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Almost every congregation is experiencing tension over worship. Many congregations have been participating in a renaissance of worship known as the "liturgical movement" and have reclaimed worship forms that have served the church for centuries. Yet because the church today is operating in a radically changed cultural environment, many people in our society do not understand liturgical worship and thus we must find language, music, themes, and images that speak to the unchurched, spiritually seeking person. In Beyond the Worship Wars, Thomas G. Long discusses the nine characteristics of vital and faithful worship practiced by a wide range of "third-way" congregations—all characteristics that make for vital and faithful worshi
Almost every congregation is experiencing tension over worship. Many congregations have been participating in a renaissance of worship known as the "liturgical movement" and have reclaimed worship forms that have served the church for centuries. Yet because the church today is operating in a radically changed cultural environment, many people in our society do not understand liturgical worship and thus we must find language, music, themes, and images that speak to the unchurched, spiritually seeking person. In Beyond the Worship Wars, Thomas G. Long discusses the nine characteristics of vital and faithful worship practiced by a wide range of "third-way" congregations, all characteristics that make for vital and faithful worship.
Over the past several years, churches have engaged in an ongoing debate between two different styles of worship--"traditional" and "contemporary." Here, Ronald Byars argues that many of the differences between the two styles are superficial. Authentic worship, being wholly theocentric, can and must be both responsive to contemporary culture and grounded in history and tradition. Thus, rather than merely trying to please their members, congregations must focus on exploring worship that is biblical, honors our communion with the saints, and takes seriously the ways that our culture is reshaping us. He concludes with a description of an authentic, postmodern Protestant worship service.
How do you worship? Where do you worship? Do you believe worship should be traditional, solemn, and reverential, or should worship be contemporary, lyrical, and lively? These questions about the proper venue, style, or manner in which we worship seem to never go away in Christianity. But is there a right answer? In Worship Wars, author David Waddell explores this question by going beyond style and taking a more personal view of worship. With both humorous and earnest reflections on his own flaws, faux pas, and failures in worship, Waddell looks to the Bible and to the kings of Israel and Judah, where he reveals an order of worship using the stories of the kings as examples to teach better worship practices. No one is perfect in their worship habits and patterns, but the Bible offers a way for worshippers to have the freedom to worship in spirit and in truth, regardless of the style. Whether our individual acts of worship are traditional, contemporary, or a combination of each, we can all discover a lifestyle of worship in spirit and in truth that will please God and bring us all closer to Jesus.
Everybody talks about the worship, but nobody does anything about it. The well-known quote associated with Mark Twain actually goes like this—Everybody talks about the weather ... But changing it to "worship" seems appropriate. With Worship Essentials, Dove Award-winning worship leader Mike Harland helps leaders do something about it. Perhaps no subject about church generates more opinion and passion than worship. Walk with the typical church-going family on their way to the car after the service and just listen. Everybody really does talk about worship. Now, veteran worship leader and experienced ministry coach Mike Harland offers the tools worship leaders need to build biblically-faithful and effective worship ministries without bringing the disruption that often accompanies change. Psalm 67:5 reads, "Let the peoples praise you, God, let all the peoples praise you." Worship Essentials is here to help.
Working to bridge opposing sides in the various "worship wars", Marva Dawn here writes to help local parishes and denominations think more profoundly about both worship and culture.
The purpose of this book is not to debate the theological, style or cultural issues of worship expressions. The primary theme is that of finding the balance in corporate worship expressions - blended worship. While there may be moments in the life of a worshipping community where risky and sweeping changes are prudent, this is not the primary context for this dialogue. When these changes are done with loving visionary leaders, a positive outcome can be achieved. This book will help leaders carefully think through how they process change in their congregation's worship expressions in such a way that worship tensions are avoided. It will also challenge leaders to take ownership of their motives and actions in dealing with worship tensions in the local congregation and to be willing to change if necessary. Ultimately, the goal is to divert or derail division in the church. Throughout this book a theme will be explored and at the conclusion of each section there are questions or thoughts for personal reflection. As you read, treat this writing as meditative. Do not simply skim familiar scripture passages; rather, read them slowly so they can speak to you in the context of this dialogue. Take time to thoughtfully and honestly consider the thoughts for reflection at the conclusion of each section.
“What is at stake is authenticity. . . . Sooner or later Christians tire of public meetings that are profoundly inauthentic, regardless of how well (or poorly) arranged, directed, performed. We long to meet, corporately, with the living and majestic God and to offer him the praise that is his due.”—D. A. CarsonWorship is a hot topic, but the ways that Christians from different traditions view it vary greatly. What is worship? More important, what does it look like in action, both in our corporate gatherings and in our daily lives? These concerns—the blending of principle and practice—are what Worship by the Book addresses.Cutting through cultural clichés, D. A. Carson, Mark Ashton, Kent Hughes, and Timothy Keller explore, respectively:· Worship Under the Word· Following in Cranmer’s Footsteps· Free Church Worship: The Challenge of Freedom· Reformed Worship in the Global City “This is not a comprehensive theology of worship,” writes Carson. “Still less is it a sociological analysis of current trends or a minister’s manual chockfull of ‘how to’ instructions.” Rather, this book offers pastors, other congregational leaders, and seminary students a thought-provoking biblical theology of worship, followed by a look at how three very different traditions of churchmanship might move from this theological base to a better understanding of corporate worship. Running the gamut from biblical theology to historical assessment all the way to sample service sheets, Worship by the Book shows how local churches in diverse traditions can foster corporate worship that is God-honoring, Word-revering, heartfelt, and historically and culturally informed.
In this book, Marva Dawn insists that churches need to engage in a serious process of community discernment concerning worship in order to employ the best tools and forms, and she offers reflections to further the discussion. Each part of A Royal "Waste" of Time begins with a sample Scripture-based sermon since Dawn emphasizes that the church's worship must follow biblical guidelines and form a biblical people.--From publisher's description.
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.