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This book cuts through rampant misinformation circulating about 2012 to present a coherent understanding of the Mayan calendar and the significance of the date. As an anthropologist and journalist, Will Black has conducted research into 2012 millenarianism for several years. He consequently offers a much broader and clearer picture than other books on the subject. In their haste to jump onto the 2012 bandwagon, most authors seem to have forgotten that the Maya are a real people, often living in as violently precarious circumstances as their ancestors. Will Black demolishes fantasies about crumbling calendar stones before examining the brutal cocaine wars blighting Central America. The hedonistic world of many westerners who have become interested in 2012 is contrasted sharply with the lives of ancient and modern Maya. The extraordinary world of shamans is contrasted with that of New Age seekers. Information about key visionary substances is offered.
Did the Maya really predict that the world would end in December of 2012? If not, how and why has 2012 millenarianism gained such popular appeal? In this deeply knowledgeable book, two leading historians of the Maya answer these questions in a succinct, readable, and accessible style. Matthew Restall and Amara Solari introduce, explain, and ultimately demystify the 2012 phenomenon. They begin by briefly examining the evidence for the prediction of the world's end in ancient Maya texts and images, analyzing precisely what Maya priests did and did not prophesize. The authors then convincingly show how 2012 millenarianism has roots far in time and place from Maya cultural traditions, but in those of medieval and Early Modern Western Europe. Revelatory any myth-busting, while remaining firmly grounded in historical fact, this fascinating book will be essential reading as the countdown to December 21, 2012, begins.
Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard.
During the first dozen years of the twenty-first century, apocalyptic anticipation in America has leapt from the cultish to the mainstream. Today, nearly 60 percent of Americans believe that the events foretold in the book of Revelation will come true. But many secular readers also seem hungry for catastrophe and have propelled books about peak oil, global warming, and the end of civilization into bestsellers. How did we come to live in a culture obsessed by the belief that the end is near? The Last Myth explains why apocalyptic beliefs are surging within the American mainstream today. Demonstrating that our expectation of the end of the world is a surprisingly recent development in human thought, the book reveals the profound influence of apocalyptic thinking on America’s past, present, and future.
Today’s world leaders and those of 1,000 years ago face the world’s end. The Mayan “End-Time Codex” predicts the end of the world in 2012. A young Aztec-Mayan slave tells the story of its creation: gifted in math and astronomy, Coyotl advises the god-king, Quetzalcoatl. Gathering artists, scientists, and architects, this ruler builds the great, golden city of Tula but soon faces war, disastrous drought, death-cult priests who rip the hearts out of thousands of people. . . and an epic catastrophe threatening all humanity. Meanwhile, thousand years later, scientists have rediscovered the End-Time Codex and learned that their own time mirrors Tula’s golden age. Can they crack the 2012 code and save their world from Tula’s deadly fate? The countdown begins.
Danger and personal crisis on land, sea, and in the air combine with a level of spiritual warfare that is unparalleled in a Christian book. Apocalypse Burning is a page-turning thriller that runs side by side with the phenomenal Left Behind series, which has sold in excess of 60 million copies. First Sergeant Samuel Adams “Goose” Gander is on the front lines, fighting a battle against superior forces. Goose's wife, Megan, is fighting for her freedom in a court case where all the facts seem stacked against her. Meanwhile, Chaplain Delroy Harte believes that the Rapture may have happened but can't be sure until he has dealt with the demons of his past. Stunning action and technical accuracy ensure this series will satisfy the fans of the original Left Behind series who are looking for more.
On the heels of Mark Hitchcock’s prophecy bestseller 2012, the Bible, and the End of the World comes a suspenseful novel (coauthored with bestselling novelist Alton Gansky) about the supposed expiration date of planet earth—December 21, 2012. Andrew Morgan is a wealthy oil executive in search of the meaning of life. In his quest for answers he encounters the ancient Mayan predictions that the world will end in 2012. That the claims seem supported by math and astronomy drives him to check on them. Then he meets Lisa Campbell, an attractive Christian journalist also researching the Mayan calendar. When he learns that she is a Christian, he quickly dismisses what she has to say. As the time draws closer to December 21, 2012, a meteorite impact in Arizona, a volcanic eruption, and the threat of an asteroid on a collision-course with earth escalate fears. Are these indicators of a global apocalypse? Will anyone survive? Does Lisa’s Christian faith have the answers after all? Or has fate destined everyone to a holocaust from which there is no escape?
In this humorous look at today's culture's ongoing love affair with the "End Times," the author provides a handful of anecdotes, acknowledgments of the phenomenon in pop culture and insights that precede each chapter.
Beyond the End of the World examines the history of apocalyptic movements and ideas. Will Black explains how apocalyptic themes not only run through major religions, including, Christianity and Islam, but are also embedded in many areas of human culture, including politics and film.Ideas of massive change being just over the horizon have given power to cult leaders, religious 'authorities', demagogue politicians and revolutionaries alike. Similar characteristics have been observed in charismatic politicians, rabble-rousing extremists and violent uprisings cloaked in the clothing of religion.Black's book sheds light on the characteristics of charismatic leaders and those who follow them, which can help explain much of the political and religious turmoil observed in recent years. Will Black has a background in social anthropology, working in specialist psychiatric services and journalism. His 2015 book, Psychopathic Cultures and Toxic Empires, drew on clinical experience and an anthropological perspective. His 2018 book, Veneer of Civilisation, brought together conflict studies, anthropology, politics and psychology to examine the ways in which human civilisation can be eroded or violently torn away. Beyond the End of the World followed his postgraduate research into groups and individuals that exploited ignorance about Mayan culture to peddle a variety of beliefs and products.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.