelm Hardy, Padmanabh S. Jaini, Laurie L. Patton, A. K. Ramanujan, Velcheru Narayana Rao, and David Shulman discuss the subject of the Purāṇas, focusing particularly on the relationship between the "Great Puran'as" of the Sanskrit tradition and the many other sorts of Purāṇas. The Puran'as are essentially collections of stories dealing with all aspects of myth, ritual, science, and history, and the authors of these essays are all superb storytellers.
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
The present Indian academic self-understanding of its history and culture is largely Western in origin. This Western intellectual enterprise, however, went hand in hand with a Western political enterprise, i.e. the colonization of India. This raises the question: To what extent, if any, did the two developments influence each other? It also raises another question: To what extent did West’s cultural presuppositions influence its understanding of Indian civilization? The central epistemological issue which these questions raise is the following: What significance does the fact that the self-understanding of a culture is mediated by that of another culture, over which it was culturally and politically dominant, possess for the votaries of the culture whose self-understanding has thus been mediated in this fashion? This question is not merely of historical but also of contemporary interest, for in an increasingly globalizing world, in which power is unevenly distributed at various levels, the self-understanding of all cultures is likely to be influenced by how they are being presented by other cultures. Furthermore, in such a world, shifting political alliances may generate new intellectual configurations, whose legitimacy may require constant examination. The essays in this book address these and similar issues.
The kiratas janapadas, kingdoms, principalities, urban culture, subjugation by the contemporary rulers, dynastic rule in northern India and Nepal, based on a large number of rare sources have received extensive and deep attention in a subtle and penetrating way. The author has brought to light several valuable facets relating. The work is based on interdisciplinary research. The author has critically examined the relevance of historical, anthropological and linguistic data. The work is of immense academic value not only for historians but also for anthropologists and linguists.