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Beyond the Dream Horse describes how turning around many standard beliefs about horses and training can allow an honest relationship to flourish. True experience providing a different perspective and insight that help remove the self-created wall that often seperates people from horses. This is not about herd behaviour, rather it is about the astounding possibilities that exist between horses and humans. It is about achieving the elusive relationship of which is often only dreamed.
In this book, Jim Masterson, Equine Massage Therapist for the 2006 and 2008 and 2010 USET Endurance Teams, and for equine clientele competing in FEI World Cup, Pan American and World Games competitions, teaches a unique method of equine bodywork, in which the practitioner recognizes and follows the responses of the horse to touch to release tension in key junctions of the body that most affect performance.This practical book with step-by-step instructions, photographs and illustrations is ideally suited to accompany you to the yard/stables, where you can practice the Masterson Method techniques on horses. Expanded chapters with Tips & Techniques, anatomical explanations and examples from Jim's practice help deepen your understanding. A 'quick reference' section will point you to exercises that are specifically suited to your particular discipline, may it be dressage, endurance, eventing, or others in the vast realm of horse sports.
Examining Tony Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Tony Conrad has significantly influenced cultural developments from minimalism to underground film, "concept art," postmodern appropriation, and the most sophisticated rock and roll. Creator of the "structural" film, The Flicker, collaborator on Jack Smith's Flaming Creatures and Normal Love, follower of Henry Flynt's radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Neither monograph nor social history, the book takes Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Such an approach simultaneously illuminates and estranges current understandings of the period, redrawing the map across medium and stylistic boundaries to reveal a constitutive hybridization at the base of the decade's artistic development. This exploration of Conrad and his milieu goes beyond the presentation of a relatively overlooked oeuvre to chart multiple, contestatory regimes of power simultaneously in play during the pivotal moment of the 1960s. From the sovereign authority invoked by Young's music, to the "paranoiac" politics of Flynt, to the immanent control modeled by Conrad's films, each avant-garde project examined reveals an investment within a particular structure of power and resistance, providing a glimpse into the diversity of the artistic and political stakes that continue to define our time.
Renowned for their amazing athleticism and unparalleled work ethic, and famed for their "great heart" and willingness to go the extra mile, off-the-track Thoroughbreds (OTTBs) have proven to be the ultimate equine partner in a host of disciplines: dressage, eventing, hunter/jumpers, trail riding—even barrel racing! Now discover all you need to know to find the right OTTB and give him the solid educational foundation he needs to excel in a new career, whether as a highly trained competitor, pleasure mount, or companion animal. * A portion of the proceeds from the sale of this book goes to support the New Vocations Racehorse Adoption Program
Fourth-grader Ellie James has a great imagination. She spends a lot of time daydreaming of owning a black stallion show horse and winning trophies in the horse show. But when the answer to all her dreams and prayers gallops into her life, will Ellie be able to recognize it? Join Ellie and her quirky family in their exciting, horse-loving adventures.
Untamable. Damaged. Angry. Once full of promise and life, now lost in the shadows of resentment and detachment, this is Dream of Night's story—and it is also Shiloh’s. One is a thoroughbred racehorse, the other an eleven-year-old foster child. Starved to the bone, Dream of Night is still a very powerful animal, kicking, bucking, screaming to show his strength. Shiloh has been starved in other ways—starved of affection, starved of stability and she lashes out too…with sarcasm. This injured and abused racehorse has a lot in common with punky Shiloh and by chance they both find themselves under the care of Jessalyn DiLima—a last stop for each before the state takes more drastic measures—sending the girl to a “residential facility” and the horse to a vet...for euthanizing. Jess is giving them a second chance, a last chance—but she fosters animals and children like this for a reason—she’s a little broken, too. And she knows what it’s like to have lost nearly everything she loves. As the horse warms up to the girl and the girl lets her guard down for the horse, the three of them become an unlikely family. They recognize their similarities in order to heal their pasts, but not before one last tragedy threatens to take it all away.
When eighth grader Abby Lovitt looks out at those pure-gold rolling hills, she knows there’s no place she’d rather be than her family’s ranch—even with all the hard work of tending to nine horses. But some chores are no work at all, like grooming young Jack. At eight months, his rough foal coat has shed out, leaving a smooth, rich silk, like chocolate. As for Black George, such a good horse, it turns out he’s a natural jumper. When he and Abby clear four feet easy as pie, heads start to turn at the ring—buyers’ heads—and Abby knows Daddy won’t turn down a good offer. Then a letter arrives from a private investigator, and suddenly Abby stands to lose not one horse but two. The letter states that Jack’s mare may have been sold to the Lovitts as stolen goods. A mystery unfolds, more surprising than Abby could ever expect. Will she lose her beloved Jack to his rightful owners? Pulitzer Prize winner Jane Smiley raises horses of her own, and her affection and expertise shine through in this inviting horse novel for young readers, set in 1960s California horse country and featuring characters from The Georges and the Jewels.
Will Stevie Have To Say Good-bye To No-Name? Stevie Lake is ecstatic. After years of wanting a horse of her own, her parents have given her "No-Name," a beautiful Arabian-Saddlebred. And everyone can see that the frisky, sassy mare is the perfect match for a rider like fun-loving, Stevie. Now all she has to do to make "No-Name" hers is come up with a fitting name. But before Stevie can find a name for the beautiful mare, her happiness is abruptly shattered. During a Pony Club exhibition, another girl claims that "No-Name" was stolen from her family's barn. Could Stevie's new mount really be the horse the older girl calls "Punk"? Is Stevie about to lose her dream horse forever?
Mel Tomlinson's fascinating true story starts before his birth at his family's home in the Chavis Heights Housing Project in Raleigh, NC. It starts with the struggles of his parents and grandparents in Jim Crow-era North Carolina and continues with his unexpected and meteoric rise through the ranks of the professional ballet world with almost no prior dance training. After years spent as a soloist and principal dancer in some of America's top professional ballet companies, Mel fi nds himself placed in the House of Mercy AIDS Hospice in Belmont, NC, where his friends and family expect him to soon die a hideously painful death. But it seems that powers beyond his dreams had other plans for Mel Tomlinson, the once captivating, charismatic dancer.
Recovering from a head injury in the hospital, Stevie Lake has a series of vivid dreams that surprisingly comes true and makes the Saddle Club friends wonder if Stevie has developed psychic powers.