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One of the most popular and widely performed dance styles in India and around the world, bharata natyam has made the transition from its beginnings in the temples and courts of southern India to a highly respected international dance practice. In this study of a classical dance from, author Janet O' Shea tracks the choreographic transformations that accompanied the transfer of bharata natyam of the urban concert stage in the 1930s and 1940s. At Home in the world situates these changes within the political debates of their time and ties the concerns of the period to present day practice. The history of this dance is also a history of India itself, and readers can trace various national struggles over gender identity, regionalism, and globalism through O’Shea’s narrative. With over 250 teachers in the United States alone, bharata natyam offers a remarkable case study of how a traditional art from moves into the world.
The compelling story of a beautiful and versatile South Indian dance form
Choreography for Global Stage introduces readers to the exciting, challenging, ever-changing, and dynamic world of choreography for a global audience. Jayanthi Raman brings four decades of her experience and expertise as a scholar, master artist, author, and successful choreographer in writing this book. Foreword written by Carla Mann, Judy Massee Professor of Dance, Reed College, Portland, OR. The publication invites readers to experience the artistry and creativity of dance choreographers as they embrace the influx of multitude of dance styles specifically the bi-lateral influence of Indian classical dance and world dance forms including modern, ballet and other contemporary dance styles. The publication presents all aspects of dance choreography as an art form, including chapters on: phases of choreography; the dancer; the audience; global influences affecting Indian dance - specifically Bharatha Natyam; and inevitably the influence this art has had on modern dance; evolution of the art from its roots and structured vocabulary in ancient Sanskrit literature to current era. Dance in education, careers in dance and the business of choreography is approached. Among the eight classical dance styles in India, focus will be on Bharatha Natyam, which has become a world-wide phenomenon, thanks to multitude of teachers and students thriving in small rural cities to larger urban spaces. The dance has risen from within the temples of India with its antiquated roots to its modern day practice in South Asian communities; spreading across the globe and ever evolving with influence of global dance styles. Indian classical dance has moved from the outer fringes of exotic world dance realm to its current position on international stage. Dance, as other art forms is evolving reflecting the inter-cultural effects of globalization. Many teachers and students of the Indian diaspora are methodically expanding the access into local Universities, colleges, cultural and community events. The book incorporates dramatic photos and helpful charts that illustrate text information, including photos of some of the author's previous dance productions.
Winner of De La Torre Bueno First Book Special Citation, given by DSA, 2021 Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various frameworks: global, national, and local/indigenous for studying these diverse performance contexts, using dance as a critical lens to analyse current debates on nationalism, transnationalism, gender and sexuality, and postcolonial politics. At the performace level, some articles question the accepted divisions of Indian dance (‘classical’, ‘folk’, and ‘popular’) and critique the dominant values associated with classical dance forms. Finally, the book brings together both experiential and objective dimensions of bodily knowledge through dance.
When I look back, my life has been devoted to performing, choreography and above all, to the noble profession of teaching Bharatanatyam, sharing whatever knowledge I possess with my students.A child has to have an open mind when he/she goes to the Guru. To make the learning more fruitful and meaningful, the student embarks on a long and arduous journey from the exploration of self to the achievement of the pinnacle of glory.Achieving the goal is not as easy as it may seem. It requires immense dedication and hard work and no doubt, an inborn talent or aptitude for fine arts.Whenever a student joins the Dance Class, he or she wishes to have a book to fall back upon. It is always been a great task for me as a teacher to dictate or to write notes for each and every student so that he or she understands the theory of dance and also its practice. At that stage, even a simple movement appears complicated. Also, one question that is always asked of me is whether I could suggest a book, that would help the student in understanding the basics of dance. Also a guide book which would assist the senior students when they take up to teaching carrier.The basic purpose of this book is to present all the principles, methods and techniques of Bharatanatyam in a simple, systematic and comprehensive manner.It leads the student from the simple to the complex: introduction to the dance form, tala (time measure), gestures, feet positions, the dancer's workout orchestra and the main topics of the dance units, Adavus. The Advus have been explained in detail with complete illustrations.The pre-recorded audio and the video-cassette to assist in the practice is also available.Some speci
This book explores dance and choreography as sites for the articulation of new theoretical and historical paradigms in inter-Asia cultural studies. The chapters in this volume cover a wide range of dance works, artists, genres, and media, from Kathak to K-pop flash mob dance, from Cold War diplomacy to avant-garde dance collaborations, and from festival dance to dance on screen. Working against the Western-centric category of “Asian dance” and Western-centric theorizations of intercultural performance that foreground “East-West” relationships, each contribution shows how dances in Asia make one another as their key aesthetic references beyond Eurocentric influences, as well as how inter-Asia relations emerge from cultural, geographical, and aesthetic diversity within the region. This book is the first of its kind in both cultural studies and dance studies. It will contribute greatly to readers’ understanding of how performance shapes and transforms the cultural and political dynamics of inter-Asia, with a focus on dance circulations in and across East, South, and Southeast Asia. Inter-Asia in Motion: Dance as Method will be a key resource for academics, researchers, and advanced students of Dance Studies, Performance Studies, Cultural Studies, Asian Studies, International Relations and Politics, History, and Sociology. The chapters included in this book were originally published in Inter-Asia Cultural Studies.
Unveiling the Enchanting Artistic Legacy of Jaffna: A Journey Through Crafts, Dance & Music Embark on a captivating exploration of Jaffna's vibrant artistic heritage, where ancient traditions intertwine with contemporary expressions. This comprehensive guide delves into the world of skilled potters, their hands shaping the earth into exquisite vessels adorned with symbolic motifs. Witness the vibrant tapestry of Jaffna sarees, each fold whispering tales of cultural identity and adorned with intricate designs. Immerse yourself in the pulsating rhythms of Yaal Panku drumming, the very heartbeat of Jaffna's music. Uncover the graceful movements of Bharatanatyam dance, a captivating art form that narrates stories of devotion and everyday life. Witness the fascinating interplay between these art forms, where the potter's wheel spins in rhythm with the beat of the drums, and the delicate designs on a saree seem to mimic the movements of a dancer. This journey doesn't stop at tradition. Explore how contemporary artists are reinterpreting these ancient art forms, breathing new life into them while staying true to their essence. Discover the challenges faced by traditional artists and the ongoing efforts to preserve this irreplaceable heritage. Unveil the Global Reach of Jaffna's Artistic Expressions: Witness how Jaffna's artistic legacy has transcended geographical boundaries, captivating audiences worldwide. Explore the role of the diaspora in keeping these art forms alive and the growing appreciation for Jaffna's artistry on a global stage. From museums showcasing Jaffna pottery to renowned musicians incorporating Yaal Panku rhythms, discover how this legacy continues to inspire and influence the world. A Glimpse into the Future: The Evolving Tapestry of Jaffna's Art Peer into the future of Jaffna's artistic tapestry, a vibrant blend of tradition and innovation. Witness how new generations are embracing and reinterpreting these ancient art forms. From potters incorporating recycled materials to Bharatanatyam dancers tackling contemporary themes, discover the dynamism shaping the future of Jaffna's art. Explore in Detail: The intricate techniques and symbolic motifs of Jaffna pottery The vibrant colors, fabrics, and weaving techniques of Jaffna sarees The history and rhythmic patterns of Yaal Panku drumming The core elements and storytelling traditions of Bharatanatyam dance The efforts to preserve and promote Jaffna's artistic heritage This comprehensive guide is your gateway to unlocking the captivating artistic legacy of Jaffna. So, embark on this enriching journey and allow yourself to be mesmerized by the vibrant tapestry of Jaffna's art!