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Perry A. Burgess, son of Abram Burgess and Emma Semantha Cheney, was born in 1843 in Nauvoo, Illinois. He married Annie Mapes in 1870. They had three children. He died in 1900 in Steamboat Springs, Colorado.
In ancient Colombia, people did not use gold as currency or desire it for its economic value. Gold was revered instead for its symbolic association and transformative properties. This sacred metal was used to create some of the most visually dramatic and technically sophisticated works of art found anywhere in the Americas before European contact. Drawing on the spectacular collections of the Museum del Oro in Bogota and the British Museum, this beautiful book features over 100 masterpieces fashioned exquisitely in gold and its alloy tumbaga, including small votive figures, decorative nose rings and earrings, vessels, pectorals and masks. These are presented alongside an array of other highly valued objects textiles, ceramic figurines, shells, colourful stone beads which also played a significant part in daily and ritual contexts. -- Publisher's blurb.
At the age of thirty-three, Ekow Eshun—born in London to African-born parents—travels to Ghana in search of his roots. He goes from Accra, Ghana’s cosmopolitan capital city, to the storied slave forts of Elmina, and on to the historic warrior kingdom of Asante. During his journey, Eshun uncovers a long-held secret about his lineage that will compel him to question everything he knows about himself and where he comes from. From the London suburbs of his childhood to the twenty-first century African metropolis, Eshun’s is a moving chronicle of one man’s search for home, and of the pleasures and pitfalls of fashioning an identity in these vibrant contemporary worlds.
It's the tale of Saint George and the Dragon set in three dimensions. Prince George solves fairy puzzles, races giants and performs miracles - but in the end his faith allows him to free Larkwood from evil and heal his father.
The concept of pharaonic Egypt as a unified, homogeneous, and isolated cultural entity is misleading. Ancient Egypt was a rich tapestry of social, religious, technological, and economic interconnections among numerous cultures from disparate lands. In fifteen chapters divided into five thematic groups, Pharaoh's Land and Beyond uniquely examines Egypt's relationship with its wider world. The first section details the geographical contexts of interconnections by examining ancient Egyptian exploration, maritime routes, and overland passages. In the next section, chapters address the human principals of association: peoples, with the attendant difficulties of differentiating ethnic identities from the record; diplomatic actors, with their complex balances and presentations of power; and the military, with its evolving role in pharaonic expansion. Natural events, from droughts and floods to illness and epidemics, also played significant roles in this ancient world, as examined in the third section. The final two sections explore the physical manifestations of interconnections between pharaonic Egypt and its neighbors, first in the form of material objects and second, in the powerful exchange of ideas. Whether through diffusion and borrowing of knowledge and technology, through the flow of words by script and literature, or through exchanges in the religious sphere, the pharaonic Egypt that we know today was constantly changing--and changing the cultures around it. This illustrious work represents the first synthesis of these cultural relationships, unbounded by time, geography, or mode.
The Land Beyond the Forest is a historical exposé by Emily Gerard. It depicts the history and legends of Transylvania's distant past, along with its folklore and superstitions.
Gerard's informative and highly readable travelogue about the country and people of Transylvania inspired Bram Stoker when writing Dracula.