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Handedness is a multidimensional phenomenon co-determined by polygenetic and developmental aspects, multifactorial influences and in some cases, pathological impact. It is important for professionals working with children, including those who are still undecided about their writing hand, to assess, analyse and understand the complexity of handedness comprehensively to prevent problems related to switched or atypical handedness. Beyond Left and Right Handedness uses a practice-based approach to handedness and systematically integrates theory, research and practice. Part I, ‘Theory and Research,’ critically evaluates and utilises the broad spectrum of the handedness literature as a theoretical basis for the development of handedness instruments. Part II, ‘Assessment and Analysis,’ presents diagnostic and analytical instruments developed by the author based on numerous in-depth studies and extensive clinical practice over 20 years. These include the Handedness Profile, a standardised assessment of various handedness dimensions; and the Handedness Typology, an analytical framework to interpret different types of handedness. Part III, ‘Implications for Practice,’ contains detailed case studies on assessment and treatment by professionals working with children presenting with unclear and/or atypical handedness. “This book provides the reader with a comprehensive and scholarly discussion of the topic, presenting a careful, in-depth description of all aspects of the topic and providing professionals with the necessary, evidence-based tools to address handedness in practice. It is an invaluable resource that is well situated in the latest evidence-based understanding of handedness and provides a comprehensive guide to addressing the important development of handedness.” - Prof. Dr. Helen Polatajko
Vanguard Performance Beyond Left and Right challenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas (including scripted drama, staged suicide, choral dance, terrorism, rallies, and espionage), the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.
The 2008 U.S. presidential election is already heating up, fueled by debates about religion and politics, and dividing people of faith. Many Christians want to engage in politics but feel underequipped and overwhelmed. Wheaton College political scientist Amy E. Black believes Christians must become politically educated, not stereotyped and polarized. Beyond Left and Right offers a complete guide to the inner workings of American politics, equipping readers to think intelligently and to actively engage politics with their faith. Black is intentionally unbiased and avoids fleeting hot-button issues, ensuring the staying power of Beyond Left and Right, even after the election dust settles. Recommended for Christians and students interested in faith and politics.
Two Italian writers, Gaetano Mosca and Antonio Gramsci, have been very influential in twentieth-century political thought, the first cast as a thoroughgoing conservative, the second as the model of a humanistic Marxist. The author of this provocative book, the first systematic study of the connection between the two men, maintains that they are closer to each other than is commonly supposed-that they in fact belong to the same political tradition of democratic elitism. Maurice A. Finocchiaro argues that Gramsci's political theory is a constructive critique of Mosca's and that the key common element is the attempt to combine democracy and elitism in a theoretical system that defines them not as opposite but as compatible and interdependent. Finocchiaro finds that a critical examination of the major works of the two men demonstrates their shared belief in the viability of democratic elitism and undermines the importance of the distinction between right and left.
Two leading physicists discuss the importance of the Higgs Boson, the future of particle physics, and the mysteries of the universe yet to be unraveled. On July 4, 2012, the long-sought Higgs Boson--aka "the God Particle"--was discovered at the world's largest particle accelerator, the LHC, in Geneva, Switzerland. On March 14, 2013, physicists at CERN confirmed it. This elusive subatomic particle forms a field that permeates the entire universe, creating the masses of the elementary particles that are the basic building blocks of everything in the known world--from viruses to elephants, from atoms to quasars. Starting where Nobel Laureate Leon Lederman's bestseller The God Particle left off, this incisive new book explains what's next. Lederman and Hill discuss key questions that will occupy physicists for years to come:* Why were scientists convinced that something like the "God Particle" had to exist?* What new particles, forces, and laws of physics lie beyond the "God Particle"?* What powerful new accelerators are now needed for the US to recapture a leadership role in science and to reach "beyond the God Particle," such as Fermilab's planned Project-X and the Muon Collider? Using thoughtful, witty, everyday language, the authors show how all of these intriguing questions are leading scientists ever deeper into the fabric of nature. Readers of The God Particle will not want to miss this important sequel.
Vanguard Performance Beyond Left and Right challenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas (including scripted drama, staged suicide, choral dance, terrorism, rallies, and espionage), the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.