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The main thesis of this book is based on the Rastafarian Movement. This book presents information about this movement, in one place, that is largely not know by the many adherents of the faith. Moreover, this book presents a unique view of the Movement; a view embedded in a Grenadian Caribbean experience. This view, however, is not narrowly placed, but is argued within a wider world context, and, thus, explains whether the Rastafarian movement can be a force for good, both within the black community and the world at large. Editor and author Norm R. Allen Jr. said that "This well-researched book expertly demolishes the ridiculous notion among Rastafarians that Emperor Haile Selassie of Ethiopia is God. Moreover, Lewis offers many excellent critiques of theism, the Bible, Rastafarianism, Afrocentric thought and religion in general." This book is informative to everyone.
From its beginnings in 1930s Jamaica, the Rastafarian movement has become a global presence. While the existing studies of the Rastafarian movement have primarily focused on its cultural expression through reggae music, art, and iconography, Monique A. Bedasse argues that repatriation to Africa represents the most important vehicle of Rastafari's international growth. Shifting the scholarship on repatriation from Ethiopia to Tanzania, Bedasse foregrounds Rastafari's enduring connection to black radical politics and establishes Tanzania as a critical site to explore gender, religion, race, citizenship, socialism, and nation. Beyond her engagement with how the Rastafarian idea of Africa translated into a lived reality, she demonstrates how Tanzanian state and nonstate actors not only validated the Rastafarian idea of diaspora but were also crucial to defining the parameters of Pan-Africanism. Based on previously undiscovered oral and written sources from Tanzania, Jamaica, England, the United States, and Trinidad, Bedasse uncovers a vast and varied transnational network--including Julius Nyerere, Michael Manley, and C. L. R James--revealing Rastafari's entrenchment in the making of Pan-Africanism in the postindependence period.
In this work, the author discusses the various beliefs and ideologies of the RastafarI movement related to Ethiopia. The author also challenges the misogynistic attitude of the RastafarI movement by rehabilitating the position of women through the figure of the Queen of Sheba.
The Rastafari Movement: A North American and Caribbean Perspective provides a historical and ideological overview of the Rastafari movement in the context of its early beginnings in the island of Jamaica and its eventual establishment in other geographic locations. Building on previous scholarship and the author's own fieldwork, the text goes on to provide a rich comparative analysis of the Rastafari movement with other Black theological movements, specifically the Nation of Islam and the Black Hebrew Israelites in the context of the United States. The text explores the following topics: • Pan-Africanism, Black nationalism and Rastafari; • gender dynamics; • globalization; • concepts and symbols; • other Black theological movements. This text is ideal for students of religious studies, sociology, anthropology, African Diaspora studies, African American studies, and Black studies who wish to gain an understanding of the history and beliefs of the Rastafari Movement.
Once an obscure group of outcasts from the ghettoes of West Kingston, Jamaica, the Rastafarians have transformed themselves into a vibrant movement, firmly grounded in Jamaican society and beyond. In Rastafari, Ennis Barrington Edmonds provides a compelling portrait of the Rastafarian phenomenon and chronicles how this group, much maligned and persecuted, became a dominant cultural force in the world today. Edmonds charts the evolution of the relationship between Rastafari and the wider Jamaican society, from confrontation and repression to grudging tolerance and eventually to cultural integration. Edmonds focuses in particular on the internal development of Rastafarianism as a social movement, with its network of "houses" (small, informal groups that form around leading Rastas) and "mansions" (larger, more communal associations), to track the process of this strikingly successful integration. He further demonstrates how Rastafarian artistic creativity, especially in fashioning the music and message of reggae, was a significant factor in the transition of Rastas from the status of outcasts to the position of cultural bearers.
In this work, the author discusses the various beliefs and ideologies of the RastafarI movement related to Ethiopia. The author also challenges the misogynistic attitude of the RastafarI movement by rehabilitating the position of women through the figure of the Queen of Sheba.
In the dawn of the new African Millennium, the Rastafari movement has achieved unheralded growth and visibility since its inception more than eighty years ago. Moving beyond a pure spiritual movement, its aesthetic component has influenced cultures of the Caribbean, the United States, and others across the globe. Locating the Rastafari movement at a literal and figurative crossroad, Barnett sets out to consider the possible paths the movement will chart. Rastafari in the New Millennium covers a wide range of perspectives, focusing not only on the movement’s nuanced and complex religious ideology but also on its political philosophy, cosmology, and unique epistemology. Barry Chevannes’s essay addresses the concerns of death and repatriation, highlighting the transformative challenges these issues pose to Rastafari. Essays by Ian Boxill, Edward Te Kohu Douglas, Erin C. MacLeod, and Janet L. DeCosmo, among others, offer rich accounts of the globalization of Rastafari from New Zealand to Ethiopia, from Brazil to Nigeria. Drawing on new research and global developments, the contributors, many of whom are leading scholars in the field, reinvigorate the critical dialogue on the current state and future direction of the Rastafari movement.
Rastafari has grown into an international socio-religious movement, with adherents of Rastafari found in most of the major population centres and outposts of the world. This Very Short Introduction provides a brief account of this widespread but often poorly understood movement, looking at its history, central principles, and practices.
Going far beyond the standard imagery of Rasta—ganja, reggae, and dreadlocks—this cultural history offers an uncensored vision of a movement with complex roots and the exceptional journey of a man who taught an enslaved people how to be proud and impose their culture on the world. In the 1920s Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.
Rastafari is one of the most influential Pan-African movements that has ever existed. Since its humble beginnings in the small island of Jamaica in the 1930s, Rastafari has grown to attract millions of followers around the world. But there was a time when Rastafarians were persecuted across Jamaica by their fellow countrymen. In this book, you will discover how Rastafari has triumphed over adversity by going from being the most oppressed group of people in Jamaica; to being a powerful force of liberation for black people around the world. The author of this book Makonnen Sankofa, highlights the key elements of the Rastafari Movement. The book includes topics such as: the black liberation theology of Rastafari, how Rastafari originated, the link between Marcus Garvey and Rastafari, the legacy of Haile Selassie I, the presence of Rastafari in England, and the influence of Rastafari on Reggae music.