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When it was first published in 1999, Crimes Against Humanity called for a radical shift from diplomacy to justice in international affairs. In vivid, non-legalese prose, leading human rights lawyer Geoffrey Robertson made a riveting case for holding political and military leaders accountable in international courts for genocide, torture, and mass murder. Since then, fearsome figures such as Charles Taylor, Laurent Gbagbo, and Ratko Mladic have been tried in international criminal court, and a global movement has rallied around the human rights framework of justice. Any such legal framework requires constant evolution in order to stay relevant, and this newly revised and expanded volume brings the conversation up to date. In substantial new chapters, Robertson covers the protection of war correspondents, the problem of piracy, crimes against humanity in Syria, nuclear armament in Iran, and other challenges we are grappling with today. He criticizes the Obama administration’s policies around “targeted killing” and the trials of Khalid Sheik Mohammed and other “high value” detainees. By rendering a complex debate accessible, Robertson once again provides an essential guide for anyone looking to understand human rights and how to work toward a more complete blueprint for justice.
Human beings possess a wondrous capacity to survive. This ability to move beyond life's challenges and, or if need be, to fashion a life where one lives comfortably side by side with them is the heart and spirit of the poems in this collection.
Make your own darkroom prints, even without access to a darkroom. Makeshift or dual-purpose spaces will work, if you follow these basics of black-and-white developing techniques. Diagrams and specially-commissioned photos simplify the use of developers, fixers, graduates, timers, and thermometers. Guidance on using developing equipment covers enlargers, lenses, trays, tanks, drums, and safelights. See how to process a negative and turn out work prints, test strips, contacts, and proofs. The techniques for making a final print include cropping, dodging, burning, preflashing, soft focus, borders, vignetting, spotting, and retouching. Troubleshooting sections point out all the potential pitfalls and how to avoid them, and suggest rescue techniques for those times when things don't quite go according to plan. Soon you will be able to create portraits and landscapes that feature sepia toning, archival toning, and hand coloring, as well as giant prints and posters.
A debut novel that retells the history of twentieth-century Germany through the experiences of three ordinary Germans. Helmut: A boy born with a physical deformity finds work as a photographer’s assistant during the 1930s and captures on film the changing temper of Berlin, the city he loves. But his acute photographic eye never provides him with the power to understand the significance of what he sees through his camera. . . . Lore: In the weeks following Germany’s surrender, a teenage girl whose parents are both in Allied captivity takes her younger siblings on a terrifying, illegal journey through the four zones of occupation in search of her grandmother. . . . Micha: Many years after the war, a young man trying to discover why the Russians imprisoned his grandfather for nine years after the war meets resistance at every turn; the only person who agrees, reluctantly, to help him is compromised by his own past. The Dark Room evokes the experiences of the individual with astonishing emotional depth and psychological authenticity. With dazzling originality and to profound effect, Rachel Seiffert has re-envisioned and illuminated signal moments of the twentieth century in all their drama and complexity.
The author reveals the pains and pleasures of her first thirty years of life, from childhood sexual abuse to her experiences with love, literature, and mind-altering experiences. Winner of the Associated Writing Programs Award for Creative Nonfiction. (Biography)