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“... without a doubt the greatest poet English Canada has ever produced.” —Dennis Lee “A hundred years from now, one of the few Canadian poets whose work will still be read will be Al Purdy.” —Maclean’s Al Purdy (1918–2000), known as Canada’s unofficial poet laureate, wrote poetry that anyone could read. Having come from working-class roots with little in terms of formal education, he wrote in a colloquial style and with a rowdy yet sensitive poetic persona that has captured the hearts of many. Purdy was exceptional in the attention he paid to the geography and history of Canada; rather than using his Canada Council grant to write from Europe like many of his contemporaries, he took a trip to Canada’s Arctic where he wrote some of his most well-loved poems. His self-built A-frame in the Ontario township of Ameliasburgh also connected him to the land and history of that place, a literary legacy that lives on through the A-frame writer-in-residence program. Purdy wrote over three dozen collections of poems, two memoirs, a novel, a number of collections of his correspondence and anthologies. He was awarded the Governor General’s Literary Award for poetry twice, first in 1965 for The Cariboo Horses and then in 1986 for The Collected Poems of Al Purdy. He was an officer of the Order of Canada and a member of the Order of Ontario. The League of Canadian Poets honoured him with the Voice of the Land Award, created specifically to recognize his tremendous contribution to Canadian poetry. This collection, created in honour of the poet’s upcoming 100th birthday on December 30, 2018, gathers voices old and new in celebration of the life and work of Al Purdy. Featuring poems by F.R. Scott, Earle Birney, Milton Acorn, Russell Thornton, David Zieroth, Lorna Crozier, Tom Wayman, Phil Hall, George Bowering, Peter Trower, Howard White, Cornelia Hoogland, Doug Beardsley, Patrick Lane, Susan Musgrave, Bruce Cockburn, Rodney DeCroo, Steven Heighton, James Arthur, Sadiqa de Meijer, Nicholas Bradley, Doug Paisley, Autumn Richardson and many more, Beyond Forgetting is guaranteed to move each and every Canadian poetry buff who grazes its pages.
This book explores the intersection between Performance Practices, Critical & Expanded Design, and Memorial Culture, exploring cross-disciplinary working modes and educational models in response to contemporary and historical persecution and exile. It aims to contribute to the field of Experimental and Expanded Design by probing embodied practices as socially pertinent process-oriented modalities of problem-solving and education. The collection of essays and student projects in this publication gives an insight into the possibility of responding to hidden and reluctant histories of persecution and exile through visual, performative, conceptual and interactive means.
This is a literary collection that illuminates the darkness of Alzheimer's disease. It is a unique collection of poetry and short prose about the disease written by 100 contemporary writers - doctors, nurses, social workers, hospice workers, daughters, sons, wives, and husbands - whose lives have been touched by the disease.
This family saga takes place in Ireland and New York City in the second half of the nineteenth century. It begins in 1849 when a thirteen-year-old boy, through a cruel twist of fate, lands at the tip of the island at Castle Garden. Frightened and alone, James Barry simply walks off the ship onto the citys congested streets and begins his adventure. For the next fourteen years he works on the docks and lives in the Bowery until, so disgusted by the draft riots, he signs up on a clipper and spends the next two years on the open seas. He winds up back in Ireland and meets and marries a girl from his own village. After three children and a futile attempt at farming land he knew he could never own he heads back to post Civil War America. Beyond Forgetting You is a personal account of how James family co-existed with their neighbors in a Westside tenement in lower Manhattan. The story is simultaneously told through his youngest daughters journals. Bridget optimistically describes her life and her familys plight to become middle-class. She tells the intricacies of inner-city living and gives a realistic look at social problems and how the lower class dealt with events, politics, ideas and uptown opulence. Manhattan was then much as it is today, a very overcrowded and exciting city where the family constantly struggled to survive while never losing their simple pleasure in being alive.
"Excellent, well-documented, thoughtful, and comprehensive, Forgetting Children Born of War challenges the prevailing discourse on human rights and humanitarian intervention."-ALISON BRYSK, University of California, Irvine.
"Giroux refuses to give in or give up. The Violence of Organized Forgetting is a clarion call to imagine a different America--just, fair, and caring--and then to struggle for it."--Bill Moyers "Henry Giroux has accomplished an exciting, brilliant intellectual dissection of America's somnambulent voyage into anti-democratic political depravity. His analysis of the plight of America's youth is particularly heartbreaking. If we have a shred of moral fibre left in our beings, Henry Giroux sounds the trumpet to awaken it to action to restore to the nation a civic soul."--Dennis J. Kucinich, former US Congressman and Presidential candidate "Giroux lays out a blistering critique of an America governed by the tenets of a market economy. . . . He cites French philosopher Georges Didi-Huberman's concept of the 'disimagination machine' to describe a culture and pedagogical philosophy that short-circuits citizens' ability to think critically, leaving the generation now reaching adulthood unprepared for an 'inhospitable' world. Picking apart the current malaise of 21st-century digital disorder, Giroux describes a world in which citizenship is replaced by consumerism and the functions of engaged governance are explicitly beholden to corporations."--Publishers Weekly In a series of essays that explore the intersections of politics, popular culture, and new forms of social control in American society, Henry A. Giroux explores how state and corporate interests have coalesced to restrict civil rights, privatize what's left of public institutions, and diminish our collective capacity to participate as engaged citizens of a democracy. From the normalization of mass surveillance, lockdown drills, and a state of constant war, to corporate bailouts paired with public austerity programs that further impoverish struggling families and communities, Giroux looks to flashpoints in current events to reveal how the forces of government and business are at work to generate a culture of mass forgetfulness, obedience and conformity. In The Violence of Organized Forgetting, Giroux deconstructs the stories created to control us while championing the indomitable power of education, democracy, and hope. Henry A. Giroux is a world-renowned educator, author and public intellectual. He currently holds the Global TV Network Chair Professorship at McMaster University in the English and Cultural Studies Department and a Distinguished Visiting Professorship at Ryerson University. The Toronto Star has named Henry Giroux “one of the twelve Canadians changing the way we think." More Praise for Henry A. Giroux's The Violence of Organized Forgetting: "I can think of no book in the last ten years as essential as this. I can think of no other writer who has so clinically dissected the crisis of modern life and so courageously offered a possibility for real material change."--John Steppling, playwright, and author of The Shaper, Dogmouth, and Sea of Cortez "A timely study if there ever was one, The Violence of Organized Forgetting is a milestone in the struggle to repossess the common sense expropriated by the American power elite to be redeployed in its plot to foil the popular resistance against rising social injustice and decay of political democracy."--Zygmunt Bauman, author of Does the Richness of the Few Benefit Us All? among other works Prophetic and eloquent, Giroux gives us, in this hard-hitting and compelling book, the dark scenario of Western crisis where ignorance has become a virtue and wealth and power the means of ruthless abuse of workers, of the minorities and of immigrants. However, he remains optimistic in his affirmation of radical humanity, determined as he is to relate himself to a fair and caring world unblemished by anti-democratic political depravity."--Shelley Walia, Frontline
From beloved author of Rook comes a brilliant and genre-bending exploration of truth and memory, love and loss in this remarkable story of a civilization that undergoes a collective forgetting. What isn't written, isn't remembered. Even your crimes. Nadia lives in the city of Canaan, where life is safe and structured, hemmed in by white stone walls and no memory of what came before. But every twelve years the city descends into the bloody chaos of the Forgetting, a day of no remorse, when each person's memories -- of parents, children, love, life, and self -- are lost. Unless they have been written.In Canaan, your book is your truth and your identity, and Nadia knows exactly who hasn't written the truth. Because Nadia is the only person in Canaan who has never forgotten.But when Nadia begins to use her memories to solve the mysteries of Canaan, she discovers truths about herself and Gray, the handsome glassblower, that will change her world forever. As the anarchy of the Forgetting approaches, Nadia and Gray must stop an unseen enemy that threatens both their city and their own existence -- before the people can forget the truth. And before Gray can forget her.
"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins
Thanks to Facebook and Instagram, our childhoods have been captured and preserved online, never to go away. But what happens when we can’t leave our most embarrassing moments behind? Until recently, the awkward moments of growing up could be forgotten. But today we may be on the verge of losing the ability to leave our pasts behind. In The End of Forgetting, Kate Eichhorn explores what happens when images of our younger selves persist, often remaining just a click away. For today’s teenagers, many of whom spend hours each day posting on social media platforms, efforts to move beyond moments they regret face new and seemingly insurmountable obstacles. Unlike a high school yearbook or a shoebox full of old photos, the information that accumulates on social media is here to stay. What was once fleeting is now documented and tagged, always ready to surface and interrupt our future lives. Moreover, new innovations such as automated facial recognition also mean that the reappearance of our past is increasingly out of our control. Historically, growing up has been about moving on—achieving a safe distance from painful events that typically mark childhood and adolescence. But what happens when one remains tethered to the past? From the earliest days of the internet, critics have been concerned that it would endanger the innocence of childhood. The greater danger, Eichhorn warns, may ultimately be what happens when young adults find they are unable to distance themselves from their pasts. Rather than a childhood cut short by a premature loss of innocence, the real crisis of the digital age may be the specter of a childhood that can never be forgotten.
A royal family in chaos, a country under attack, a prophecy of lies. Magic, betrayal and epic battles War has come to the Five Isles. A merciless host driven by the Angel Prince, Aeros, has its sights on the unconquered kingdom of Gul Kana. Its ruling family are fractured. The newly crowned king reigns in paranoid isolation, and his two sisters have troubles of their own. Jondralyn wants to prove her worth as a warrior, while Tala has uncovered a secret that may destroy the entire kingdom. Hidden at the edge of Gul Kana, however, is Nail. An orphan taken by the enigmatic Shawcroft to a remote whaling village, he is now a young man who may be the salvation of the entire Five Isles... A dark and epic fantasy perfect for fans of Mark Lawrence, Brent Weeks and George R.R. Martin. ‘This is an epic, EPIC fantasy’ Rob Bedford, SFFWorld.com ‘Durfee writes with genuine passion, bringing his world fully to life with abounding detail and brisk, gutsy action... an outstanding debut’ John Marco, bestselling author of The Forever Knight and the Tyrants and Kings trilogy ‘This is high fantasy in the vein of Stephen R. Donaldson or David Eddings, with generous helpings from George R. R. Martin. Durfee’s world building is exceptional’ Booklist ‘Plenty of well-crafted spectacle, thrills, suspense, blood, thunder and general sense of wonder’ Locus magazine 'The battle scenes were, to say the least, epic and so immersive.’ Reader reviewer