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Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. By the mid-1960s Happenings were widely declared outmoded or even ‘dead’, but this book reveals how many practitioners continued to work with the form during the late 1960s and 1970s, developing it into a vehicle for studying interpersonal communication that simultaneously deployed and questioned contemporary sociology and psychology. Focussing on the artists Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening within a wider network of dynamic international activity. The resulting performances directly intervened in the wider discourse of communication studies, as it manifested in the politics of countercultural dropout, soft power and cultural diplomacy, alternative pedagogies, sociological art and feminist consciousness-raising.
John has regular encounters with the supernatural like few others have experienced. To John, Creator God is full of wonders, majesty, and mystery beyond human ability to comprehend and yet can be experienced in all of His wonder through personal encounters. Dr. Leonard Hoffman's The Happening examines the possibilities of such an encounter, and while doing so, uncovers the answers to many theological issues about God and His Divine Nature that have plagued scholars for decades. Through a series of visions, a young people's group discovers answers to questions such as, how was the cross a good experience for Jesus? How does God develop His Divine Nature in believers today? And how can believers today operate in Kingdom authority? The Happening is a must read for all who are looking for a God who is greater than religion and desire a fresh encounter with Him. When the usual religious cliches fail to answer life's struggles, it is time for The Happening."
WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE "Happening recounts what it was like to be a young woman whose life changed — and world ominously narrowed — in 1963 with an unwanted pregnancy. . . . It feels urgently of the moment." --The New York Times In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist, and ends up in a hospital emergency ward where she nearly dies. In Happening, Ernaux sifts through her memories and her journal entries dating from those days. Clearly, cleanly, she gleans the meanings of her experience. Now an award-winning film by Audrey Diwan Winner of the Golden Lion at the Venice International Film Festival Official Selection of the Sundance Film Festival
Transgression is the stock in trade of a certain kind of anthropological sensibility that transforms fieldwork from strict social science to something more engaging. It builds on Koepping’s idea that participation transforms perception and investigates how transgressive practices have triggered the re-theorization of conventional forms of thought and life. It focuses on social practices in various cultural fields including the method and politics of anthropology in order to show how transgressive experiences become relevant for the organisation and understanding of social relations. This book brings key authors in anthropology together to debate and transgress anthropological expectations. Through transgression as method, as discussed here, our understanding of the world is transformed, and anthropology as a discipline becomes dangerous and relevant again.
This is a personal notebook from a conceptual travel. But, in a different sense, it also represents a report on travelling. The main part of the manuscript was written in Brazil, Denmark and England, whilst notes have also been inspired by visits to other countries. So, the book not only represents conceptual travel, it also reflects seasons of real travelling.
This collection explores artistic representations of vegetal life that imperil human life, voicing anxieties about our relationship to other life forms with which we share the earth. From medieval manuscript illustrations to modern works of science fiction and horror, plants that manifest monstrous agency defy human control, challenge anthropocentric perception, and exact a violent vengeance for our blind and exploitative practices. Plant Horror explores how depictions of monster plants reveal concerns about the viability of our prevailing belief systems and dominant ideologies— as well as a deep-seated fear about human vulnerability in an era of deepening ecological crisis. Films discussed include The Day of the Triffids, Invasion of the Body Snatchers, The Wicker Man, Swamp Thing, and The Happening.
Hegel After Derrida provides a much needed insight not only into the importance of Hegel and the importance of Derrida's work on Hegel, but also the very foundations of postmodern and deconstructionist thought. It will be essential reading for all those engaging with the work of Derrida and Hegel today and anyone seeking insight into some of the basic but neglected themes of deconstruction.
This book starts with the radical premise that the most coherent way to read the Zhuangzi is through Guo Xiang (d. 312 CE), the classic Daoist text's first and most important commentator, and that the best way to read Guo Xiang is politically. Offering an investigation of the notions of causality, self, freedom, and its political implications, the book provides a comprehensive account of freedom that is both ontological and political, using Guo's notion of self-realization (自得 zide). This is a conception of freedom that introduces a "dependence-based autonomy," in which freedom is something we achieve and realize through our connection to others. The notion that a subject is born with freedom—and that one can return to it by isolating oneself from others—would be a strange idea not just to Guo but to most Chinese philosophers. Rather, freedom is complex and frail, and only the kind of freedom that is collectively attained through radical dependence can be worth having. In sum, the book makes a new contribution to Chinese philosophical scholarship as well as philosophical debates on freedom.
This is a representative yet intriguing story of the state of the power, hegemony, and economic considerations overshadowing humility, scholarship, and the quest for excellence. The outwardly pseudo-noble progress of the learning sector is in reality a downfall, where greed and compulsions to maintain an empire overpowers all values, ethics, and morals. This also is a story of Maya, who is a victim and witness to this downfall. After opening its floodgates to private enlightening players, recognizing opportunity at the right time, an instructor jumps in to liberalize learning! More establishments under the ambit, more students, more establishments, more courses. And to manage all this, Royal-Mans children step in. Thus begins the power game of keeping everything within the family, not very different from a godfather running a mafia! Naturally, only sycophants and non-scholars can survive. In this game, nothing matters but power and money. Royal-Man, blinded by his weakness for the family, has to compromise the very principles and values that he believed at one time when he entered the noble field! As a result, the focus on quality, service, and outreach is completely lost. When Royal-Man feels the power is slipping from his hands, he begins the process of elimination. Everybody is under surveillance. Everyone must concede with what he says, else you are eliminated. Nobody will be spared. This is the epitome of intolerance to any other thought, and the fascist traits surface.