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This book offers a bold new approach to the philosophy of art. General theories of art don't work: they can't deal with problem cases. Instead of trying to define art, we should accept that a work of art is nothing but a work in one of the arts. Lopes's buck passing theory works well for the avant garde, illuminating its radical provocations.
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This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
A new theory of culture presented with a new method achieved by comparing closely the art and science in 20th century Austria and Hungary. Major achievements that have influenced the world like psychoanalysis, abstract art, quantum physics, Gestalt psychology, formal languages, vision theories, and the game theory etc. originated from these countries, and influence the world still today as a result of exile nurtured in the US. A source book with numerous photographs, images and diagrams, it opens up a nearly infinite horizon of knowledge that helps one to understand what is going on in today’s worlds of art and science.
Exploring the ways in which sustainable development is being used by an emerging group of artists who combine fresh aesthetic sensibilities with constructively critical approaches to the production, dissemination, and display of their art, this book considers environmental issues in the context of art and design.
Aliens - Astronauts - Symbolism - Fantasy - Barbarians - Spacecraft - Futuropolis - Other worlds - Supernatural - Robots - Humour - Back to Earth.
"In this volume, author Alan Licht lays bear the origins of sound art, offering the reader the most thorough understanding of the field to date, and explores the genre's most important practitioners"--Jacket, p. [2].
Create hand-lettered pieces of art with the Creative Lettering and Beyond Art & Stationery Kit! Graduate your hand-lettering skills to art worthy of hanging on the wall. We’ve pulled together the artistic talents of four professional hand-letterersand calligraphers to give you complete instructions. Included are all the tools you’ll need to get creating. The Creative Lettering and Beyond Art & Stationery Kit comes beautifully packaged in a hardcover case filled with everything new letterers will need. Get a handle on drawing elegant lettering with the 40-page project book filled with lessons and inspiration, a slate board and easel for practice, notecards for finished projects, and all the art supplies you’ll need. You’ve no doubt seen how popular lettering has become on Instagram, Pinterest, and other sites.Even if you're new to lettering--or to making art entirely!--these tips, techniques, and materials will have you completing project after project. With the Creative Lettering and Beyond Art & Stationery Kit, you'll be able to experiment with cursive script, get your feet wet with calligraphy, and embellish and illuminate hand-lettered artwork from day one. This all-in-one art guide is perfect for the artist in your life. The highly giftable kit brings everything an artist needs for a weekend of artistic fun or a new skill for a lifetime.
The project of naturalizing human consciousness/experience has made great technical strides (e.g., in mapping areas of brain activity), but has been hampered in many cases by its uncritical reliance on a dualistic “Cartesian” paradigm (though as some of the authors in the collection point out, assumptions drawn from Plato and from Kant also play a role). The present volume proposes a version of naturalism in aesthetics drawn from American pragmatism (above all from Dewey, but also from James and Peirce)—one primed from the start to see human beings not only as embodied, but as inseparable from the environment they interact with—and provides a forum for authors from diverse disciplines to address specific scientific and philosophical issues within the anti-dualistic framework considering aesthetic experience as a process of embodied meaning-making. Cross-disciplinary contributions come from leading researchers including Mark Johnson, Jim Garrison, Daniel D. Hutto, John T. Haworth, Luca F. Ticini, Beatriz Calvo-Merino. The volume covers pragmatist aesthetics, neuroaesthetics, enactive cognitive science, literary studies, psychology of aesthetics, art and design, sociology.