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Indian Short Stories for Kids The fifth edition of the Bharatiya Katha Vaibhava series continues with its tales of gods and goddesses, sages and saints, kings and devotees. Indian short stories for kids highlights the rich cultural heritage of Bharat which is a must read for every growing child, teenager and adults alike. They illustrate the importance of inculcating faith and heroism in our lives, while being humble and devout. These interesting and informative stories will be a treat for both children and adults! Stories in Bharatiya Katha Vaibhava 5 Origin of Sri Venkateshwara Suprabhatam 2. Bhima meets Hanuman 3. Dwelling for Lord Shiva! 4. Sri Sampat Lakshmi Vrata 5. Govardhana Giridhari: Sri Govinda 6. Sri Vadiraja Tirtha 7. Aswathama Bargains for the Sudarshana Chakra 8. Nageswar Jyotirlinga 9. Samudra Manthana: Churning of the Milk-Ocean! 10. Sri Arunagirinathar. 11. The Fire-touch Rakshasa: Bhasmasura 12. Lord Jagannatha and His Friend-devotee 13. Sage Agastya 14. Sri Rama and the Kalpavriksha 15. Sage Narada and Hari! 16. King Mayuradhwaja 17. Alluri Venkatadri Swami and the Lord’s Diamond Crown 18. Krishna and the Peanut Diet! 19. Devi and the Asuras 20. Sri Rama Paduka Pattabhisheka 21. Krishna and Akrura 22. Hanuman Crosses the Ocean 23. Vamana Avatara 24. Guruvayoor Sri Krishna 25. Rukmini Kalyana To read the other Bharatiya katha vaibhavas
How did Krishna save the sparrows during the battle of Kurukshetra? Why is Lord Nataraja depicted with altered dance posture in Madurai temple? How did Rambola become Goswami Tulasidas? The fourth edition of the Bhartiya Katha Vaibhava series continues with its tales of gods and goddesses, sages and saints, kings and devotees. Every story highlights the rich cultural heritage of Bharath which is a must read for every growing child, teenager and adults alike. They illustrate the value of inculcating faith and heroism in our lives, while being humble and devout. These interesting and informative stories will be a treat for both children and adults!
Bharatiya Katha Sagara – 2 Why is Lord Ganesha known as Ekadanta? Story of Somanatha Jyotirlinga. Vyasa Tirtha – Raja Guru of Vijayanagara Dynasty. Origin of Vishnu Sahasranama. Thomas Munroe and his offering to Sri Venkateshwara. The Bharatiya Katha Sagara series is being released after the overwhelming response for all the 5 volumes of Bharatiya Katha Vaibhava. Similar to the previous series, this series continues with its tales of gods and goddesses, sages and saints, kings and devotees. Every story highlights the rich cultural heritage of Bharat which is a must read for every growing child, teenager and adults alike. They illustrate the importance of inculcating faith and heroism in our lives, while being humble and devout. These interesting and informative stories will be a treat for both children and adults!
 Glory of Sri Mahotkata Vinayaka of Krita Yuga  Why did Narayana Bhattathiri compose the glorious Narayaneeyam?  Why is Lord Shiva known as Hridayaleswarar?  Devi Annapurna of Kashi  Why is Sri Vidyaranya called “Karnataka Simhasana Pratishtapanacharya? The Bharatiya Katha Sagara series is being released after the overwhelming response for all the 5 volumes of Bharatiya Katha Vaibhava. Similar to the previous series, this series continues with its tales of gods and goddesses, sages and saints, kings and devotees. Every story highlights the rich cultural heritage of Bharat which is a must-read for every growing child, teenager and adults alike. They illustrate the importance of inculcating faith and heroism in our lives while being humble and devout. These interesting and informative stories will be a treat for both children and adults! 108 pages of delightful coloured illustrations.
Bharatiya Katha Vaibhava, Indian stories for children. How did Sri Ram get the name ‘Ramchandra?’ Why did Kumbhakarana sleep for so long? Why was Arjuna the best warrior? This collection of mythical tales has all the answers. These stories for children take the reader into the wonderful world of gods and goddesses, sadhus and saints, warriors, kings and devotees. Every story highlights the rich cultural heritage of our land, which is a must-read for every growing child, teenager and adult alike. The collection brings together diverse tales from many different parts of India. They will both entertain children, and teach them important lessons about faith and devotion.
Why did Lord Krishna visit Ayodhya on Sri Ramanavami? Why did the British Collector Rous Peter offer padukas to Goddess Meenakshi? How did Lord Krishna's idol reach Udupi from Dwaraka? Who created Akasha Ganga atop Tirumala hills? This collection of mythical tales has all the answers. These tales take the reader into the wonderful world of Gods and Goddesses, sages and saints, kings and devotees. Every story highlights the rich cultural heritage of our land, which is a must-read for every growing child, teenager, and adult alike. The stories are not only entertaining to the children but also provide a glimpse of the noble thoughts and heroic actions of ideal men and women.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 06 MAY, 1979 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XLIV. No. 18 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 4-28, 41-66 ARTICLE: 1. Farm Research in India 2. Each Child Should be Wanted 3. Handlooms Development 4. Blood Will Tell 5. Computer in Musicology 6. Nutrition and Cancer 7. Contemporary Radio Plays 8. Mushroom Production 9. Preserving the Past AUTHOR: 1. Dr. M. S. Swaminathan 2. Mother Teresa 3. R. Srinivasan 4. Dr. C. I. Jhala 5. Dr. R. Srinivasan 6. Dr. P. P Nair 7. Monoj Mitra 8. T. V. Satyanarayanan 9. N. Harinarayana Document ID : APE-1979 (A-J) Vol-II-06 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
The End-Century Edition Of The Who'S Who Of Indian Writers, Is An Invaluable Work Of Reference For Writers, Publishers, Readers And Students Of Literary History. For Ease Of Use, The Entries Are Arranged Alphabetically By Surname Or Part Of The Name Preferred By The Writers Themselves. A Large Number Of Cross- References Are Provided To Facilitate The Location And Identification Of The Writers.
Saakshi uses the Puranas and Vedanta as well as Gandhian concepts to discuss the meaning of truth and its distortions through greed, sexuality and desire. Overcome by guilt at having committed perjury in court, in a murder trial, Parameshwarayya, a village elder, commits suicide. Yama, the god of death and righteousness, affords him the privilege of presenting his case himself. Thereafter, he commands Parameshwarayya to return to earth in spiritual form to witness, but not to intervene, in subsequent events. Parameshwarayya observes his daughter Savitri, son Ramakrishna, son-in-law Satyappa, the woman Lakkoo and the sensitive Dr Hasheem as they are confronted by difficult decisions and revelations, which cause them to look inward and attempt an appraisal of their lives and values. Bhyrappa’s portrayal of the greedy Nagappa, who grudges his only grandson the rice he eats and the arrogant, selfish and lustful Manjayya creates indelible impressions on the mind. This powerful novel questions what it means to be a witness—in a courtroom, before the gods, to the lives of others, or finally to one’s self.