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Srila Prabhupada-lilamrta tells the story of a remarkable individual and a remarkable achievement. The individual is A. C. Bhaktivedanta Swami Prabhupada: philosopher, scholar, religious leader, saint. The achievement is the revolutionary transplantation of a timeless spiritual culture from ancient India to twentieth-century America. This first of two volumes begins with the story of the events leading up to Srila Prabhupada's meeting his guru, an encounter that ignited in Srila Prabhupada a slowburning flame of desire to take Krishna consciousness to the Western world. His early life was a period of patient and transcendent determination as he prepared for a mission that would later be crowned with astounding success. In August and September of 1965 Srila Prabhupada traveled alone aboard a steamship from India to New York City, with no more than the equivalent of eight dollars in his pocket and no institutional backing, but with unshakable faith in Lord Krishna and the instructions of his spiritual master. It is the 1960s, an era in which the children of those who fought World War II were leading a sweeping revolt against a society losing its soul to godless mass consumerism. Into this milieu Srila Prabhupada brought a vision for a new kind of society, a society born of a radical transformation of human consciousness from materialism to the loftiest spiritual and ethical idealism. By 1967 he had arrived in San Francisco's Haight-Ashbury district, America's counter-culture capital, where he continued his work of calling America's youth to live up to their higher spiritual ideals and distributing the holy name of Krishna indiscriminately. By the end of the volume, we have seen Srila Prabhupada in England (meeting the Beatles), Holland, Japan, Africa, and finally back in India, where he triumphantly returned with his "dancing white elephants" – a group of his mostly Caucasian Western followers. The research team assembled by the author traveled throughout the world to gather thousands of hours of interviews with hundreds of people who knew Srila Prabhupada; diaries and memoirs from his students; and more than seven thousand of Srila Prabhupada's letters. Then the author and his team distilled this voluminous firsthand source material into a rich composite view of Srila Prabhupada, a dazzling and colorful picture of one of the most remarkable lives of our times.
Treatise with English translation on Sanskrit poetics.
Select Contents: Translation of the Bhaktirasamrtasindhu-Eastern Quadrant: The Categories of Devotion to the Lord-Southern Quadrant: Explanation of the General Characteristics of Devotional Rasa-Western Quadrant: Explanation of the Primary Devotional Rasas-Northern Quadrant: Explanation of the Secondary Devotional Rasas.
This book provides a much-needed thematic and historical introduction to Hinduism, the religion of the majority of people in India. Dr Flood traces the development of Hindu traditions from their ancient origins, through the major deities of Visnu, Siva and the Goddess, to the modern world. Hinduism is discussed as both a global religion and a form of nationalism. Emphasis is given to the tantric traditions, which have been so influential; to Hindu ritual, which is more fundamental to the life of the religion than are specific beliefs or doctrines; and to Dravidian influences from south India. An Introduction to Hinduism examines the ideas of dharma, particularly in relation to the ideology of kingship, caste and world renunciation. Dr Flood also introduces some debates within contemporary scholarship about the nature of Hinduism. It is suitable both for the student and for the general reader.
“Lord Caitanya Mahaprabhu instructed His disciples to write books on the science of Krsna, a task which those who follow Him have continued to carry out down to the present day. The elaborations and expositions on the philosophy taught by Lord Caitanya are in fact most voluminous, exacting and consistent due to the system of disciplic succession. Although Lord Caitanya was widely renowned as a scholar in His youth, He left only eight verses, called Siksastaka. These eight versed clearly reveal His mission and precepts.”
We cannot be happy without satisfying our fundamental desire to love. Discover all the intricacies of spiritual love, bhakti, in this devotional classic. This is a summary study of Bhakti-rasamrita-sindhu, the Vaishnava classic written by Rupa Goswami that analyzes the various stages of bhakti (devotion) as a methodical practice resulting in love of God. Rupa Goswami uses a metaphor comparing an ocean (sindhu) to a devotional relationship with God. The title of the book conveys that loving relationships are enjoyable like sweet nectar and deep like an ocean. However, devotion is truly only meant for the supreme beloved, Krishna. Srila Prabhupada has written this summary study to show the essential understanding of the practices and ideals of Krishna consciousness, and to introduce the Western world to the beauty of devotional concepts. The spiritually thirsty can develop their relationship with Krishna by drinking from the unlimited reservoir of The Nectar of Devotion. Drink deeply.
The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata Purana. Judged a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly demonstrates, should be regarded as India's Song of Songs. The story presents the supreme deity as the youthful and amorous cowherd, Krishna, who joins his beloved maidens in an enchanting and celebratory "dance of divine love." Schweig introduces this work of exquisite poetry and profound theology to the Western world in the form of a luminous translation and erudite scholarly treatment. His book explores the historical context and literary genre of the work and elucidates the aesthetic and emotional richness of the composition, highlighting poignant details of this drama of divine love. Schweig illuminates the religious dimensions and ethical nuances of the drama, drawing widely from the commentaries and esoteric vision of masters of the Caitanya school of Vaishnavism, a prominent devotional Hindu tradition. Themes such as transcendence of death through love, the yoga of devotion, the contrast between worldly love and passionate love for God, and the dialectical tension between ethical boundaries and boundless love are presented. The final event of the Rasa dance, the author concludes, presents a dynamic symbol of supreme love that provides the basis for a theological vision of genuine religious pluralism.
This (Dana Keli Kaumudi) is a divine play/drama, written by Srila Rupa Goswami, with commentaries of Srila Visvanath Cakravarti Thakur. In the Caitanya-caritamrta (Antya 4.226) there is a verse that describes the writings of Sril Rupa Gosvami: Srila Rupa Gosvami compiled 100,000 verses, beginning with the book Dana-Keli-Kaumudi. In all these scriptures, he elaborately explained the transcendental mellows of the activities of Vrndavna. This one-act drama describes the very celebrated pastime of Krsna’s efforts to extract a toll from Radha and her companions as they carried butter for the performance of a sacrifice being performed in the forest of Vrndavana. Of course, it cannot be emphasized enough that such pastimes are only to be relished by devotees who have thoroughly understood Lord Krsna’s position as the Supreme Personality of Godhead by carefully studying the first nine cantos of the Srimad-Bhagavatam.”
Bhakti Sandarbha is the fifth Sandarbha of Jīva Gosvāmī. The first Sandarbha deals with pramāna, the Bhāgavatam. The second, third and fourth Sandarbhas deal with sambandha: defining the Lord in his aspects as Paramātmā, Bhagavān and Kṛṣṇa. The present Sandarbha deals with the abhideya (method), the sādhana of bhakti. This is the means to realize Kṛṣṇa. The same topic is covered in the second chapter of the Eastern Section of Bhakti-rasāmṛta-sindhu of Rūpa Gosvāmī, but is expanded greatly. It discusses the spiritual nature of this process, the qualification of bhakti, the various actions of bhakti, vaidhi and rāgānuga types, mixed and pure forms of bhakti and various types of devotees.
The Sandarbhas are one of Jīva Gosvāmī's major works. Sandarbha literally means "stringing together." Baladeva explains, "The wise say a Sandarbha is that which possesses various matters of importance which should be known. Bhāgavatam verses are gathered together (sandṛbhyate)."In this case, it is a literary composition consisting of a series of prose sections mixed with verse mainly from Bhāgavatam. It is in six parts which explain Gauḍiya epistemology, theology and philosophy. Tattva Sandarbha deals with the epistemology, while Bhagavat, Paramātmā and Kṛṣṇa Sandarbhas deal with object of worship (sambandha). Bhakti Sandarbha deals with the process or abhidheya, bhakti, and Prīti Sandarbha deals with the goal or prayojana, prema.Tattva Sandarbha first explains the various pramāṇas or methods of proof and concludes that śabda or scripture is the strongest. Using scriptural proofs, finally Bhāgavatam is concluded to be the best among all scriptures. The second part of Tattva Sandarbha explains prameya--what is proved by Bhāgavatam: Kṛṣṇa as the object of worship, bhakti as the method and prema as the goal. These topics are expanded in the other Sandarbhas.