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A celebration of the Jets’ 1968 historic Super Bowl team, filled with exclusive insights and stories from the surviving players, coaches, and management In 1968, Joe Namath, the quarterback of the New York Jets, dominated the headlines as a national celebrity and counterculture figure. The Jets were a vastly talented but underappreciated team that drew constant attention due to Namath, but were not taken seriously by fans. When the Jets earned their way to Super Bowl III to face an eighteen-point favorite Baltimore Colts squad, Namath put all the pressure on himself by shockingly “guaranteeing” a Jets victory. He fulfilled his promise, but knew he didn’t do it alone. As Broadway Joe said in the postgame locker room: “We’ve got the team, brother.” In Beyond Broadway Joe: The Super Bowl TEAM That Changed Football, thirty-six surviving members of that legendary 1968 team share for the first time their funny, poignant, and insightful personal stories about their Super Bowl teammates and coaches, and the historic win that changed football forever. Readers will learn what Namath’s teammates thought about his “guarantee,” find out what Jets coaches discovered on the field early during Super Bowl III that Namath and the defense used to frustrate the Colts, and delight in how the thirty-nine Jets who took the field each week with Namath enabled him to live up to his Super Bowl vow. Author Bob Lederer reviews head coach Weeb Ewbank’s never-before-seen player evaluations—that they didn’t know existed—and provides a rich history of the Jets franchise, from how these thirty-nine forgotten players became Jets, and the road ten of them took to become AFL all-stars in 1968. This definitive review of the entire Jets’ Super Bowl team is a must for every Jets diehard, for fans of the old American Football League, and for all who love the game.
In between Babe Ruth and Michael Jordan there was Joe Namath, one of the few sports heroes to transcend the game he played. Novelist and former sports-columnist Mark Kriegel’s bestselling biography of the iconic quarterback details his journey from steel-town pool halls to the upper reaches of American celebrity—and beyond. The first of his kind, Namath enabled a nation to see sports as show biz. For an entire generation he became a spectacle of booze and broads, a guy who made bachelorhood seem an almost sacred calling, but it was his audacious “guarantee” of victory in Super Bowl III that ensured his legend. This unforgettable portrait brings readers from the gridiron to the go-go nightclubs as Kriegel uncovers the truth behind Broadway Joe and why his legend has meant so much to so many.
The NFL icon who first brought show business to sports shares his life lessons on fame, fatherhood, and football. Three days before the 1969 Super Bowl, Joe Namath promised the nation that he would lead the New York Jets to an 18-point underdog victory against the seemingly invincible Baltimore Colts. When the final whistle blew, that promise had been kept. Namath was instantly heralded as a gridiron god, while his rugged good looks, progressive views on race, and boyish charm quickly transformed him - in an era of raucous rebellion, shifting social norms, and political upheaval - into both a bona fide celebrity and a symbol of the commercialization of pro sports. By 26, with a championship title under his belt, he was quite simply the most famous athlete alive. Although his legacy has long been cemented in the history books, beneath the eccentric yet charismatic personality was a player plagued by injury and addiction, both sex and substance. When failing knees permanently derailed his career, he turned to Hollywood and endorsements, not to mention a tumultuous marriage and fleeting bouts of sobriety, to try and find purpose. Now 74, Namath is ready to open up, brilliantly using the four quarters of Super Bowl III as the narrative backbone to a life that was anything but charmed. As much about football and fame as about addiction, fatherhood, and coming to terms with our own mortality, All the Way finally reveals the man behind the icon.
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
The idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice--a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.
Explores the story of this intersection, from when Broadway was a mere dirt path known as Bloomingdale Road, through the district's decades of postwar decay, to its renewal as a tourist-friendly mecca.
“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical. As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for. But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety. Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.
Edgar Award-winning and New York Times bestselling author C.J. Box delivers a thriller in Back of Beyond about a troubled cop trying to save his son from a killer in Yellowstone, now reissued with additional bonus content including an introduction from the author. Cody Hoyt, although a brilliant cop, is an alcoholic struggling with two months of sobriety when his friend Hank Winters is found burned to death in a remote mountain cabin. At first it looks like the suicide of a man who’s fallen off the wagon, but Cody knows Hank better than that. As Cody digs deeper into the case, all roads lead to foul play. After years of bad behavior with his department, Cody is in no position to be investigating a homicide, but he will stop at nothing to find Hank’s killer. When clues found at the scene link the murderer to an outfitter leading tourists on a multiday wilderness horseback trip into the remote corners of Yellowstone National Park—a pack trip that includes his son Justin—Cody is desperate to get on their trail and stop the killer before the group heads into the wild. In a fatal cat-and-mouse game, where it becomes apparent the murderer is somehow aware of Cody’s every move, Cody treks into the wilderness to stop a killer hell-bent on destroying the only important thing left in his life. *BONUS CONTENT: This edition of Back of Beyond includes a new introduction from the author and a discussion guide
The idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at thewidespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice - a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in acentury-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoortheatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.