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Mahbubani reveals the America that Asia and the rest of the world see--a country that has given hope to billions by creating a society where destiny is not determined at birth.
After publishing articles in leading American journals for over two decades, Kishore Mahbubani was described as "an Asian Toynbee, preoccupied with the rise and fall of civilizations" by The Economist. Trained in philosophy in North America and Asia, and well-experienced in real politik as a diplomat on the world stage, Mahbubani has unusual insight into America's ever more troubled relationship with the rest of the world. In Beyond the Age of Innocence Mahbubani reveals to us the America that Asia and the rest of the world see. We are a country that has given hope to billions by creating a society where destiny is not determined at birth. After the Second World War, we created a global order which allowed many nations to flourish. But when the Cold War ended, America made a terrible mistake. We started behaving like a normal country, ignoring the plight of others, indifferent to the consequences of our decisions on others. America was imprudent in its policy towards two large masses of mankind: the Chinese and Muslim populations. Guantanamo damaged our moral authority, but Abu Ghraib, paradoxically, may have demonstrated the accountability of American institutions. Still, disillusionment with America has spread to all corners. To allow any lasting gap between America and the world, Mahbubani argues, would be a colossal strategic mistake for America and a huge loss to the world. But there is still time for the US to change course; and in this thought-provoking, visionary book, Mahbubani shows us how.
The Age of Innocence centers on an upper-class couple's impending marriage, and the introduction of the bride's cousin, plagued by scandal, whose presence threatens their happiness. The novel is noted for attention to detail and its accurate portrayal of how the 19th-century East Coast American upper class lived, as well as for the social tragedy of its plot.
In this groundbreaking work, Linda A. Westervelt defines an important yet previously unidentified and therefore unnamed type of novel, the altersroman, or age novel. Fictions focusing on a protagonist's confrontation with mortality toward the end of middle age are likely to become ever more prominent in a Western world in which the average age of the population increases and more people reach late middle age and old age. Working from a diverse sample of modern literature, Westervelt analyzes the variety of responses to the life evaluation. Some characters achieve a level of affirmation that allows renewal, redirection, or simply peace, while others confront feelings of disgust or despair that so little time is left them. Her altersromane are books about seeking wisdom, though not everyone of this age becomes wise. The use of the term altersroman highlights the fact that the altersroman is a classification comparable to but also clearly distinguishable from the bildungsroman, wherein characters make the transition from youth to adulthood. Westervelt contrasts her older protagonists' characteristics with the equivalent characteristics in the bildungsroman through an examination of Don Quixote, part 2, as well as six American novels: The Ambassadors, by Henry James; The Professor's House, by Willa Cather; The Mansion, by William Faulkner; The Angle of Repose, by Wallace Stegner; A Book of Common Prayer, by Joan Didion; and Jazz, by Toni Morrison. These seven works, though remarkably different, share the common features of the altersroman. Westervelt articulates the traits clearly, rests them on the psychological literature, and then shows in depth how the characteristics of the altersroman can enrich and more deeply inform our reading of a significant subset of modern literature that previously went unheralded. Readers can use Westervelt's analysis to identify altersromane in literature other than their own, and she begins this process by identifying exemplars written in other languages. Beyond Innocence, or the Altersroman in Modern Fiction introduces readers to the altersroman as a tool for classification and analysis and demonstrates the power and utility of that tool. It offers a meaningful and enriching complement to the more established category of the bildungsroman.
Ibiza, 1960: on the beautiful Mediterranean island, the high-rise resorts are still decades away. By chance, Damien Enright, twenty-one-years old and Irish, arrives there with his wife and two children and finds a handful of down-at-heel foreign Bohemians leading wild, hedonistic lives. He and his wife get involved; their marriage quickly breaks down and he spends two heartbroken years in London before returning to Ibiza with a new partner and another child. They take LSD and inspired by dreams of a brave new world, cross to the remote island of Formentera to lead alternative lives.This is a decade before Howard Marks becameMr. Nice: the embryonic drug culture in the west motivated not by profit but by idealism. Sometimes, that early search for freedom ventured not just beyond the mind but beyond the law. To sustain their families on Formentera, Enright and two desperado pals head to London in a beat-up car and do some risky travellers cheque scams. Then, restless and unsure of his love for his partner, he makes a hair-raising trek to Turkey in the depths of winter to find hashish for the group. Things go badly awry and he find himself a fugitive, at the mercy of unreliable friends. Part road story, drug story, love story,Dope in the Age of Innocenceis fundamentally a parable about drug enlightenment, the loss and rediscovery of love and the tempering of innocence.
Following the publication of The Age of Innocence in 1920, Edith Wharton became the first woman to win the Pulitzer Prize. To mark 100 years since the book's first publication, Edith Wharton's The Age of Innocence: New Centenary Essays brings together leading scholars to explore cutting-edge critical approaches to Wharton's most popular novel. Re-visiting the text through a wide range of contemporary critical perspectives, this book considers theories of mind and affect, digital humanities and media studies; narrational form; innocence and scandal; and the experience of reading the novel in the late twentieth century as the child of refugees. With an introduction by editor Arielle Zibrak that connects the 1920 novel to the sociocultural climate of 2020, this collection both celebrates and offers stimulating critical insights into this landmark novel of modern American literature.
Emma Holly turns up the heat in this sinfully sensuous story of a family plagued by scandal—and a shy young woman who discovers a passion beyond her wildest dreams… When her beloved father passes away, Florence Fairleigh finds herself alone in the world. All she wants is a man who will treat her kindly and support her financially—and she’s come to London to find him… Edward Burbrooke thinks marriage is the only way to save his brother Freddie—and their family—from scandalous ruin. As head of the family, Edward has vowed to find Freddie a bride—and fast… Thrown together by Edward, Florence and Freddie make a perfect pair—until Edward realizes he has feelings for his brother’s betrothed. The sight of her nubile young body makes his blood burn with lust. The sound of her voice makes his heart warm with love. And the sweet taste of her kiss makes him wonder if he isn’t making a terrible mistake….
These 20 short stories and novellas offer an exquisite portrait of Old New York, spanning from the Civil War through the Gilded Age (New York Times). “Edith Wharton . . . remains one of the most potent names in the literature of New York.” —New York Times Edith Wharton wrote about New York as only a native can. Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, widows and divorcées struggling to hold their own. The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.
The first novel from Madagascar ever to be translated into English, Naivo’s magisterial Beyond the Rice Fields delves into the upheavals of the nation’s precolonial past through the twin narratives of a slave and his master’s daughter. Fara and her father’s slave, Tsito, have shared a tender intimacy since her father bought the young boy who’d been ripped away from his family after their forest village was destroyed. Now in Sahasoa, amongst the cattle and rice fields, everything is new for Tsito, and Fara at last has a companion to play with. But as Tsito looks forward toward the bright promise of freedom and Fara, backward to a twisted, long-denied family history, a rift opens that a rapidly shifting political and social terrain can only widen. As love and innocence fall away, their world becomes defined by what tyranny and superstition both thrive upon: fear. With captivating lyricism and undeniable urgency, Naivo crafts an unsentimental interrogation of the brutal history of nineteenth-century Madagascar as a land newly exposed to the forces of Christianity and modernity, and preparing for a violent reaction against them. Beyond the Rice Fields is a tour de force about the global history of human bondage and the competing narratives that keep us from recognizing ourselves and each other, our pasts and our destinies.
Describes how, in the summer of 1916, a lone great white shark headed for the New Jersey shoreline and a farming community eleven miles inland, attacking five people and igniting the most extensive shark hunt in history.