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The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
There are two paths in life: Should & Must. We arrive at this crossroads over and over again, and every day. And we get to choose. Starting out or starting over, making a career change or making a life change, the most life-affirming thing you can do is to honor the voice inside that says your have something special to give, and then heed the call and act. Many have traveled this road before. Here’s how you can, too. #choosemust An inspirational gift book for every recent graduate, every artist, every seeker, and every career change.
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
On a midsummer night in the early hours of dusk, five lives are merged by a fateful hit-and-run. Lives are lost, and other lives are changed forever. Genevieve Nickles, a young vibrant woman with a promising future as a freelance writer, awakes to find herself in the Portsmouth, New Hampshire hospital. She has no recollection of how or why she is there. All she knows is that she has a long road to recovery in front of her. With her thoughts focused around her family and fiancé Todd, the road to recovery seems manageable at times. Weak, she drifts in and out of consciousness, falling deep into thought to escape the pain of recovery. But her quiet slumber is disturbed by the visions of a man hunting a frightened young woman. Desperately, this man wants his prey, and he wants to kill. He chases his victim down a road that leads to many crossroads; the closer he gets, the stronger the man senses Genevieve’s presence. His attention now shifts from his victim to Genevieve. Laid up in a hospital bed, Genevieve Nickles fights to regain her memory and strength so she can fight the demon that invades her dreams. It may be just a vision, but something is beckoning her to help this frightened woman at the same time.++
If youre at a crossroads then Beyond the Crossroads is for you. Heres good advicedont stay there. The message here is about how to keep traveling the streets of life. How to keep on faithing no matter how rugged the pathway. Now is the time to venture into adventure! You cannot read Beyond the Crossroads and not feel challenged to move on, to take a leap of faith beyond spiritual stagnation. If youve been grounded like a tame old duck then now is the time to take off and fly high into the exhilarating winds of freedom. Dont seek safetyseek abundant living for Jesus promises no less. Grounded faith is an oxymoron! We must never become impotent in pursuit of our spiritual questing. Never! As one who walked among us Jesus was considered the village quack, homeless and eventually a convicted criminal, sentenced to the cross. But he remained free! No cross, no tombnot even death could restrict his vocation. Why? Because at the crossroads, Jesus moved on. Living in beyondness, centered on God, and with an incredible sense of freedom is crucial to the faith journey. Seeking faith as Jesus had faith allows you to become free too! Salvation is the name of this street. Travel on it.
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
The book examines trade agreements in the context of the current world economic crisis and the uncompleted World Trade Organization (WTO) Doha Round of trade negotiations. With economies shrinking and protectionism on the rise, many fear a protracted global recession. This raises important questions as to what role trade agreements – multilateral, plurilateral, and bilateral – should be playing in the current climate of uncertainty, and how best to plan for a more stable economic future. Previous assumptions are now being questioned, making this an opportune time to critically examine the WTO, free trade agreements, bilateral investment treaties, and other international economic law instruments. Furthermore, participants in international agreements are concerned with emerging issues that have the potential to strengthen or weaken the global trading system, including matters of treaty interpretation; terms of new agreements; and effects of existing provisions. This book provides a timely addition to the international economic law literature, as its submissions have been prepared during a time of unusual uncertainty and economic change; individuals interested in international economic law will seek scholarship that recognizes the current international economic climate. This book should be of interest to a wide range of academics and student researchers, as well as policymakers and practitioners.
An authoritative, fresh, and vividly written account of the Kashmir conflict—from 1947 to the present The India-Pakistan dispute over Kashmir is one of the world’s incendiary conflicts. Since 1990, at least 60,000 people have been killed—insurgents, civilians, and military and police personnel. In 2019, the conflict entered a dangerous new phase. India’s Hindu nationalist government, under Narendra Modi, repealed Indian-administered Jammu and Kashmir’s autonomous status and divided it into two territories subject to New Delhi’s direct rule. The drastic move was accompanied by mass arrests and lengthy suspension of mobile and internet services. In this definitive account, Sumantra Bose examines the conflict in Kashmir from its origins to the present volatile juncture. He explores the global context of the current situation, including China’s growing role, as well as the human tragedy of the people caught in the bitter dispute. Drawing on three decades of field experience in Kashmir, Bose asks whether a compromise settlement is still possible given the ascendancy of Hindu nationalism in India and the complex geopolitical context.
Over the past several decades, the field of Jewish studies has expanded to encompass an unprecedented range of research topics, historical periods, geographic regions, and analytical approaches. Yet there have been few systematic efforts to trace these developments, to consider their implications, and to generate new concepts appropriate to a more inclusive view of Jewish culture and society. Jewish Studies at the Crossroads of Anthropology and History brings together scholars in anthropology, history, religious studies, comparative literature, and other fields to chart new directions in Jewish studies across the disciplines. This groundbreaking volume explores forms of Jewish experience that span the period from antiquity to the present and encompass a wide range of textual, ritual, spatial, and visual materials. The essays give full consideration to non-written expressions of ritual performance, artistic production, spoken narrative, and social experience through which Jewish life emerges. More than simply contributing to an appreciation of Jewish diversity, the contributors devote their attention to three key concepts—authority, diaspora, and tradition—that have long been central to the study of Jews and Judaism. Moving beyond inherited approaches and conventional academic boundaries, the volume reconsiders these core concepts, reorienting our understanding of the dynamic relationships between text and practice, and continuity and change in Jewish contexts. More broadly, this volume furthers conversation across the disciplines by using Judaic studies to provoke inquiry into theoretical problems in a range of other areas.