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A firsthand account of Colombia's turmoil by a journalist who was held captive by rebel guerrillasIndependent journalist Garry Leech has spent the last eight years working in the most remote and dangerous regions of Colombia, uncovering the unofficial stories of people living in conflict zones. Unlike other Western journalists, most of whom rarely leave Bogotá, Leech learns the truth about conflicts and the U.S. war on drugs directly from the source: farmers, male and female guerrillas, union organizers, indigenous communities, and many others.Beyond Bogotá is built around the eleven hours that Leech was held captive by the FARC, Colombia's largest leftist guerrilla group, in August of 2006. Drawing on unprecedented access to soldiers, guerrillas, paramilitaries and peasants in conflict zones and cocaine-producing areas, Leech's documentary memoir is an epic tale of a journalist's search for meaning in the midst of violence and poverty. This compelling account provides fresh insights into U.S. foreign policy, the role of the media, and the plight of everyday Colombians caught in the middle of a brutal war."In this remarkable saga, Garry Leech conveys brilliantly and with vivid insight the magical qualities of this rich and tortured land, and the struggles and torment of its people." -Noam Chomsky"An extraordinary portrait of grace under pressure-not only of the author himself, but of ordinary Colombians fighting for social justice." -Forrest Hylton, author of Evil Hour in Colombia
To many foreigners, Colombia is a nightmare of drugs and violence. Yet normal life goes on there, and, in Bogotá, it's even possible to forget that war still ravages the countryside. This paradox of perceptions—outsiders' fears versus insiders' realities—drew June Carolyn Erlick back to Bogotá for a year's stay in 2005. She wanted to understand how the city she first came to love in 1975 has made such strides toward building a peaceful civil society in the midst of ongoing violence. The complex reality she found comes to life in this compelling memoir. Erlick creates her portrait of Bogotá through a series of vivid vignettes that cover many aspects of city life. As an experienced journalist, she lets the things she observes lead her to larger conclusions. The courtesy of people on buses, the absence of packs of stray dogs and street trash, and the willingness of strangers to help her cross an overpass when vertigo overwhelms her all become signs of convivencia—the desire of Bogotanos to live together in harmony despite decades of war. But as Erlick settles further into city life, she finds that "war in the city is invisible, but constantly present in subtle ways, almost like the constant mist that used to drip down from the Bogotá skies so many years ago." Shattering stereotypes with its lively reporting, A Gringa in Bogotá is must-reading for going beyond the headlines about the drug war and bloody conflict.
Through a comparative analysis of the novels of Roberto Bolaño and the fictional work of César Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other leading authors, Héctor Hoyos defines and explores new trends in how we read and write in a globalized era. Calling attention to fresh innovations in form, voice, perspective, and representation, he also affirms the lead role of Latin American authors in reshaping world literature. Focusing on post-1989 Latin American novels and their representation of globalization, Hoyos considers the narrative techniques and aesthetic choices Latin American authors make to assimilate the conflicting forces at work in our increasingly interconnected world. Challenging the assumption that globalization leads to cultural homogenization, he identifies the rich textual strategies that estrange and re-mediate power relations both within literary canons and across global cultural hegemonies. Hoyos shines a light on the unique, avant-garde phenomena that animate these works, such as modeling literary circuits after the dynamics of the art world, imagining counterfactual "Nazi" histories, exposing the limits of escapist narratives, and formulating textual forms that resist worldwide literary consumerism. These experiments help reconfigure received ideas about global culture and advance new, creative articulations of world consciousness.
"Beyond Mobility" also seeks to rethink how projects are planned and designed in cities and suburbs at multiple geographic scales, from micro-designs such as parklets to corridors and city-regions. The book closes with a reflection on the opportunities and challenges in moving beyond mobility, with attention to emerging technologies such as self-driving cars and ride-hailing services and social equity topics such as accessibility, livability, and affordability.