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The aim of the following paper is an analyses of selected poems of Claire Harris and Olive Senior in regard of the theme that connects the poetic work of these two women writers – identity. At first glance, it might come as quite a surprise to some readers that the literary artist Harris and Senior share a connection in their poetical exploration of themes. However after having a short glance, a commonalty between them will became apparent. Due to the subject the essay is informed by concepts of feminism, post-colonialism and cultural studies in order to depict the different ways in which identity is addressed in their work.
The life of Us?mah ibn-Munqidh epitomizes the height of Arab civilization during the early Crusading period. These memoirs--which represent a rare first-hand account of medieval European manners, morals, politics, and medicine written by a non-European--offers new perspective and insight into an important point of military and cultural contact between the East and West. In his introduction, translator Philip Hitti writes, "Ancient Arabic literature has preserved for us other biographies, memoirs, and reminiscences by great men, but there is hardly anything superior to this one in its simplicity of narrative, dignity, and wealth of contents and general human interest.
In the tradition of Melissa Faye Greene and her award-winning Praying for Sheetrock, extraordinarily talented debut author Laura Wexler tells the story of the Moore's Ford Lynching in Walton County, Georgia in 1946—the last mass lynching in America, fully explored here for the first time. July 25, 1946. In Walton County, Georgia, a mob of white men commit one of the most heinous racial crimes in America's history: the shotgun murder of four black sharecroppers—two men and two women—at Moore's Ford Bridge. Fire in a Canebrake, the term locals used to describe the sound of the fatal gunshots, is the story of our nation's last mass lynching on record. More than a half century later, the lynchers' identities still remain unknown. Drawing from interviews, archival sources, and uncensored FBI reports, acclaimed journalist and author Laura Wexler takes readers deep into the heart of Walton County, bringing to life the characters who inhabited that infamous landscape—from sheriffs to white supremacists to the victims themselves—including a white man who claims to have been a secret witness to the crime. By turns a powerful historical document, a murder mystery, and a cautionary tale, Fire in a Canebrake ignites a powerful contemplation on race, humanity, history, and the epic struggle for truth.
Usama Ibn Munqidh (1095-1188) was a Syrian poet and warrior whose life coincided with some of the most dramatic moments in Islamic history: the invasion of the Turks into the Middle East, the collapse of the Shi'ite political power, and above all, the coming of the Crusades. Often at the frontline of such events whilst on military service representing one of his many Lords, including on occasion the legendary Saladin, Usama was nonethless best-known to his contemporaries as a poet. Covering his exquisite anthologies of Arabic poetry, his witty and well- loved memoirs, and his political adventures, this comprehensive biography examines both the literary works of the famous "Arab- Syrian Gentleman" and the tumultuous life which inspired them. With a guide to further reading, a dynastic family tree and a glossary of the principal characters encountered in the book, it offers an indispensable window into Usmama's life, times and world of thought.
15 essays and two interviews that examine the work of West Indian writers living in Canada. The authors of these essays and interviews dissect issues of history, gender, power, identity and levels of discourse in moving scholars, researchers and students into arenas of study and critique of the West Indian Woman writer residing in Canada.
The Routledge Handbook of Black Canadian Literature offers a comprehensive overview of the growing and increasingly significant field of Black Canadian literary studies. Including historical and contemporary analysis, this volume is an essential text that maps the field over the almost 200 years of its existence across a range of genres from slave narratives to prose fiction, poetry, theatre, and dub and spoken word. It presents Black Canadian literature as encompassing a diverse set of viewpoints, approaches, and practices, touching every aspect of Canadian territory and life, and as deeply influencing debates and understandings of Black peoples far beyond its borders. This Handbook employs an interdisciplinary framework that incorporates literary, historical, geographical, and cultural analysis. This book comprising 32 chapters is organized into five sections that chart the literature’s development into a recognizable canon, trace Black literary geographies across Canada from east to west, delineate the literature’s various genres and expressive forms, and honor the writers and thinkers who have influenced the growth of the field. This volume’s range of subject and plurality of perspectives provide an excellent resource for teachers, researchers, and students from multiple disciplines, including Canadian studies and literature, Caribbean studies, global Black studies, hemispheric studies, diaspora studies, history, and cultural studies.
As the War for Independence wore on into the 1780s, unrest ruled the Carolinas. Settlers who had cleared the land after the Cherokees withdrew were being mustered for battle as British forces pillaged their hard-won farms. Robert Morgan's stunning novel tells a story of two people caught in the chaos raging in the wilderness. After sixteen-year-old Josie Summers murders her abusive stepfather, she runs away from home disguised as a boy. Lost in the woods, she accepts a young preacher's invitation to assist in his itinerant ministry. Eventually her identity is revealed and affection grows between the two. But when the preacher is kidnapped by British soldiers, Josie disguises herself once again and joins the militia in a desperate attempt to find him. Brave Enemies is a page-turning story of people brought together by chance and torn apart by war—a story of enduring love and of the struggle to build a homeland.
Finalist for the Spur Award: The author of The Overmountain Men and The Border Men concludes his epic adventure of Tennessee’s early history. The United States of America has just been born from the fires of revolution. But in the wilds of Tennessee in the Southwest Territory, a fire still burns—especially in the heart of fifteen-year-old Owen Killefer. For Owen witnessed the massacre of his family by Tom Turndale—a depraved marauder who deserted the British during the war to live with the Chickamauga and plague the frontier settlements. And worse, Turndale took Owen’s sister captive as his prize. Now, amidst the growing unrest and hostilities between the new Americans pushing ever westward and the native Indians who have trusted too many broken treaties, Owen must find a way to save his sister and avenge his family. “Judd writes a mean story.” —Zane Grey’s West