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This cultural study of rationing in Central Australia develops a new narrative of colonisation.
Popular account of Macdonald Downs Station, Northern Territory; contacts with Illoura tribe; note of anthropological expedition in l930; p.143; Extract from paper by Cleland describing collection and crushing of grain by women; p.15l; Method of cooking animals; tracking.
The frontier is one of the most pervasive concepts underlying the production of national identity in Australia. Recently it has become a highly contested domain in which visions of nationhood are argued out through analysis of frontier conflict. DISLOCATING THE FRONTIER departs from this contestation and takes a critical approach to the frontier imagination in Australia. The authors of this book work with frontier theory in comparative and unsettling modes. The essays reveal diverse aspects of frontier images and dreams - as manifested in performance, decolonising domains, language, and cross-cultural encounters.
Story of the colt Queen and her adventures and interactions with humans as she grows up and desires freedom.
The Royal Flying Doctor Service is a revered legend of the development of Australia as a caring nation. However, few Australians are aware of the man who founded it—John Flynn—usually known as Flynn of the Inland. Flynn, who died in 1951, is regarded by historians as one of Australia’s greatest sons. In addition to creating the Flying Doctor, he pioneered the Pedal Radio, founded the School of the Air, and built bush hospitals all over the continent on behalf of the Australian Inland Mission. It is a story that every Australian should read, and its powerful drama has been captured by veteran author Everald Compton. Flynn has been his role model in life ever since he first learned about him at a bush Sunday School in 1936. His fervent prayer is that many who read “The Man on the Twenty Dollar Notes” will choose to follow in Flynn’s footsteps as the future pioneers of Australia as the finest nation on earth.
NOMINATED FOR THE 2014 EDGAR AWARD FOR BEST PAPERBACK ORIGINAL Sometimes reality can really get in the way of a good story. Joe Middleton’s story is this: He doesn’t remember killing anyone, so there’ s no way a jury can convict him of serial murder. He calls himself Joe Victim, trying, as he awaits trial, to convince the psychiatrists that he wasn’t in control of his actions, trusting that the system will save him in the end. But others know Joe as the infamous Christchurch Carver and they want to see him dead. There’s Melissa, Joe’s accomplice in one of the murders, who plans on shooting him on his way to the courthouse before he gets a chance to start talking. Then there’s Raphael, whose daughter was one of the Carver’s victims. Though he’s tried to move on with life as the leader of a counseling group for grieving family members, he’d like nothing more than to watch Joe pay. Finally there’s Carl Schroder, the ex-detective who locked Joe up and is determined to put things right for the case of his career. To extract himself from this epic mess, Joe has come up with a desperate plan involving a television psychic who’s looking to get rich by making people believe just about anything. It’s a long shot, but it had better work before he becomes the poster boy for a death penalty that may be reinstated in New Zealand, which isn’t quite the dramatic ending he is hoping for…
In the 1930s, a series of crises transformed relationships between settlers and Aboriginal people in Australia’s Northern Territory. By the late 1930s, Australian settlers were coming to understand the Northern Territory as a colonial formation requiring a new form of government. Responding to crises of social reproduction, public power, and legitimacy, they re-thought the scope of settler colonial government by drawing on both the art of indirect rule and on a representational economy of Indigenous elimination to develop a new political dispensation that sought to incorporate and consume Indigenous production and sovereignties. This book locates Aboriginal history within imperial history, situating the settler colonial politics of Indigeneity in a broader governmental context.